Anj Comic Reviews

Hope everyone bought this and chuckled as much as I did. This was a perfect one-time, summer, funny animal book!

And the art so perfectly suits the book. This is an ugly story of madness and the art by Keith Giffen and Bill Sienkiewicz is beautifully ugly as well. I have been reading comics for a long time and have seen it all. I relish whenever there is a moment which utterly shocks me, which makes me completely reverse the way I was thinking. This book did that in a gut-wrenching way. I can give it no higher praise.

The whole thing is insane. Blade and Supergirl fight Mojo! I guess now I have seen everything.

And it was gorgeous. Lupacchino just shines when she draws Supergirl. From the fights to the scenes with the Danvers to last pages showcasing Kara Danvers, Lupacchino gives us a ton of information from expressions and body language. Hello Supergirl! Nice to see you again!

With all this sheer goodness in the issue, it made me wonder why there is a need for an extreme take on the idea of a 'bold new direction'. Kudos to all involved here ... especially Gail. Your Wonder Woman will be missed.

Stanley Lau's cover is gorgeous. I love the phony weathering, giving the book a tattered horror magazine or old movie poster feel. The internal art by Lee Garbett was solid, especially the pages where the two track the vampires ... some solid page construction there. It would have been nice if there was some way to more easily distinguish the two heroes. I know a lot of my analogies are food related. This issue was like lemon meringue pie: light, airy, not too filling, but absolutely delicious.

I have gushed enough. This book is great and it is going away. I hate when quality books disappear. There aren't enough of them out there these days. How great would annual crossovers of a World's Finest of Kara and Steph have been?

There is so much to love here. There are revelations and conversations which are magical. The interplay between the couples, clearly equals and partners, is sparkly. Enough gushing. Go buy the issue.

So a great character issue with just eye-melting beautiful art. It intrigued me enough to go out and get the preceding issue. And I will have to see if the Ivy-fans liked it or thought it was dreck. But I loved it. I mean, the reference to Batgirl Adventures alone made it worth the price.

I very much felt sympathy for Project:Superman so I hope he isn't portrayed to badly here. I  think the ethics of Superman exist in this guy. He is just hurting, emotionally fragile, and immature. He hasn't had a lifetime of interactions to help guide him. He might not realize that this could seem threatening. I loved this issue ... every part of it. So far, this is the winner of Convergence in my mind!

As I said in the opening part of this review, I was looking forward to these Convergence minis as a way to revisit the corners of the DC history that I miss and love. This book delivered that 100%. Thanks to Dan Jurgens and Norm Rapmund and colorist Brad Anderson for giving me this."So shines a good deed in a weary world."

I said it before, I am not a Scooby Doo fan. But this was just about as perfect an issue as I have read recently. Suddenly I was a 8 year old kid again, grinning like a goof, and thrilled to see the good guys win in a nutty way. Yes, it is nostalgic for an old guy like me. But it works on a kid level too.

As always, thank you to Sholly Fisch for giving us such a Supergirl treat at our moment of greatest need.

This really is a prologue to a bigger storyline. But I loved it. Every bit. So much fun! An evil Cadmus! And a new Psi! Batgirl and Supergirl! Together again for the first time!

Anyways, it was tremendous to see Superman find Batman to talk to him about Damien. And this adventure seems like a nice fun way to show how the two interact outside of JL meetings. Definitely worth reading.

This was a great story all the way around - writing and art, a perfect mesh. With Batman/Superman around the corner, I look forward to more stories of the original World's Finest.

My mind has gone around in circles trying to figure out where this is going and where it will end. And that is the highest compliment I can give a book!

This book has been incredible. It could be read as a superhero story unto itself, a book about heroes fighting cosmic villains. But it wasn't until 2 issues ago that I first glimpsed what was happening here, how those initial flashback pages were prior timelines, simpler times. And now I am thinking this is a comic about comics, about how characters can be mutated and corrupted over time.

I can only hope that a trade comes out with the entire series. And I would love some foreword or back matter by the team explaining their hopes and ideas of the series. We need books like this out there, commentary on comics. So which ending did you prefer??

It is a great peek into the DC Superhero Girls world. And it was free! Hope everyone grabbed it. And hope everyone grabs the Finals Crisis graphic novel.

Such a fun little yarn. I wish we had a Son monthly, these guys at these ages, getting into mischief and adventure. It is the perfect gateway comic for kids, more mature than Tiny Titans, less mature than Detective. Maybe, just maybe, we'll get more untold tales like this. I can only hope.

I really thought this whole thing was a big sugar cookie of fun.

I liked this issue a ton. And nice to see Supergirl even briefly!

This did just what a preview should do, set the stage and whet the appetite. I can't wait for this title to hit the racks.

I didn't think I'd get this much new and interesting content in the FCBD offering but I did! And you can't beat the price!

So overall, this was a very entertaining issue. I'll be honest, I wasn't expecting it. So this was a pleasant surprise in my stack. I hope this series isn't peaking here but building on itself. But what of Subject 3? I hope DC does the right thing.

If you are a DCU fan, you should buy this.

This comic is crazy, wacky, and fast-paced. It's funny and topical and witty. And it seems to channel all the good energy from the early Superman's Pal Jimmy Olsen comics. R.B. Silva's art is the perfect fit here, detailed and stylish. This really was a fun read and I highly recommend it. I just think the next time I read it, I'll do it over the course of a week myself. One day at a time. Because if taken in large doses, I wonder if it would read as 'too clever' which I know sounds like when Salieri said Mozart's work had too many notes. Uh oh ... now maybe I am being too clever.

Can I say, I love that this is Clark giving this speech and not Superman. I wish I could verbalize why. Maybe it is that I think that Clark is the real identity. Maybe because he is fighting for Earth, being in this identity carries more weight. But I thought this was great. The stage is set ... bring on the Crisis.

This is the second issue of an arc and, as such, it does it's job. The plot is moved forward. Whether it is Lex's treachery or bringing together more heroes or even the threat of the Omega Monitor, things progress. And we also get a ton of action here, a perfect way for us to see these characters strut there stuff one more time. I love this book and I will miss it immensely.

