Deron Generally Comic Reviews

Diogenes Neves delivers some amazing and beautifully detailed art in this first issue. The action and the characters look great and there are some awesome action beats throughout.

Jason Fabok brings some brilliantly dark and disturbing art to this first issue. Not only do all three iterations of the Joker look menacing and scary, but the crimes they commit are given a visceral, visual flair. A great looking book filled with detailed panels.

Jason Fabok's art is fantastic. The characters and action look great. I just wish the story was worthy of the beautiful imagery.

John Romita Jr. has some beautifully detailed and vibrant art throughout this first issue. The opening sequence is amazing.

John Romita Jr. delivers some stunning art in this issue. It's impressive to see how the art reflects the physical and emotional growth of the character.

John Romita Jr's art is great and there are several beautifully detailed and vibrant moments throughout the story.

Russ Braun does some great work with the art and visually there is a lot there to like. Unfortunately, beyond the character details, which were great, Braun doesn't have a lot to do here.

Great art from Russ Braun. The characters look great and the one fight scene is beautifully brutal. Would have loved to see more action, but the art does a great job of capturing the mood of the story.

Russ Braun has a great eye and a great style. I just wish he had something to do in this story. There is so much that is not happening and that is a bummer visually. Instead, there are page after page of characters standing around talking about things that are way more interesting.

Russ Braun delivers some great imagery throughout the issue, but the story doesn't give Braun much to do beyond panels of Billy walking, Billy talking and an ending that comes out of nowhere.

The promise of what this issue could have done is wasted on moments that go nowhere, a villain that has no purchase and an overall plot that seemed thin at best. It took until the end of this issue to get to the real threat that is looming over this wedding. Something that is much more interesting than this story could hope to be. Had it spent more time on the relationship between Bruce and Dick, it would have been more compelling a prelude.

A good issue that is short on action, but works as a means of allowing the characters to reflect on who they are and what they are as a team.

There are moments I enjoyed, but they were all visual. Other than the beautiful and impressive visuals provided by Gabriel Rodriguez, there is not much else to this interpretation to sustain the reader's interest.

Moves the overall plot along, but if this were the first comic I picked up, it wouldn't entice me to read the next one.

Michael Avon Oeming delivers great art that makes the story look amazing. I just wish the story felt as substantive as the art.

The story is interesting but the exposition in many of the scenes would have been more effective had we seen the events the characters were talking about. The artwork is good, but the colors make everything flat to the point where nothing truly pops on the page.

David Cabeza delivers some awesome art in the issue. All of the characters look great and the panels were filled with detail.

Baldemar Rivas handles both the creatures and characters with skill. All of the art looks great and the style gives a fluidity to the panels as the story moves forward.

Baldemar Rivas has delivered some beautiful art in this issue. Everything is filled with detail and many of the moments will fill you with visceral dread.

Baldemar Rivas delivers some beautiful and disturbing imagery in this issue. The art is captivating and I love seeing how far it is pushed in this series and this issue especially.

A good story with some interesting concepts and writing that is hampered severely by the style of visuals used and the limitations that come with it.

Roger Langridge gives the art a retro feel that is indicative of the time the story takes place in. It is fun, light and designed to match the tone of the story. If the story were more dynamic and interesting, the art would feel welcoming. Unfortunately, it feels flat and lifeless because of the story.

Rebelka delivers some great art in the first issue. I loved the first few images of the issue and how they brought me into the world of Lovecrafts twisted imagination.

Dan Moras art is one of the only things that redeems this first issue for me. I love the visual style and the spectacle Mora brings to every action packed moment. I just wish the story was worthy of his skills.

Broglia delivers some great art throughout the issue. The visuals are fun and stylish. I really love the classic design of the alien and the final page of the issue was a great visual reveal.

Broglia delivers some great art throughout the issue. I love the visual style of this story a lot and it beautifully captures the tone and mood of the series.

Broglia delivers great art throughout the story. The character designs and visual style match the tone and mood of the story perfectly.

Changs art is the saving grace of this issue. The art is beautifully detailed and has some amazing visual moments of horror that would have been better served by a better story.

Klein delivers beautiful art, but beyond the well detailed panels, there is no life to the art itself. It seems to just showcase violence for its own sake and nothing of substance.

Jorge Fornes does a great job with the art in the issue. The scenes are beautifully framed and have a great detective noir style to them. I wish there was more happening in the story to complement the compelling art.

Jorge Fornes makes the issue look good. I like the contrast between the past and present delivered by Dave Stewart's colors and Fornes has some great details in the backgrounds.

Robbi Rodriguez does an excellent job with the art. The style is kinetic and full of energy. Every moment featuring Barbara was great and she looked amazing in contrast to Joker who never visually seemed as scary as he does in other incarnations.

Robbi Rodriguez does a brilliant job with the art in this issue. The characters looks amazing and the art creates an engaging atmosphere as it matches the tone of the story. A great looking issue from the first surreal dream sequence to the awesome cliffhanger final page.

All of the artists bring something unique and intersting to the table. Lupacchino has a flair for character and movement. Sauvage delivers great action and interpersonal moments. Aneke utilizes great camera angles to emphasize skill and strength.

Looked really good. Suffered from lack of depth in its characters.

Pere Perez provides some great art throughout the issue especially in the action scenes.

Greg Scott strikes the perfect tone with the art in this issue. The story has all the feel of a film noir mystery and Scott's use of shadows and composition fit perfectly into the tone of the series.

Greg Scott employs a dark, film noir sensibility to the art in this issue and that works with both the tone and the themes of the issue. I like many of the panels and how they bathe characters in shadow in order to help showcase emotion.

Greg Scott's art style is fantastic. There is a great attention to detail throughout and the story lends itself to the style of the art really well.