And just like that ... it's over. The Monitors have never had anyone actually reverse things on them. They have never had anyone make them blink. And so, they will let this world live. All that's left is the wrap-up next issue. I suppose the world will need to be rebuilt. I hope we'll see Chloe deliver. And I hope we get a drippy, sugary, sappy ending. This world deserves it.

I obviously loved this issue and this book and this universe. I don't think I need to belabor the point. So all I have left to say is thank you to Bryan Q. Miller, Cat Staggs, and all the artists who worked on this book over these last years. I am sad to see this end. That's the biggest compliment I can give a comic.

So this was an unexpected treat of entertainment. And most of all it was fun! I can't say that about many comics any more. It is rare for an comic to make me smile. So continued kudos to Sterling Gates. And a welcome to Jeremy Roberts whose art here was streamlined bliss.

Whew ... that was a lot! While the action stuff was fun, it was the wedding stuff and Superman's thoughts about Lana and love that made this really special. Lana and John's new life will be fun to follow. Jimenez's art is spectacular. This was a spectacular special and a nice gateway to the summer.

It's an okay story but it just didn't grab me the way the other stories did. Part of it may be that Haspiel's art just doesn't work for me. I always have low expectations for books like this figuring they most likely represent a hodge-podge of talent cobbled together. But the last two Superman 80-Page Giants both were top notch.

In 27 short pages, we have an averted nuclear war, 3 super battles, and progression of the Zone exploration story. Whew!! But I love the criminals plans so far. Eliminate as many heroes they can with little muss or fuss. Sow paranoia among the humans themselves. And start to work on whatever big plot they have in mind, one that requires a Lantern battery. And I love how the heroes of this issue are Wonder Woman and Supergirl. They are competent and strong and respected. Just brilliant.

As I said before, this story did what it needed to do. We got to say our goodbyes to the old Superman. We got to welcome the older/new Superman into the fold. And we got some powerful personal moments, like any funeral should have. I am hopeful for this upcoming era for the Man of Steel.

Given the abrupt ending of 'Kneel Before Zod', the hinted at 'Superman loses an eye fighting Zod' hint by Williamson in the last Superman issue, and now this, it looks like Zod is heading to Earth to start/finish his story. We still don't know where New Krypton is. Overall a great story. Fun revelations about Lois' origins and her dealing with her powers. Lois' heroism. That playful identity reveal. Kara as veteran leader. And some foreshadowing of things to come. Beautiful art.

I do love this ending page.He is clearly battered. He looks exhausted leaning on his hammer.But when he hears about others in danger, he is knows he needs to help. He is like his namesake, folk hero John Henry, not stopping. Such a great story reminding me why 'The Man of Steel', what Steel was called back then, caught on and remains a vibrant character today.This is probably my favorite story of the bunch. I said there were great pin-ups in the book. I truly thought this one by Jamal Campbell was powerful. You feel the anguish Lois is feeling.But I loved how Campbell outs in Daily Planet front pages showing what comes out of the Death arc. We see the four Supermen, vying for the title. We see the iconic coffin. And look in that lower left side.

Yeah, this does just what a first issue should do, suck me in and leave me wanting more. So check out The Last Siege. I don't think you'll be disapppointed!

We might be heading to an explosive finale. Perhaps the only way to save the castle is to level it. I am loving this book. Words and art are just working seamlessly together. Please find it on the shelves!

Whew. I always feel exhausted after this book. There is a raw energy here. This is a land with an uncivilized underbelly. It is a place where might seems to be right. And where a young girl is being forced to age quickly. I hope people are reading this. It is superb.

If you aren't getting this book, you should be. Or at least grab the trade. It just sizzles. It is everything a comic book story should be.

Definite congrats need to be extended to colorist Brad Simpson for his excellent palette, adding to tone by draping the night in blues, lit  by lightning as well as the red and sepia flashbacks. I also have to give proper recognition to Patrick Brosseau the letterer. So hope folks find this book. From great story to art that shakes the reader to cinematic showdowns, it all works.

Who survived the explosion? Are Istvan's men still loyal? Will the land be saved, the kingdom rebuilt under the suddenly mature leadership of Cathryn? Or is there only destruction. But that can wait. Instead, I should go back and reread this wordless issue, taking in all it has to tell me with just images.

This mini-series flew under the radar. But it was fantastic. Wonderful all around.

As always, it is hard to grade Tiny Titans issues. But Supergirl was in it, Streaky was in it, and I got reminded how silly Freddy Freeman's name problems were. On top of that, the supergirls at home giggled throughout. That is the best publicity of all in my book.

As usual, this is another very cute and funny issue of Tiny Titans. I think it is delightful that characters like Jason Todd and the Terror Titans can be represented in a kid's book. And I love how Supergirl is finally brought down to Earth a bit. That picture of her with the Atom baby crying is almost too fantastic for words. I love this book but I understand it is an acquired taste. I don't know if I will ever give it a bad mark.

In a hilarious ending story, Beppo summons a Brando-esque Jor-El. Jor-El thinks Beppo might be Kal. Beppo answers all the questions with eeps and ooks. Jor-El doesn't know how to respond. Luckily, the mirror Phantom Zone villains are there to explain things away. As always, this comic was a silly romp ... perfect for the supergirls at home but with enough inside jokes to keep me smiling along the way. I am always happy when I am done with this book.

And, quoting the famous line from the Donner Superman movie, Supergirl ends up saying 'I like pink very much, Lois'. Again, just a nice little nugget for the older crew reading this book with their kids. Oh, there is more in the book ... much more that brought a smile to my face. And that, sometimes, is really what I need from comics in my life.

The supergirls at home smiled throughout this book, enjoying it completely. I also smiled throughout the book, loving every bit of it. Tiny Titans is just a fun fun book. An homage to Action Comics #252? Superboy as Match on BizarroWorld? A BizarroDuck? It all is just perfect. Add to that the definite Supergirl sort of focus to the issue and this issue was a big win!