Marquez pairs a great story with beautifully detailed and stylish art that captured my imagination. A great looking issue from start to finish.

Marquez delivers visually stunning art throughout the issue. I love the visual style of the series and the beauty of the action scenes.

Marquez delivers stunning art throughout the issue. I love the visuals, the anime style of the characters and the dynamic, bombastic action.

Russell, Mignola and Ordway deliver some impressive visuals in this issue, but their art can't transcend the feeling that I'm experiencing a lecture rather than reading a story.

Barberi's art is amazing. I love the anime style of it and there are so many great moments and panels that it's hard to pick one or two to discuss. The way Barberi composes a panel is great and so many of them show great detail and action. It's a shame this is a 12 issue series because this story could continue with this creative team behind it.

Barberi delivers some great art in this issue as well and everything has a great sense of movement and motion in how it complements the story that Tomasi is creating. Great visuals throughout help keep the story suspenseful as well as fun.

The art by Barberi is top-notch. There are so many fun and detailed moments in this issue that are made even more engaging with the incredible art and colors.

The art is really good. There are some vibrant and beautiful panels in the issue. Unfortunately, there is so little going on from a story perspective that the artist doesn't seem to have much to work with.

The art is amazing. Barberi draws these characters beautifully and there are some great details in both the characters and the backgrounds.

The art by Carlo Barberi is great. There are so many beautifully detailed panels that showcase amazing action throughout the story.

Scott Godlewski does a great job with the art in this issue. I wish he was given something more interesting to work with.

Visually, the issue looks fantastic. The art by Carlo Barberi is dynamic and well done. It's energetic and fun.

Carlo Barberi's art is great and the action is especially well done. There is a lot going on in the panels, but nothing is overwhelming to the senses. All the pages are filled with dynamic action and details.

Carlo Barberi brings some beautiful visuals to the issue. Everything is lively and filled with action, energy and details. A great looking issue.

The art is really good. The art by Stephen Byrne is fun, detailed and beautifully colorful.

The art by Stephen Byrne is perfect for the tone and style of this light type of story.

Stephen Byrnes art is a perfect complement to Russells story in both tone and look. There is a lightness to the art that makes it engaging to the reader.

Stephen Byrne continues to deliver some impressive art and that's about the best praise I could give this tone-deaf issue.

Great art from Stephen Bryne. The light tone of the series and its art still allow for great panels and details.

The book has potential, but it needs to find its footing and decide what it wants to be.

Silva delivers beautifully detailed and stunning art throughout the issue. I love the visuals a lot and there is enough huge action moments to keep me engaged visually.

Silva delivers solid, beautifully detailed art throughout the issue. I love the visual style of the moments between Valeria and Doom.

The art is great. There are some fun expressions for the characters and I love the visual style of it. I just wish the story was worthy of the visuals.

I absolutely love the tone of this story and its slow build up to a truly disturbing cliffhanger. A cliffhanger that was brilliantly executed visually by Leila Leiz.

The terror and tension continues to rise brilliantly in this story. Seeing the slow realization of what is happening is great and the reader begins to feel like part of the story as well. Great art brings out the emotion of scenes and the terror of others.

A great, action filled finale that has great visuals throughout and an ending that is both satisfying and intriguing.

Larraz delivers some fantastic art throughout the issue. The story is filled with great action and horror with the visuals matching that dark energy with beautifully detailed imagery.

Larraz delivers some beautifully detailed and visually thrilling art throughout the issue. I love Larrazs visual style and how the art captures the dark tone and adventure within the story.

Larraz delivers stellar art throughout the issue. The visuals are thrilling, intense and emotionally compelling. A fantastic looking issue from start to finish.

Larraz crafts some beautiful art in this issue. The visuals are dynamic and perfectly capture the dark nature of the story and its characters.

Larraz delivers some beautifully detailed and visually stunning art throughout the issue. The visuals are breathtaking and intricate.

Villanelli delivers some beautifully detailed and visually immersive art in the issue. I love the look of the characters and the style has some great energy to it that kept me engaged.

Villanelli delivers some great art in the issue. I love the backgrounds and the general visual tone of the story. Tartaglia enhances the visuals with great, bright and engaging colors.

There are some haunting moments in the story that I wish could have been explored more. The emotional aspects of Bruce as a Lantern get stripped away for shock moments that fail to resonate.

Bazaldua delivers some great art in the issue. I love the visual style and how it crafts the characters. I love the new look for Carol as well.

A fun blast from the past that has the potential to be more.

Dead Inside is starting well. The mystery at the heart of the story is interesting and the artwork is on pace with the plotting. The plot itself moves a little too slowly in areas and there are moments that lay flat on the page, but it is an interesting story that I will continue to read.

Adams has gotten my attention with this story and even more so with the supporting cast of characters that he has added to Boston Brand.

Wade is not happy, but still making jokes as he tries to piece some kind of life together in the aftermath of Secret Empire.

Falcon is trying to come into his own with his own title. While there were some moments that stood out and the reveal of the villain at the end is interesting, much of the plot seemed a little mediocre. Hopefully, the series leans into the story of a hero betrayed because that story feels more interesting.

A fun first issue with a few cliche moments, but an overall interesting story that caught my attention.

The art is phenomenal. I love how this story looks visually.

Pete Woods has some really good art in this issue. There are some great visual moments and the style of the art has a fluid, moving nature to it that is enjoyable to look at.

The story was good, but not great. It's effective at ramping up the tension, but some of the bigger characters get diminished because of it. The art seems to do the same thing. The characters, conflicts and action all seemed small on the page, which reduced the tension and its effectiveness.

The story continues to be promising and there are some really good moments in this issue that push the limits of the characters and their motivations while also humbling them amongst the people they are trying to save. The artwork is really good with great backgrounds and scale.

A solid conclusion to the story with enough nods to future storylines to be interesting. Some of the dialogue was a little heavy handed in conveying its message, but it didn't distract too much from the story. The artwork was great and, with the exception of Batman, everyone was represented well in their fight scenes.

Good story that sets up more interesting stories in its one on one interactions. The artwork is good, but jumbled.

A good ending to the Lobo arc with some great character moments. The art was well done for the most part.

An effective smaller issue that allows time to develop the interpersonal relationships with the team. The art is well done and falls in line with the tone of the story.

Really well plotted thriller elements work well in this issue and kept me interested. The art is well done, but the artist isn't given much in the way of action.

Good story with dynamic character development and art that showcases the power of the characters.

Good story and pacing with interesting seeds planted for a broader narrative. Good art that flowed with the story.

The one on one interactions between the team members continues to work from a story perspective, but this arc is starting with weak visuals and a story that feels too short.

An interesting mystery continues to unfold with the writer giving some good character interactions and the artist providing some dynamic action.

A good side story to the main plot, but the plot itself hasn't really hooked me.

An uninteresting continuation of an increasingly uninteresting story that should have ended two issues ago.

A finale that should have ended three issues ago or shouldn't have been done at all for what little it actually accomplished.

A good story that taps into the simmering drama between the members of the team.

The issue was flat in its execution and the villains were underwhelming at their best. Time to remove the pawns and get to the player.

This story line is over, but the only thing it proves is that the JLA needs The Ray and Batman in order to be relevant, which is a shame.

It is a gorgeous book to look at though and the art is amazingly detailed and fluid. Perhaps the next issue will bring the story into focus.

The story is absurd but fun and there are some funny moments and one-liners in this issue. I fear that the lighter tone might box the character into a corner in the future.

A good book with an interesting new premise. Frank's relationship to Fury is the standout in this one and I am interested in how it will play out.

Does a good job of giving Frank a suit of armor without turning him into someone he's not. It's walking a fine line well enough to be interesting.

The first part of this issue was really funny and finished out the storyline in a satisfying way that combined great visuals and humor. The second story wasn't necessary and wasn't really funny.

Both stories are fun in their own ways. The first because it just goes there with no regard to subtlety and sticks the landing with an awesome and unexpected ending. The second story is fun because it encompasses all the subversive humor that Rick and Morty are known for.

Gurhiru does a lot of the heavy lifting when it comes to making this issue work by incorporating some captivating and beautiful visuals throughout this issue.

This is a fun first issue that doesn't take itself too seriously and sets up a pretty interesting story going forward.

Olivetti delivers some beautifully detailed art throughout the issue. I liked the subtlety of the art as well as the visual style of the back story moments.

Roberts creates beautifully dark and intense art throughout the issue. I love the visual contrast between the characters and how wonderfully detailed the visual are.

Roberts delivers stunningly dark and disturbing visuals that perfectly capture the tone and mood of the story.

Roberts crafts beautifully detailed and visually stunning art throughout the issue. The imagery brilliantly captures the dark tone and mood of the story.

Roberts crafts some beautifully detailed and visually exciting art throughout the issue. I love the visual horror elements in the story and how they are brought to life.

Cormack delivers stunning art throughout the issue. I love the different visual styles and how Cormack is able to frame the growing menace of the mother in this issue.

Cormack delivers fantastic art throughout the issue. The pages and panels brilliantly capture the dark tone of the story while showcasing the rising tension and suspense with small visual details that capture the eye.

Cormack delivers great art throughout the issue. I love the visual style and the evocative imagery of the mother as well as candle eyes.

Cormack delivers stunning art throughout the issue. I love the visual style of this series and this issue encompasses all of the visceral horror that I have enjoyed from this series.

Ferriera's art is fantastic though. The characters look great. Morbius looks impressively menacing and the panels are framed and executed brilliantly.

Eisma crafts some visually engaging art in the issue. I enjoy the visual style a lot and the details throughout the issue.

After finding some bright spots with the last issue, this one seemed to take a pretty mediocre turn in both the action and storytelling. The cover art suggested some action that is not to be had in the issue and Hydra Steve's plans just seem a little goofy at this point.

A satisfying conclusion to an often unsatisfying storyline. Makes me curious to see what the aftermath of the event looks like for the heroes, especially Steve.

It's finally over and Spencer ended it in a way that doesn't redeem the run itself, but does satisfy the overall story and the journey of its heroes. More interested in the aftermath to come.

This issue was enjoyable on many levels, especially in the confrontation between Steve and Hydra Steve over who's ideals are the most resilient. It would have been nice to see some of this internal conflict play out over the previous series, but this issue is well done in telling a compelling story of dual ideologies.

Jones delivers some beautifully detailed, dark and scary art throughout the issue. I think the visual style of this issue perfectly captures the tone and mood of the story.

Jones delivers dark, beautifully detailed and visually exciting art throughout the issue. I love the cinematic style of the imagery and how it captures the mood of the story.

Ward crafts a dark, thrilling adventure in this issue. I really like the pacing of the story as well as the resolution of Jennifer and Sara’s stories. I really like the tone and the immediacy of the action in this issue and how it beautifully serves as a prequel to the events of the movie with its epilogue connection.

Carey creates some visually striking and beautifully detailed art throughout the issue. I really love the art style and character designs.

The art is simple and plays into the tone of the story. It's meant to be cartoony and on that level it works. What hampers it visually is the lack of a visual representation of the world the characters inhabit. I never got a sense of space or distance and concentrating on just the characters interacting with each other doesn't help the reader to visually immerse themselves in the story.

There really doesn't seem to be much reason for this story. It doesn't illuminate anything for any of the characters and the resolution to the story doesn't illicit any emotion. I think this is a good idea for a story that just didn't find itself.