Maybe I am just eager for a Legion book so much that anything would have been good. But this felt right. I wonder what other Legion fans thought!

I'm pretty tickled by this. I know we barely know anything so far about these members, this team, this world, this universe. But so far this 'feels' like a Legion book. And certainly I have been hungry for a Legion book for so long. Plus nearly perfect art by Sook. Long Live the Legion!

I am sooooo buzzed right now. I want the next issue in my hand now.

I ate this whole issue up with a spoon. This feels like the Legion. I haven't been able to say that for a long time. Characterization, plot, art ... it all works.

A nice melding of Legion continuities. Some nice updates to classic Legion lore. A new twist on Brainy. And glittering art. Count me in! We all wanted a good Legion book. We're getting one!

I can only gush so much. The book is beautiful. This is the Legion. Kudos to all involved. And everyone needs to run out and buy this book.

I am thrilled that Brian Michael Bendis is melding all the Legion's and keeping this train moving. And a Legion election! It makes this old school fan thrilled. Hoping all old Legion fans are giving this a shot!

And some people aren't happy. Mon-El has been surly this entire series.How interesting he used to date Phantom Girl! The Jo-Tinya relationship is one of the most entrenched in Legion lore. Her dating Mon? Maybe she has a type.And Mon-Tasmia is the other entrenched Legion romance. So nice wrinkle here, tossing things into the mix. So much fun!

First off, just truly stunning work by Jenny Frison, a favorite of mine.Second, we start out with her name being Xola Aq, a throwback. I wonder if she will ever be called Mysa.And then the twist. She is Mordru's daughter. And no one else knows. She hates Mordru. But she also hates the President.

This was a fantastic issue. It gave information which I devoured but that only led me to new questions! And I want all the answers now! Sook's art is just brilliant. Everything flows gorgeously. So many questions and theories!

When you have a book with a cast the size of the Legion, you need to keep up and catch up on all of them. We have 4-5 distinct settings, groups, and plots in this issue. It felt full but went fast. The art is dazzling. I want more now. And that is always a good sign. Long Live this Legion.

So overall a very fun, action-packed issue capping the first year of this book. I just hope that there will be future issues and that they will keep up this level of story-telling.

So Supergirl being remembered in the future? A 5YL reference? A good cliffhanger? Tremendous art?? How could I not love this issue!

Seriously, this book reads like three book of three different tones. But as I said, it is all Jimmy and it all works. I hope every Superman fan is grabbing this because it the perfect dessert item after the heaviness of the main titles and Lois' relevant solo title.

That's a lot of story, a lot of vignettes, a lot of ideas ... and it all somehow comes together and gels. But what do others think?

I hope this book somehow gets continued in some fashion. Maybe a two time a year special? A Superman Family anthology? Hope everyone is reading this!

Seriously, this book is such a balm from the gritty, serious, Year of the Villain, nonsense we keep being force fed. Hope we continue to get Olsen books from Fraction even after this mini-series ends.

This book, month in and month out, is the balm for the dark comics that burn on the shelves. I can only hope, once this maxi-series ends, that we get more of this team and these characters.

I hope we get back to the current plots next issue but seeing that therapy scene, the hiring scene, and that childhood scene really filled in a lot about Jimmy for me, both his internal insight and how he is viewed by others. More people should be buying this book.

A riff on 70s Jimmy, 90s Reign of the Superman, and Gorilla City CNN (ook,ook,ook) all makes this issue a complete win. Everyone should be reading this.

Such a great ending. And such great plot progression. We have three issues to resolve this plot while all the other nonsense plays out around it. I have loved Fraction's writing on Iron Fist, Iron Man, Casanova, and the X-Men. But I honestly think this is his masterpiece. This book is everything.

So more to mull over, more to laugh at, more to smile at, more to marvel about! I will miss this title when it is gone. If DC was smart, they'd have these creators signed up for 1-2 specials yearly moving forward!

And the adventures that Jimmy has had feel ripped right out of the Silver Age, all while tinged with modern sensibilities. This has been a fun wild ride of a maxi-series. I can only pray for a sequel!

This book is a winner. Fraction and Lieber took what looked to be scattershot weird episodes and out of that weaved a story that became more integrated until suddenly you realize you indeed are reading one big arc. And if you haven't been reading it, you missed out on greatness. I am sad knowing I won't be getting more of this book.

Every so often, the comic world gives me a complete treat, a wonderful reminder of why I love the medium.

I suppose I am biased but this was all win for me. Looking forward to the next chapter already!

I couldn't help but be reminded of this Byrne panel from his X-Men work, in this issue where the newly formed X-Men infiltrate the Hellfire club. Intentional? Who knows. But effective. No surprise I loved this. The action sequences are great. Kara's internal monologue is great. Alex's characterization is great. But that conversation between the two sisters, the quietest moment of this chapter, was my favorite part. Gates and Bengal are firing on all cylinders!

The issue's pencils by Bengal remain top notch. From the transformation panels to the contemplative Kara to the action sequences with the DEO squad, the art just leaps off the page. Add to that the brilliant name drop of Byrnian Caren Falq-Nerr, the inclusion of Inertron, and Agent Igle, and you have a pretty stuffed episode.

I can't help but see some similarities between this opening chapter and last week's episode. I also saw much of the ideas of Master Jailer in Rampage chapter discussing sentence lengths. I don't know if this synergy was done on purpose but it does resonate nicely. I also wonder if Winn's knowledge of alien codes and viruses in Indigo will be born here. I thought this was another entertaining chapter in the Adventures of Supergirl. Between the learning Supergirl, the discussion with James, the stylized art and a certain Coluan, this was a great opening chapter.

This was a solid issue ending the Dox arc quickly and neatly. The high points are the Winn news and the hints at the big bad. We also get the Rabiah Zinoman character added to the cast. The action is nicely rendered. While not as whiz-bang in my mind as the Rampage arc, this was a solid brick in this larger story, adding to both this book and the show as well!