Leonardi does great work with the art in the issue and conveys a gritty style that matches the seriousness of the subject matter.

A well told super hero team up story that doesn't devolve into clich with a relatively hopeful ending. Gorgeously rendered artwork draws you in and keeps you looking from panel to panel to catch all the fine detail.

The story has some really good pacing as the action seems to happen naturally. There are some great moments in this story where you strip away the historical absurdity of these characters and find something tangible in their interpretation. Something that could lend itself to an ongoing series. The story and action beats work really well together and there is some real emotion in this story, especially in the history of both Blue Falcon and Dynomutt. Taking these characters seriously is a tightrope walk, but Tomasi is able to do it in a manner that makes sense with the characters and in context with the DC universe.

This is a fun issue with a relatively benign story with low stakes.

Elise McCall and Lita Miternique have some impressive and vibrant visuals throughout. I like the character designs and the atmosphere of the issue a lot. Hopefully the story matches the visuals as the series progresses.

EPHK delivers some fun, sexy and entertaining visuals throughout the issue. I really like the character designs and the dramatic camera angles in many of the panels and pages.

Corin Howell's art is fantastic. There are so many amazingly detailed action scenes and the fights are brutally beautiful.

The art by Corin Howell is great. All of the fight scenes are great and are full of energy. It's a beautiful looking issue.

Corin Howell delivers with the intense, beautiful and kinetic art throughout this issue.

Corin Howell's art is amazing. Everything looked incredibly detailed and both the action and character moments worked exceedingly well.

Angel Hernandez nails the look and feel of Star Trek, especially Voyager and her crew. There is some great imagery in this issue and the style perfectly matches the tone of the plot.

Hernandez brings some great visuals to the story. The characters look great and their surroundings are well detailed. There isn't any action in the story so most of the art is focused on character and that's fine. The panels do a great job of focusing on character details which are well done.

Angel Hernandez does a great job with the art. As the story boiled down to characters talking, the detail in them was great, but there wasn't much else going on in the issue.

This is a great looking first issue, but the story doesn't establish much conflict.

I found myself at times wondering what the point of this issue was and when it was going to get to it. Kensho and Toolah's story was unfocused and if it weren't part of the issue, it probably wouldn't have been missed. Thurma's story was more compelling, but it never really exploited the tension it was building.

Michael Dialynas does some great work with the art in this first issue. The animated style of the characters does a lot to enhance the fantasy elements of the story.

Michael Dialynas delivers some great visuals in this issue. The aesthetic is whimsical and fun, but the art doesn't hold back from emotion especially when Oakley comforts Wynd or when the Bandaged Man confronts Thorn and his father in their home.

Michael Dialynas has a unique visual style and it shines in this issue. The characters look great and the issue has a more character driven plot which is reflected in the close up shots that are filled with emotion.

Michael Dialynas' art is fantastic. The characters look great and there is a beautiful level of detail in the panels. The contrast between the closed nature of Pipetown and the openness of the sea was brilliantly done.

Dialynas delivers some impressive visuals throughout the issue. There are great character moments to be found and the scope of the world continues to breathtaking in its detail.

Levens delivers some fantastic visuals throughout the issue. The art is lively and beautifully composed to take advantage of the character focus of the scenes.

Levens delivers some wonderful art in the issue. Everything from the characters to the action looks amazing and draws the eye.

Levens delivers beautifully detailed and engrossing art. I love the visual style of this issue and the characters look amazing.

Levens delivers some beautifully detailed and impressive art throughout the issue. The visuals have a great tone that conveys the thrills and emotions of the story.

Levens delivers some beautifully detailed art throughout the issue. The visuals are engaging and every page and panel draws in the reader.

Levens delivers some fantastic art throughout the issue. The visuals are dramatic and filled with beautiful detail.

Larraz delivers stunning art throughout the issue. I love the visual style as well as the character designs and the action. Romita Jr. delivers solid emotional art in the Norman Osborn story and I really enjoyed the action.

Larraz delivers fantastic art in the issue. The characters look great and I love the visual representation of Peters hallucinations and how the art incorporates those moments.

The art is fantastic though. Reeder offers some beautiful, sweeping visuals filled with details and the panels move the story along perfectly. I just wish the story was worthy of the brilliant art.

Reeder's art is fantastic. All of the characters are sublimely expressive and the action is done really well. There are some great looking panels throughout and the art brings energy and life to the story.

Pansica delivers some great art in this issue. The characters look dynamic and the action is brilliantly done.

Ryan Sook makes the world and the characters look fantastic in this first issue.

Ryan Sook and Mikel Janin do great work with the art in this issue. They take the visuals and make them awesome to look at, but there is nothing going on in this story that lets the art shine.

Ryan Sook, Stephen Byrne and Wade Von Grawbadger do fine work with the art, but they are hampered by having very little to do. Nothing in the plot requires the visuals to be interesting or engaging so every scene breaks down to the group standing around looking at each other.

All of the artists bring beauty and style to their sections of this story and each section is filled with brilliant details.

All of the artists give their best in this issue. There are some beautiful sequences mixed in with some amazingly detailed ones. All the transitions worked in keeping the style matched with the theme of that part of the story.

A solid annual that sets up some intriguing plots going forward. Artwork that works really well to showcase the characters and action.

The story is a little redundant based on the conflict and setting, but Manapul is able to craft a well told story in both the plot and the art.

A predictable ending to a fun issue.

The art is great and matches the tone of the story well. It will be interesting to see how it evolves along with the story.

Alison Sampson delivers some great, stylized art in this issue and the visuals are the only thing that really grabs the attention of the reader. From the violent opening to the way characters are composed within panels, the art compels the reader to keep going even if the story doesn't seem to have direction.

Brian Level delivers some impressive visuals. I like the style and how exaggerates the mannerisms and physicality of the characters.

Leisten has an interesting and engaging visual style. I like the look of the characters and the use of Gotham as another character in the story.

Level delivers some exciting visuals throughout the issue. There is some great visual flair to be found.

Brian Level does some great work with the art in the issue. The panels and pages look like illustrations from a novel and that style works well with the aesthetic of the story.

Level does good work with the art in the issue. The characters look good and the visuals are striking.

Level delivered some great visuals to the issue. The art stood out as fun and lively.

Meyer delivers some great art in the issue. The action is visually dynamic and beautifully detailed. The character designs are great and the art gives a great sense of the tone of the story.

Meyer delivers fantastic art throughout and the action is amazing. The action is visually thrilling and the characters look amazing.

I love Meyer's visual style and the issue has some fantastic action throughout while also giving the characters some awesome visual moments as well.

Meyer delivers some beautiful art in the issue. Everything from the characters to the environments look amazing and the action is visually intense and beautifully detailed.

Meyer delivers some great art in the issue. Not only do the characters look great, but the action is visually thrilling.

This is a visually stunning issue to look at. The scale and detail of the characters and the threat that they face is amazing. The plot really moves like a thriller in that it doesn't give away everything and lets the reader put the pieces of the story together at around the same pace as the characters.

A good character driven issue that allows all the principles to have their moments. There isn't a lot of action in the issue but the exposition isn't wasted on useless information. Everything that is said drives the plot along. The action is really well done and there are panels that really pop in their use of scale.

A story that moves really well and has genuine twists that are both surprising and satisfying. The artwork serves the story and action beats well and the intricate details are worth the look.

A good end point for this particular arc with a lot of interesting questions raised about the future of the Justice League and what impact this story has on the rest of the DC universe. The art is really well done, but Superman's motives and characterization continue to be iffy to me.

I don't mind time travel stories, but back to back story lines already feel tired. I enjoyed the spectacle of this issue, but the story was flat and not sustainable past two more issues.

This is a story that ends well from a rocky beginning. The characters are well written and the artwork works really well in both dialogue and action.

The story is serviceable, but not memorable. The artwork is effective but there isn't much in the story itself to visually impress.

Great visuals and a good character study of Mera and her relationship to the League. Story felt a little rushed, but it worked overall.

Both sides of this story are balanced well and the story moves at a good pace that draws in the reader.

A predictable setup that, hopefully, leads to a more fleshed out story.

Credibility issues are rampant throughout and the characterization of Diana seems way off.

A little too much exposition in a story that could have hit the same emotional beat with a more narrow focus. Great detailed art in each panel.

The overall story is getting better, but the kids are still not at the point where I should care what happens to them and frankly, I'm more interested in the story around their scenes.

An issue that grabbed and held my attention right at the point that I was about to write off the entire arc. Great art and a compelling narrative.

A good conclusion to a story that was not set up well from the beginning with revelations that seem completely out of step with the story itself.

The League are put through their paces by villains with their unique abilities and the mind of a Bruce Wayne without mercy. A great tie-in.

The finale of the 'Bats out of Hell' story gives hope to readers that the League is getting ready to turn the tide. It's well told and the art is complimentary to the characters and action.

A great illustration of how human Bruce really is. It tells an intimate story on a grand scale and it works.

What I like the most about this issue is that I don't know where it's going and the relationship drama it's creating along the way.

Filler with few stakes and little to no character development.

The overall narrative of the fan storyline is strong and I am interested in how it plays out. As much as I like the story, it keeps taking side trips to places that aren't as strong.

A good continuation of the Fan storyline that adds some additional tension and mystery.

A really good story that is expanding on some interesting concepts. Needs to really hit home in a big way at its conclusion.

Tight story with good visuals that showcase the characters and their dynamics. Batman/Baz argument seemed forced and didn't really pay off well towards the end of the issue.

A good conclusion that sets up future events that might be a little more engaging. Satisfactory conclusion to the Batman part of the story with a change in Simon Baz's outlook that is refreshing. The artwork is very well done and serves the story well without drowning out the plot.

The story moves very well and does a really good job of making the villain three dimensional. The artwork is very well done and gives a classic, artistic feel.

A good issue that has some forced moments but an overall good narrative. Doctor Polaris is done really well, but Jessica Cruz falls by the wayside in this issue. The art is visually well done, especially in showcasing the power of the characters.

Story and artwork remain consistent and generate enough interest to keep reading. The lack of any innovation in either the story or the art could shed readers over time.

The story concluded this particular arc rather predictably. The art was really good, but the narrative didn't really let the artist shine. The set up for the next arc actually seems more compelling.

This is a good issue for the series and it showcases the wonder and scope of what being a Green Lantern is. I think more of that joy and wonder and less of the personal angst might be refreshing going forward.

This is a great overall story for the Green Lantern corps and touches on all of the issues readers have had with the characters while setting up a new arc that looks interesting.

A passable continuation that could be better if the lead characters were allowed to improve and evolve. The art is nice to look at and conveys some great action.

An interesting story well told with a good buildup of character dynamics and conflict. The art is really well done and visually striking in moments.

The story is well done in chronicling the history of the Green Lantern Corps and the art work is really well done.

An enjoyable continuation of the Volthoom storyline from the last issue, but not particularly memorable from a story perspective. The artwork is the true hero of this issue as each page gives one something new and interesting to look at.

A continually good story with some really great visual moments.

A good continuation of the story arc that gives the characters some much needed development and motivation. The art is fantastic.

A predictable conclusion, but one that maintained the heart and emotional growth of the characters. Great character moments and emotionally detailed art.