And after a physical attack by Rampage, I look forward to a more mental attack. I hope everyone is talking up this series. This chapter is an energized ride through Kara's mind, compelling and entertaining.

And that is what I love about this book. There are fun references and homages, no doubt. But you can't live on Easter eggs alone. The story of this new Supergirl fighting a hidden enemy with ties to Fort Rozz is compelling.  Add to that the lush art of Lupacchino, McCarthy, and Hi-Fi and this might be my favorite chapter so far.

Whoever Facet is, they have been watching Supergirl for a very long time. And maybe they have been waiting for Kara to don the S-shield before moving against her. All the plot threads are kind of tightening into one very intriguing story. Everything about this book seems to be clicking right now. The pacing of the story elements, the overlying arc of the plot, even the art choices, all seem to be gelling into a great book. Add the nods, nudges, and homages and this is a winner.

But those reveals (translated from Kryptonese) are surrounded by great action bits. Carnero gives us extreme close ups of fists and kicks and then pulls back to more choreographed images of fighting. The sequential art of the battles as you turn the page really is slick. I often blow by battle scenes. I paused here. The angles and depth are engaging. So who is Facet? I can't wait to find out.

Again, it is the small details that make this series such a wonderfully entertaining book. Gates continues to pepper Kryptonian culture into the story that has had me scouring my Krypton Chronicles miniseries. A fanff is a Kryptonian week. Molium is a title of respect and honor on Krypton. Amzet is a Kryptonian year. Snagriffs are flying beasts on Krypton. Small touches like that honor the history of Superman and Supergirl. I can't say enough abut this book. It is a perfect mix of action, characterization, and super-history built on the foundation of the show.

Add to that some great panels showing the Danvers' home in Midvale, complete with numerous family photos hung on the wall. It is a nice subtle reminder of how loving and supportive this family is. So nothing but compliments here. There is a great action sequence. There is this continued mystery. There are character moments, enriching their history. There are some deep DC name-drops. And it is all dressed in beautiful art.

I believe writer Sterling Gates succeeded here. There is a lot going on. But the story has been pushed forward the last couple of chapters such that I feel we are close to an end. The main villain and our hero are about to square off.

I also have to congratulate all the artists on the book. Everyone brought a unique look to their chapters. And Cat Staggs' covers just exploded off the rack. I said it earlier. I'll say it again. I hope DC Comics does the right thing and gives Gates a 'second season'.

I am guessing Zod is behind the whole thing, Kru-El the perfect fall guy. Perhaps that is why Zod killed the last assassin, eliminating the chance that the dissident would talk. I suppose we shall see.  Anyways, I just loved this to bits. A great opening chapter to a story we sort of already know the ending too. 

And I like how this echoes some real life stuff without shoving it in my face. This is allegory. This isn't a sermon. Huzzah for that. Just a solid issue all around. I hope Superman fans are buying this. I hope everyone is enjoying it as much as I am.

After Jor-El is named head of the Council, we have a couple of pages of the wilderness on Krypton. We see a field of bones of animals. We see rivers of what looks like Kryptonite lava. And we see some sort of science platform nearby. Is that just to show us how far gone the planet is? How Jor-El found his data? Or is this some plot thread we'll see next issue.

And the art is quirky and wonderful. It has energy and emotion.  Two more issues and I'm already sad to see this one end.

I really have been loving this series. I think this metaphorical take on our own world and how some unity might lead to long term survival is interesting but not over the top. I really like the slight modifications to the characters, updating them but not uprooting them from continuity.  And the art is just energetic in a way that is hard to describe. Those riot pages just sing. I really like how Oeming conveys the anguish on the faces of the characters. 

So now my mind has to do some work. Lara is still pregnant. Kara looks like she is around 12. So are we years away? Is Kal an infant or a toddler when he is sent away? And really ... does it matter?  Overall I liked this issue and this series. It certainly kept some of the major elements of this well-trod intact while giving a sort of fresh angle of political unrest.  As I said above, give me some more Krypton history from this team. I'd be on board.

If a first issue is supposed to intrigue the reader and grab them, this one did it! And, as I said, Takara's work is just stylized enough to complement a more galactic/sci-fi natured story. I hope I run into Takara at a convention some time so I can grab a commission.

So once again, Smallville remains a fantastic book. I love the dual storylines here. I love the expanding DCU here. But Aya! That's just the cherry on the top.

As much as this Lantern story is interesting, I have to say that I love the small character moments outside the arc even more. One thing I don't see too often these days is a solid, well developed, supporting cast. It makes a book so much more enjoyable.  Add to those moments more DCU folks appearing (Freeze, Harley) and the solid Lantern main plot, and you have a great book.

The Lantern story wraps up here. We learn about more heroes in this version of the DCU. And things are moving towards a Crisis. But I almost feel like this arc warranted a 5th issue. I would have liked to see the resolutions of the main plots explored just a bit more. Still, Smallville remains one of my favorite and one of the best comics out there.

So overall this worked well for me. This is really the foundation for this series, the first act of four. We get a very solid sense of Kara's life and the people around her. We feel how unsure she is with her identity, kind of floating through life, this massive mystery in her past. And it all is visually spectacular. Can't wait to see where this is all going.

So yes, this superhero,origin took a couple of steps forward. But truly this was an issue devoted to the greving process. I thought Tamaki showed it very well in all the scenes. This was a touching issue, an honest look at bereavement. Things like this have to be done right or they feel forced or clumsy. This was done right. Things like this have to be done right or they feel forced or clumsy. This was done right.

And will this make her feel even more isolated? Or will it instead make her realize that she has a place here, accepted and loved. I have been very impressed with this series and this issue in particular.

Standing alone, I was very happy with this mini-series. It is very YA in its approach to Kara, trying to find an identity in her crazy teenage world. That is an every day problem but things are compounded by her secrets. Over the course of the story, she faces tragedy, steps into the role of hero, and decides to continue on that path. It is an emotional story where Kara wears every pang and hiccup on her sleeve. Overall, I thought it was wonderful. And if this is just an opening chapter, I'll be even happier.