A decent no stakes story that takes the time to conclude a personal arc for one of the characters in a pretty realistic way.

A good story that doesn't really break any new ground.

A fun story that successfully completes the arc from the previous issue and sets up some interesting conflicts to come.

There are few stakes in this story, but it is a fun read overall.

A satisfying continuation that seems to be building to something really interesting.

A passable story whose low stakes and lack of investigative prowess by its heroes make it fun, but forgettable.

The story is getting better with each issue and the characters are becoming more engaging due to the writing.

Great art and a continually engaging story

A satisfactory conclusion that is leading to another interesting arc.

Straight-forward story with some interesting elements, especially for Jessica

It works in a sense to let Simon come to a realization that he needed to in order to save Jessica. My hope is that the story progresses in a way that allows for that confrontation to have meaning for both characters. I enjoy the fact that Seeley is taking the time to explore the characters and Marion's art enhances the story with great visual flair and details.

As far as how the story is resolved, Simon is used effectively in his confrontations with Jessica. Constantine manages to find an insight that might help both of them. I also like that there is something brewing at the end of this issue that will cause some tension between Jessica, Simon, and someone connected to both of them. There are some good character moments in this issue and a possible evolution of Jessica as a character, but the main antagonist still stretches credibility with me as a viable threat.

Jessica manages to escape and finds herself at a space port looking for the contact she let get away and this is another moment that gives way too much credit to Jessica Cruz as a character. I like her as a character overall, but the one thing that has yet to be explored for her is a sense that she is crafty enough to evade capture or move within the fringes of the galaxy in opposition to the other Lanterns who have been doing the job a lot longer. Without context, this story seems flat both in character and motivation.

The end of this issue is a little too abrupt. Nothing really gets resolved and Jessica's outburst doesn't seem genuine. The story starts to fall apart in the third act and doesn't really stick the landing as far as closing out this particular arc in a satisfying way. It felt like everything Jessica went through was a waste. The art was great, but the story didn't go anywhere relevant and was ultimately forgettable.

Mike Perkins' art is great in this issue and there are some great panels, especially the sequence involving Penelo. It was handled really well and the detail was great. He was able to convey a lot, especially in creatures that don't physically emote. Good work.

Also, many of the conflicts in this issue could be resolved with a conversation. Anyone of the Lanterns taking a moment to listen to the other could have foiled the miscommunication that seems to be what this entity is mainly doing from inside the rings. I want to see where this story is going and who this entity is, but the plot issues make it hard to stay involved and invested in this particular story. Santucci's art is a highlight though with some great visuals and awesome action splash panels.

The art is great in the issue though and Santucci does some great work with composition and action. I really loved the first few panels with Simon in space and the Guy Gardner/Eon battle was great to look at as well.

Same can be said for the entire corps turning on one of its members. Both Jessica and Simon have been on the opposite end of allegations from the corps to the point where I wonder if any of these characters should even be in law enforcement. This issue did nothing to elevate or innovate and it felt like a retread of previous arcs. Even the great art by Perkins couldn't save this issue from the "been there, done that" pile.

Perkins' art is amazing in this issue and the art goes a long way toward holding my interest and adding to my enjoyment of this issue.

I enjoyed Perkins' art in this issue as well. There are some great action scenes in it and the fight between Hal and Henshaw is amazing. Perkins does a great job of utilizing and rendering The Phantom Ring and there are some exciting and tense moments in the story that looks great.

Porter and Santucci do a great job with the art in both stories. There are some great action beats and the details in the panels are well done.

The visuals in this story were well done. There are some great action beats and the imagery is well detailed.

All of the artists bring their unique styles to the story and the issue has a well done visual look. I liked a lot of the visual moments throughout, but the flashback had the most engaging imagery.

Rosi Kampe does some great work with the art in the issue. There are some great action beats to be found and the art advances the story really well.

Dani does great work with the art in the issue. There are hints at Tim Sale's style in the art and that works perfectly for a Gotham story because the city looks amazing and the contrast between the rich areas of the city and the poor areas are visually stunning.

Duce delivers some great art throughout the issue. The art utilizes the daytime setting perfectly and draws a stark contrast between the Gotham we normally see and what we don't.

The action was really good. The story was interesting and an interesting continuation of the current arc. It will be interesting to see what twists are coming next.

This was a fun and funny short to end the issue and I really enjoyed the classic cartoon look to it including the cameos by the mad scientists of the Loony Tunes world. Could definitely see this story as an animated short.

This story was definitely the most cartoony of the pair. It had the look and feel of an episode of Batman: TAS and that made it work as a story. It wasn't trying to break new ground with the characters and did a really good job of pushing the absurdity in their interactions. A really fun interlude in this issue.

Ziritt creates some interesting and entertaining art throughout the issue. I really liked it a lot.

The art is fantastic. I loved the fluid style of the characters. There are visual moments throughout that remind me of Aeon Flux in how characters stand and move throughout the panel. A visually dynamic issue.

A small act of holiday kindness from Detective Montoya will send Harley Quinn on a mission to return the favor by bringing the detective some Christmas cheer. A fun story with some sweet sentiment, but not much else.

The first story is interesting and fun to read. The author knows how to capture the emotional feel of the original series with the first story. The remaining stories are fluff that serve no real purpose and are a little mundane.

The story is a little slow in the beginning and no one really stands out, but the sense that something is coming is prevalent throughout the narrative, making the reader curious about the next issue.

Foche's classic art style works really well for this story. There is an element of polish to the art that reflects the kind of world these characters are operating in.

This issue successfully hit all the marks when starting a new arc and the character moments really worked as well as the art.

There wasn't really much to this issue to hold onto. The story was ok, but there was a lack of substantial plot for both Kitty and Peter.