Black makes some calls to his circle of friends to see who will join the cause and he says he got a few people who are interested. Interesting.Again, this is a Superman who is depowered and almost seems desperate. I love how this Superman recognizes that he is recruiting one of the most vile villains to be part of a hero team. He admits to 'viscerally disliking' Black and he should. Black is horrible. But maybe just maybe Black can save the world. So this is a very good opening issue setting up the premise. It left me wanting more. Is there a story that can be told in just 3 issues? Will I want more? Or will this just be a premise to mull over. I guess we will find out. I do wonder if Black will be turned or eventually try a back stab. The art is gorgeous.  Janin draws a grizzled older Superman who still looks tough. The rough Zapruder film is well rendered. And he draws one hell of a thought beast!Bring on the next issue!

Later Midnighter even says that he has anticipated every response to this mission that Apollo could have and they all are buzz kills. This 'I can prepare for anyone and know the ultimate outcome' is the sort of invulnerable take on Batman that has kept me away from a Dark Knight comic for some time. It's funny. Morrison might have been the first 'uber bat' perpetrator way back in his JLA revamp. So maybe he's laughing at himself.

Writer Grant Morrison is telling a story of an aging and weakening Superman forming a team to act on his behalf. But as I have said in the past, Morrison is also weaving in comic history, commentary on comic fandom, and a surprising amount of humor. I think Manchester Black is almost a stand-in for Morrison, calling it like he sees it at times.

I'd be happy with either of those. Seriously, this has been a wild ride. I have no complaints. None. How can we somehow slip a graying, older, depowered Superman story right into the current continuity and not have bat an eye. Because it was a good story.

I loved this. It whet my appetite for more. And that is what a mini-series and a mystery should do. So who is Leviathan? Do you have a theory?

Great story. Inspired art.

And I'll admit I pored over the pages looking for clues. New mysteries and suspects were added. And I want to read the next issue now. All signs of a very successful book. I'm all in here. Expect a clue review mid-week.

But I am thrilled we didn't get the total reveal. It means at least one more clue review post will happen. Otherwise, I love Superman being ethically sound here, shutting down Leviathan. I love Lois being smart enough to put together a good team and wise enough to not believe them. And that art. Dreamy.

The capabilities of the Leviathan organization right now don't seem to fit. Perhaps more will be revealed soon. Still, the art was gorgeous. The mini-series as a whole was brilliant. And the mystery was thought-provoking. I couldn't ask for more.

The question really is where the heck do we go from here? Bart would need to go back in time and stop Flashpoint from happening to reset the right timeline. Could he be the hero of this thing? Or does he somehow get some more chronal protection? Or does he try to recreate his birth within this new timeline? Maybe he is going to flit around the timeline throughout? I have no idea where this is going ... and that is also another hook for me. But really, the character of Kid Flash made this a lot of fun despite all the horror that has bubbled up in Flashpoint. And that was appreciated.

Crisis on Infinite Earths #8. Will we see Bart go back in time trying to get to Barry? Is this a way of Bart fulfilling the legacy of the Flash? Becoming the Flash? So this mini-series continues to rise to the top of the Flashpoint world along with Project Superman. It is such a satisfying and odd mix of despair and humor. That isn't an easy cocktail to make. Add to that the heroism of Patty and this was a very entertaining issue. It makes me lament the 'hinted at but never materialized' Speed Force comic Gates was supposed to write.

I do find it interesting that the two pieces of Flashpoint I liked the best were on the periphery of the main story. And now ... the DCnU.

So this first issue grabbed me the way any good first issue should. A nice opening hook. A good understanding of the character. A great end hook to keep me coming back. What will Superman be like in this bleak world? What will he be like without the upbringing of the Kents? It is Superman's attachments that make him who he is. Will he have those attachments in the Flashpoint DCU? Add to the solid story the wild Gene Ha art, and this book was a winner.

Hmmm ... where is Supergirl in this world though? I will say, I have very much enjoyed this look at Superman, seen through a mirror darkly.

In the past DCU, it's Ma and Pa Kent. In the new DCnU? Dan Didio says he has no 'human tether'. So what will we see? Snyder and Francis do a great job showing us enough snippets of Kal's life and Sinclair's devolution to give us a strong sense of who they are, what their motivations are. And it leads to a prefect denouement, with Kal suddenly thrust into the role of world saver. And Gene Ha's art complements that script seamlessly. This miniseries was a bright spot in the Flashpoint universe.

Gary Frank continues to supply absolutely incredible art here. I love his retro-Legion! Nothing but goodness here.

And I don't think that I can gush anymore about Gary Frank's art. Yes, at times I find his rendition of Clark as Christopher Reeve a little bit distracting. But everything else is so perfect that I can live with it. We're halfway done and already I can get the sense that this will become "the" Superman origin for some time. This will hold up for the usual 20+ years that these things usually do when they are done right.

In case you can't tell, I loved this issue. My only complaint outside of the doughnut was the cover. Lara will always have black hair in my book. And she shouldn't look 30 years younger than Jor-El. But outside of 2 minor stumbles, this book was great. I am interested in seeing just how the city slowly recreates itself with Superman there.

I wish this series could go a full 12 issues and really flesh out the background. I'll be sad to see this end.

I have talked about Johns' ability to update Silver Age concepts of the Superman mythos. But, as I have said before, I also like how Johns' seems to be able to take concepts from the Superman of film and television and fold those into the mix. Let's face it, there are some people out there whose only understanding of Superman is from the animated series or the Donner film. So why not add some of the best of that stuff here. What you get is the most inclusive origin story, but silky smooth. In many ways I am sad that this series, despite all its delays, is over. As of now, there is no comic where Superman is in Metropolis, acting as Clark Kent, working for the Daily Planet, and fighting super-villains.

One thing we do know, It is unlikely that Jor-El will be divulging anything given what happens on the last page. What an excellent first issue! The stage is set. We have some good character moments. We have the seeds of some upcoming plots. The whole thing is just beautiful. And we have court jester Harley. Tremendous stuff.

So kudos to Taylor. He has stoked the flames of this house war very quickly. Two issues in and we have major deaths on both sides. The art is sumptuous. And I have some theories to mull over and see if I am right.  If only 'Supergirl' was a better person.

I just need Zala to be more than a weapon here. I hope her motivations, movements, and ideas are fleshed out a bit.  Poor Supergirl. She can't catch a break from any current writer.

Tom Taylor is definitely giving me what I need here, not what I wanted. Add to that the very pretty art and I am still on board.

I hope everyone else out there is getting as big a kick out of this book as I am. Seriously, every issue is like a runaway train with wild action, death, and surprises. No wasted space here at all. The art is just glittering. I remain completely engaged.

I really like the strategies and machinations happening behind the scenes, the plotters trying to secure victories in battle. The hints of this third power playing with this world like a chess board is delicious as I wait for the reveal. The Putri art is incredibly lush. This is one of those books that I thumb through almost immediately after I read it just looking at the art. 

While it seems that Bruce is being set up as the big hero in this series, I hope Kal remains above the fray as well. We need as many heroes as we can get. Anyways, we didn't see the Els or the Amazons or the ruling queen of the House of Lightning at all this issue. This was a side issue which helped with world building. But I feel even more confident. Martians are here.

With Jor-El dead and Clark imprisoned, Lara isn't going to just sit there and watch. Great top panel of the Queen entering the fray. 

I have been very pleasantly surprised with this book. The innovative looks at classic DC characters in a medieval time has been great. Some, like Harley and Lois, have been phenomenal. The mysteries and feints have been great to follow and try to unravel.

Whew! Another great issue. While the J'onn origin ran a touch long, it definitely filled in a lot of the backstory needed to explain how all these Martians ended up here. I love the politics of the world, the queens uniting to fight this foe. But the smaller emotional moments, building up these characters, are what really hit here. The guilty Constantine. The mourning Diana. The loving Zala. The sheepish Harley. It all just clicks. Wrap it up in the delightful art by Putri and you have a winner.

Hoo boy! A new wrinkle at the end of issue eleven! I loved it. It sound so simple. But an entertaining story and beautiful art makes for a great comic! It's that simple of a recipe!

I really liked the way these characters were handled, as the power behind the power. In particular, I loved this Harley, using the power of being the fool to both lull people's suspicions while still being able to spout wisdom.  Give me a special with just these three.

So three stories, all filling in some details about the Dark Knights of Steel world, giving us character history and building on the lore. I really liked this. And hopeful I see Sean Izaaske's work elsewhere. His stuff sparked!

This wasn't a perfect issue by any means. But the opening scene with the Lois love as well as the great characterization of Power Girl raised this Convergence mini for me. The great dialogue and crisp art was welcomed. And an old school Karen and Kal helped seal the deal. The only lasting concern is Lois' surliness to close the book. I do wonder where this is going. I guess Luthor will play some part in the climax as some space was devoted to him. And I hope I get to see the super-cousins battling side by side one more time!

With the planet rumbling and shifting into the main universe, the next goal is clear. Kal and Karen have to face the threat behind this world, at this point it being Deimos. They say goodbye to their partners and head into battle as super-cousins. I like as they streak to battle, Clark tells Karen how much he loves her. I love it when the super-family is a super family! Convergence was an odd mini-series, convoluted and discombobulated. The associated mini-series were a mixed bag. Some I thought were excellent reimaginings of some beloved characters from my past. Others fell short. This issue was mostly a brawl between heroes but it included some plot progression, some character turns, and some spot on characterization for this era Power Girl. Add to that the clean art of St. Aubin and Parsons, this mini-series was an entertaining story, one of the better Convergence crossovers I read.

The whole thing is a wonderful love letter to Superman who has to carry the burden of looking after everyone while caring for himself. He inspires.

Maybe this is the book I needed at the end of 2020. The bad stuff is hopefully behind us. There is hope ahead.

Or maybe it's just an amusing way to acknowledge all the Legion reboots and eras. I thought it was a very nice read with a humorous tenor. Certainly this was a slick contrast to the review of the darker chapters of the DCU seen in the front half. I am not blown away by this book but I have consistently enjoyed it.

Anyways, at least for one panel, that incarnation still exists in the current DCU. Much like the pre-Crisis Supergirl panels, I think DC simply wants to acknowledge the breadth and complexity of continuity. Some people may have vague memories of people who simply no longer are around. Congratulations to Len Wein for putting this story together and celebrating the DCU. And I didn't even mention the Frank Quitely drawn New Gods second story! That was a great second feature and a sympathetic look at Orion; it would have been worth the cover price itself.

I love this panel and I love this plot. Reilly brings it here ... all the costumes, all the creepiness! So if Superman the title is going on pause for 2 months but we get a deep dive into the super-cousins personalities, I am happy. I really liked this.

Between this 2 issue mini-series and the recent Superman Annual 2023, I have a very good feel for what Joshua Williamson thinks of Superman and his supporting cast. I think he gets it. I love how Supergirl has been treated in this book. I like how he used both to sow some future seeds.  Tom Reilly's art has some grit and worked beautifully here. Sign him up for a street level book!

This was an absolute treat. The story isn't a quick read but I flew through it joyfully. I even reread it immediately after I read it the first time, a surefire sign of a fun comic. Can't wait for more. Brilliant.

He has a 'devotion to the preservation of life' while his army is demolishing the city! Excellent use of words and art to tell a story. I do love how the citizens of Metropolis rally behind their hero! Hard to know just how much time has passed between the first movie and this story but it clear Superman is beloved.

And I guess he doesn't want Superman gone because he wants to be the one to defeat the hero.  So yes, I loved this issue and everything about it. I loved it so much I read it a second time before I reached for an unread new comic.

And that chance couldn't come at a better time. Brainiac is shrinking Metropolis. What more can I say, This was an absolute joy to read. Come on DC. Make this an ongoing!