A passable story that never really had the stakes necessary to be exciting. Well-paced and great art are its virtues.

Bizarro stories are hard to tell and this one is actually really good. Great Superman story as well.

This is a fun issue with great visuals and I appreciate the writer's commitment to the essence of the character.

A fun story that adds an additional layer to Bizarro. Interested to see where the next issue takes it.

A fun, light story with no stakes that gives the Kent family a moment to breathe and connect with each other.

Ultimately, as snippets of Superman stories, this issue works and the first story definitely ties up some loose ends from another arc, but there doesn't really seem to be a compelling reason for this issue in the first place and it feels like filler before a better story begins.

The biggest problem with this issue is that there is too much story to confine to one issue and the rush to get to the end takes away any emotional connection to the events.

Javier Fernandez offers some beautiful art in this issue. The tone of the visuals perfectly matches the gritty, noir style of the story. There is a darkness and despair to this story that Fernandez is able to bring out in each panel as the story grows and changes.

Mostert delivers some great art in this issue. There are great visual moments and a lot of action. The art does an excellent job of matching the tone of the story.

The art from Bryan Hitch is great. There are some great visual moments throughout. I just wish the story were as strong as the imagery.

Brad Walker's art is impressive and filled with stunning details.

Ariel Olivetti delivers some great visuals in this story. The style of the art is great and there is a classic feel to the imagery that is welcoming and engaging.

The pacing is a little slow in some areas, but the overall story is worth reading for some great character development and art.

A good follow up to the first issue.

Well done narrative and art. Story moved a little slowly, but focusing on Mera makes it worth reading.

Some really good political intrigue playing out in this issue with Mera being plotted against from someone close.

There is a lot that needs to be resolved in this story and as much as I enjoy it, I would have liked to have seen some of those resolutions happen in this issue to streamline the finale.

An enjoyable limited series that ended a little too abruptly, but helped to solidify Mera as a great character.

Trevor Hairsine delivers some powerful and beautiful visuals in this issue. From the lineup of the new Justice League to the intimate moments between Ollie and Dinah, Hairsine knows how to give the visuals emotional weight.

Trevor Hairsine delivers another issue filled with intense and beautifully drawn moments. Not only does the art perfectly capture the tone and mood Taylor is trying to set, but there are some intensely scary moments throughout and the ending panels are breathtaking.

Trevor Hairsine delivers some beautiful visuals throughout this issue. From the fight against Plastic Man to the final reveals, Hairsine really knows how to move a story visually and surprise the reader.

Trevor Hairsine does some great work with the art in this issue. The characters are filled with detail and the action is great as well. A really great looking issue filled with intense imagery.

Trevor Hairsine delivers some beautiful art throughout the issue. So many of the pages and panels are filled with beautiful details in the characters and the action. A great looking issue with some awesome imagery.

Trevor Hairsine delivers some great visuals throughout this issue. There are great action scenes that emphasize the scope and scale of the story. A great looking issue with some awesome imagery.

Marianna Ignazzi delivers some fun art in this issue. I continue to be impressed with the style and how its light tone contrasts the seriousness of the story.

Cheung crafts some great visuals throughout the issue. I really like the visual style, but the Joker looked unnecessarily cartoonish.

The story was interesting at the start and had some intriguing ideas, but it completely fell apart towards the end.

Hixsons art is brilliantly dark. The visual style is perfect for the type of story being created and the moments with the killer are brutally beautiful.

To crafts some great art in the issue. The visuals are fun and beautifully detailed.

To delivers fantastic art throughout the issue. The environments are visually lush and interesting and the character designs are great.

To delivers beautiful art throughout the issue. The action is beautifully detailed and I love the character designs a lot.

Beem creates some beautifully detailed and visually engaging art throughout the issue. I love the callback to Serling in the first few images and the visual style works perfectly with the world of the Twilight Zone.

Scioli delivers some great retro styled art that I really enjoyed. Even if the story didnt feel like something from the Twilight Zone, it definitely looked like it did.

I really wanted to like this story. Conceptually, it reminds me of some classic Twilight Zone stories that I enjoyed, but the execution was lacking. Laura and Chet are more like caricatures than people and I didn’t particularly care about them one way or another. Gabe is a blank slate who only barely moves the plot along. The stakes are so achingly low that nothing that happens to these characters once they enter the water seems to mean anything once they surface and there’s no external or implied threat that should drive them to escape. The story meanders with no real direction or purpose.

Francavilla crafts beautifully detailed and visually compelling art throughout the issue. I love the visual style and its use of shadow.

Goux creates some beautifully detailed and visually engaging art in the issue. I love all the small visual details and wish there was a more compelling story to fit them.

Price delivers stunning art throughout the issue. I love the character designs a lot and Henry has a striking resemblance to Jack Klugman who I remember starred in several episode of the original Twilight Zone series. I also love the visual contrast between the first few pages and the final reveal.

Hardman delivers stunning imagery and art throughout this issue. I love the visuals and how they capture the look and feel of the Twilight Zone.

Ba crafts some beautifully detailed and visually stunning art throughout the issue. From the character designs to the evolution of the world, everything looks amazing.

A fun first issue that introduces a new hero with some interesting powers and conflicts that are both personal and world shaping in the process.

Sideways is a really good comic so far and this issue is strong, but needs a little more focus on the broader story.

A fun issue that gets better with each issue. Good story and great art, but needs room for character development.

Everything about the character and his supporting characters is compelling. I struggle to find a reason to care about the lead.

There is a more focused story developing in this book and it is making for a more engaging narrative with better character development.

DiDio has given Sideways some real stakes in this issue and shaken up the status quo of a character that needs to break out of the confines of the previous five issues.

After the tragedy at the end of the last issue, there was the hope from the cover that the event would be the focus of the issue. Unfortunately, most of it is glossed over in favor of a team up story.

I think DiDio is doing a great job of evolving Derek's story by taking it in new and interesting directions. The flip side of that coin is that as broad as the story of Sideways is getting, Derek's personal story and character development are taking a back seat

DiDio has a long road ahead of him with this issue and the series itself. Veering the character off into the Dark Multiverse is interesting and intriguing, but there are elements of the character that should still be evolving to the point where this sidetrack makes more sense.

It's great having Rocafort back on the art in this issue. His style perfectly complements the tone of this story as well as the characters. The action scenes are well done and there are some great details in the backgrounds that enhance the drama in the scene.

This was a thoroughly exciting issue that delivers on the promise of what has made Sideways an interesting character as well as the bigger story that has been building since issue 1.

The art was good, but the inconsistency in the visual style of the artists along with Rocafort's bookended visuals matched the inconsistent narrative of the issue.

Rocafort's art is amazing. Everything looked great. I just wish that the story rose to the same level as the art.

A fun first issue that's a little short on character.

Layman continues to craft an interesting and action packed story with this issue.

Allen delivers some great art in the issue. I love the look of the city and how it beautifully mixes the Wakandan aesthetics into a city that feels apart from the rest of the country.

Allen delivers some fun, engaging and visually compelling art in the issue. The imagery is wonderfully detailed and the action thrills the eyes.

Allen and Chater deliver some great looking art in the issue. The visuals are great and do a wonderful job of highlighting the glamour and splendor of Wakanda, but not much else.

Chater delivers some great art in the issue. The visuals have wonderful details throughout and the action is thrilling.

Horak and Chater deliver fantastic art throughout the issue. The visuals capture the thrills and action of the story beautifully.

This was definitely a first issue that grabbed my attention and made me interested in seeing what happens next.

Errand Boys gets more dense and interesting in the second issue.

Visually, the comic looks great. There are some really beautiful panels to look at, but there's very little substance in this third issue to sustain the interest of a reader to read what happens next.

Burnham delivers some great visuals throughout the issue. I really like the visual style and wish that the story matched the intensity of the art.

Burnham delivers some great art in the issue. I love the cutaway shot of the base and the character moments as the spy moves through the facility.

Burnham has a unique visual style and it works perfectly with the style and sensibilities of the story.

This was a fun first issue. I thought the premise was strange, but Williams writes it in a way that takes away the seriousness without making it campy. I found the story enjoyable and the pace of the plot to be fun and light. Carlos Gomez complements that tone with some impressive and beautifully detailed art. A fun issue that makes me want to read what's next.

Xermanico and Janin craft some beautifully detailed art throughout the issue. The character designs are great and the panels are filled with great moments that focus on the characters themselves.

Guiseppe Camuncoli's art is great. The character details are worth experiencing and all of the art is fantastic. I wish there was more to the story because I bet Camuncoli could have done some amazing things for this annual.

The introduction of the issue was a little clunky and scattered, but the overall concept of the issue was sound.

While the overall mystery of this series is interesting, I continue to be in the dark about what Morrison is trying to convey in this story and with Jordan himself. I don't really get a sense of what this story is trying to be or where it's going and that is great as a mystery fan, but slightly frustrating in trying to find a way to connect with and continue to read this series.

Pansicas art is amazing. I love the visual style of the issue and the action is thrilling. A great looking issue from start to finish.

V Ken Marion delivers fantastic art throughout this issue. I love the visual style of this issue and how detailed and immersive the action is.

Cannon delivers some beautiful and deceptively simple art throughout the issue. I like the visuals style a lot and there are some great visual teases throughout the issue.

Messias crafts some great art throughout the issue. I like the visual style of the issue and the character designs.

Scot Eaton draws the reader in with the art and both the style and details of the panels are the perfect complement to the tone of Jurgens' story.

Scot Eaton has some impressive art in this issue. There is a classic feel to the art and the characters look great. The action is well done as well with some great visual moments throughout.

Scot Eaton delivers some impressive and beautifully rendered moments throughout this issue and all of the characters look amazing.

Simmonds crafts some beautifully detailed and visually immersive art on every page of this issue. You feel a part of this world through the visuals and the final visual moments of the issue are beautifully bittersweet.

Wijngaards art is one of the only saving graces of the issue. The visuals are lively, beautifully detailed and convey a level of emotion that I wish the story deserved.

Andrade delivers great art in the issue. There is an otherworldly tone to the style and it works brilliantly for a post-apocalyptic story.

The art by Epting and Fernandez is fantastic. All the characters look fantastic and the action is great throughout.

Epting and Fernandez shine with the art in the issue. The characters look great and the panels are laid out beautifully as they move story along.

Steve Epting does amazing work with the art in this issue. Everything is big and beautifully detailed. The characters are well done and the action is great. There are moments where the Batman Who Laughs looks a little off, but the rest of the heroes and villains are done brilliantly.

A good annual that takes a deep dive into Wally's return and how it can affect the people in his life. Great artwork as well.

Scott Kolins' art is dynamic. Every panel with one of the speedsters gave off a sense of motion and speed through the visuals. A great looking issue.

The story is well told and gives the reader a sense of character and a desire to read more. The artwork is dynamic and fluid in its depiction of motion.

The issue had a little too much exposition, but it was a solid story. Would have liked to see the story let the artist break through a little more and deliver some quality action beats.

This is a well told story that continues to draw you in emotionally as well as treat you visually with the action. The last page of the this issue is amazing and calls back to another seminal moment in the Flash's history that could have broader repercussions.

A good standalone story that focuses on Iris, but with just enough info in the narrative and conclusion to hint at bigger issues for Barry in the future, both physically and emotionally. A good story punctuated by good artwork and intriguing nods to the future.