But this is a good cliffhanger. I have to assume the physical threat will end quickly leaving the rest of the pages to sort out all the other plot threads. Will Kandor end up in the Fortress? Regrown on Rokyn? This series has been something special. I am sad to see it go and can only hope we get more. I want a sequel already! And maybe put this team on a Supergirl '84 book!

This strikes me a little Silver/Bronze age with Superman promising to find a way to enlarge Kandor. But this new dynamic with Superman inspiring his parents, giving them hope, is really great. Okay, I have gushed enough here. Each scene, each interaction, each joke ... I have loved it all here. So thanks again to Venditti and Torres for bringing me back to this happy place and making me smile. This was a home run.

This is what a first issue should do. I know the world. I know the main plot. I have some questions. I want more.

Overall a very entertaining issue, giving us the emotional stuff with Lois and the action stuff with Metallo. We even get a decent cliffhanger. How cool that Hal is in the house! Now if only we can finally get Kara!

Any time I get to see these versions of Lex and Superman interact is fantastic. So even though this is a plot issue, nudging things forward, it was a ton of fun. And this ending left me wanting more. Plus, the art is slick.

I have very much enjoyed the Superman '78 titles mostly for the character interactions. Here, this issue very much had the feeling of the action sequence in a possible movie.

I have thoroughly enjoyed this book and hope Venditti gets a third one!

This was a hopeful and inspiring ending to the Metallo story, leaning into the Donner universe feel of Superman. But there were definitely some things which felt like they were missing, things I want more of. Therefore, please DC, green light a third installment here.

So when you read these quick bites, many of them very good, and add that to the amazing main story, you have a winner of a crossover.

So this was a ton of fun all the way around.

There is stuff I still don't get. The Fire/Ice stuff needs fleshing out. We hear about Firestorm but we didn't see him. But this was grabbing enough to make me ... gasp ... seek out the back issues of the old series. I won't read this series with the same discerning eye I read others, in the same way I don't watch Evil Dead 2 with the same critical eye I watch The Exorcist.

This continues to be a sort of irreverent super-hero book. It goes along at a fast pace. It has character moments and high action. And it is a weird book with semi-likable heroes and subterfuge and deceit. Add some pretty dynamic art from Howard Porter and this book crackled. I like this book! I can only hope that Supergirl continues to be portrayed like this. She should be a great foil to the current Leaguers, a call back to a simpler and brighter world.

I mean this is a complex book which has a lot of balls in the air. But it pulls it off so well, mixing the plots in and out, adding in humor in places, and keeping me engaged as a reader. And it has a Supergirl I recognize and love. Please try this book if you haven't!

Anyways, this was a Flash-centric story and we learn much more about Teri here. This also helps fill in some information for any readers who jumped on board for 3001 and didn't read 3000. But I keep hoping for more Supergirl.

And I get pre-Crisis Supergirl! There is a DC book with Supergirl in it! Now if only Howard Porter could have stayed on the book!

But that's the beauty of this book. This book continues to be one of the most entertaining and complex books I read. It is something of a deep dive into DC continuities. Giffen and DeMatteis continue to grab me, steamrolling ahead with new characters, new threats, and now deaths. Plus, Silver Age Supergirl! Add Doran's clean art and this issue is a complete win.

I haven't spoken about the art yet. Chris Batista and the inkers do a nice job veering close to the styles of Porter and Kolins, adding scratches and wear-and-tear on everything. The fight sequences are nicely rendered. But the big win is the expressions, adding much emotional overlay to the dialogue. So this seems like a 'bold new direction' issue, a new path for a new team. And I am loving it. This book, like REBELS a few years ago, is the book I am championing, hoping DC will continue to print.

Whew! This is what a bold new direction is supposed to be, keeping the foundation of a book but shaking it up. We have a new universal threat, infused with Legion of Super-heroes elements (hurrah!). We have an unsteady team, hiding away, and being led by a young Supergirl. And we have versions of classic characters tossed into the mix of a dystopia. It all works. So if you are looking for a jumping on point, a place to swim in the deep end of DC mythology, this is the issue for you.

I fear these two more that I do the League in some ways. I've gushed enough I think. This book is a wonderful mix of all the things I like about comics. Kudos to all involved!

I continue to be amazed at this book. It has the complicated plots of the Five Years Later Legion with the madness of Justice League International. I guess that is like comic book peanut butter and chocolate. Two great things mixed together. On top of that, I love the characterization we see of these characters. This is a great Supergirl and I'll be sad when I don't get to read her anymore. But Lois, Ariel, Diana ... they are all unique personalities. Two more issues to go. Everyone should be grabbing this book before it leaves us.

I still love the book. I like this issue. The members and their personalities and interactions are wonderful. The ideas are big and deep and fun. The villains are interesting. It is a wonderful omelet of a book, bringing in great DC bits of continuity. But it is running down the road, a bit out of control, to get to the finish line. What I wouldn't give for three more issues and a little more time.

But in the end, I got a year of fun and wild issues. I got a classic Supergirl leading a Justice League. I got strands of all the DC incarnations I have read in my time as a comic fan. This book has been a roller coaster ride of great characterizations looked through a funhouse mirror, recognizable but different, weird. I'll miss this crazy future. I want more. And that is the highest praise I can give.

And on top of all that you get the nearly perfect art by Matt Camp. Marco Rudy has a rougher less polished style which might work from a story point of view but when the art changed, it was a bit jarring. And there was that Silver Age simplicity and serendipity with some events here. As a reader, you either recognize that was part of the riff here or it might bother you.

Okay, let's start hearing the guesses about Lana's illness again. This issue Lana says she has been having headaches, nosebleeds, and has been vomiting. My initial guess is brain cancer. But it has to be more than that right? Anyways, I thought this was a nice ending to the Hunt For Reactron storyline ... a brief arc which moved both Supergirl's and Flamebird's stories forward. I look forward to seeing what Alura's idea of justice is.

While the Reactron story clearly isn't over at least this chapter of it is. The next issues all seem to be dedicated to Supergirl and her activities on Earth and I'm looking forward to those greatly. But my guess is that when I take a look back, that this character driven issue focused on Alura is going to be one of my favorite issues in Sterling Gates' run. As I have mentioned above, comics work best when words and art come together. I have nothing but good things to say about Matt Camp's art in this book. It is a very clean and detailed style which suits this book well. I have to say in some places it reminded me a little of Geof Darrow. That is high praise. I also thought he did an excellent job in making subtle changes to Alura's face which clearly showed how she has aged from those earlier flashbacks on Krypton to the current events on New Krypton. While I look forward to Jamal Igle's return on Supergirl #50, I think the book is in more than capable hands.

In the past, Hendeson was involved in a case where an odd coin was found in the murder victim's hand. The police officer who was in charge of the case, Captain Tanner, was a friend of Henderson's. Tanner was scarred by the case and ended up commiting suicide. Henderson vowed to find out the significance of the coin and solve the case. Unfortunately, he found out the significance the hard way. It is indeed one of Banshee's heirlooms. And she hasn't been able to find it because the coin hides within the people who have them.Henderson removes a glove and shows the coin embedded in his palm, the rest of his hand covered in the same glyphs the earlier victim had on her body. The Banshee was able to recover the coin from that murder victim and now she wants the Inspector's.

Sterling Gates and Jamal Igle reunite to tell an epic, oversized battle royale between the Girl of Steel and a mysterious, diabolical new foe! I guess the diabolical new foe is the Insect Queen.

To see things like a couple of extra face lines on Cat Grant which scream 'trying to look young', to see a crooked eyebrow and a half-frown showing how distraught Supergirl is in the #34 homage panel, or the joy exuding from her as she is flying above Metropolis ... it's all there and not overdone. It's sweet and can be appreciated by both new and established readers. It was a nice capstone for this over-sized anniversary issue.

I thought this was a very good issue pushing the plot of Last Stand forward but having Supergirl as the star and not one of a cast of many. The interactions with Mon-El, Superboy, and Alura showcased the character nicely. Gates has such a great handle on these characters. Their lines just seem so natural.

Outside of this interesting first take on the Brainy/Kara romance, I would be remiss if I didn't say that this was another good Last Stand issue with things continuing to move forward. Guest artist Ivan Rodriguez does a fine job here. His Supergirl looks more like a young woman. I also like that he tweaked her S-shield, making it a unique symbol for Kara.

And while I like the idea of a supporting cast, I have never really been a Gangbuster fan. I hope he isn't around too long. This was just the first round of 'Who is Supergirl?'. I get the sense this arc is going to be something special, defining Supergirl for the near future.

As usual, Jamal Igle's stuff here is top notch. For a story so charged with psychological overtones of grief and insecurity, you need an artist who can convey character's emotions via their expressions and body language. Igle can do that so unbelievably well. That half-smile on the splash page speaks volumes. And BizarroGirl is just a frightening monster. Very nice all around!

I thought this was a very good issue, really pushing the arc along. While the action was great, it really was the characterization of Supergirl that shined brightest here, especially that moment where she remembers Reactron. Supergirl has really been scarred by New Krypton. I am so glad that Gates and Igle are exploring that rather than shying away from it. If only she didn't slug Dr. Light! The issue boasts 3 inkers and it is sometimes apparent. The last pages look much smoother than the earlier ones. But Jamal Igle's pencils are solid, Supergirl's expressions saying so much.

And great art as well. I had to include this panel of the Bizarro Sterling Gates inserted into the book by Jamal Igle. Igle has such a handle on the character. I don't have it here, but the panel where we first see BizarroGirl, happily saying 'goodbye' to Bizarro #1 was perfectly playful. On a side note, I don't see any bike shorts on BizarroGirl. Purposeful omission? We still don't know if Igle will remain on the book as no official word (as far as I know) has leaked about that. But, as I have said before, if he is leaving I'll be disappointed. His stuff is just perfect for this book.

Any Reeder's cover is certainly fetching. We know she is looking at the Godship here, fear evident on her face. But the characterization was the key here. The high point wasn't the 'solid vision' win, it was that talk in Sad Harbor as Supergirl finally allows herself to feel a little peace.

But foremost, they wanted to make Supergirl a respectable hero and a likeable character. And I think they succeeded. And this is what I appreciate the most from this run. It makes these last two issues almost bittersweet.

Now that Nick Spencer is off the book, I hope James Peaty picks up the ball and runs with it. He and Bernard Chang have huge shoes to fill. All good things must come to an end I suppose. Thanks Sterling and Jamal. It has been a couple of great years to be a Supergirl fan and your work was the biggest reason.

Lastly, I wonder if its Banshee who will save Supergirl fromher currentpredicament, payback for Kara helping Siobhan get a family talisman in Supergirl #49. All in all, I thought this was pretty good. I hope the next issues can build on this, showcasing Supergirl more.

Bernard Chang continues to do stellar stuff here. I am glad he has remembered the new short haircut Kara is sporting. And his action sequences have always been top notch. Will this book remain Peaty's after this arc? When will DC let us know? Or is the 'fear of cancellation' still in the air such that DC isn't going to name anyone long term. I'd love to hear Peaty come out and talk about the character.

It's just spot-on. Kudos to James Peaty. And as I said before, Bernard Chang really is just clicking on all cylinders here. Just smashing stuff.

Overall this was a good chapter, setting up the big finale. I definitely like how Lois is being used here. And Supergirl continues to shine here. In this arc we have seen her trash robots imitating super-villains, leading other heroes, and here use her science know-how to stop another threat. Sure Alex has beaten her the last two issues but that means he is a viable threat. There are some minor characterization problems here but all in comparison to the opening chapter which was co-written by Nick Spencer. I wonder how much of these speed bumps come from that writer discrepancy. Peaty continues to craft a very good Supergirl story. And Bernard Chang is just doing sparkling stuff here. I hope both of them find work at DC after this story.

And Bernard Chang really was light out great here. Now how about we letter-bomb DC about how much we all love this book? Supergirl fans need to be vocal! Here is the link: www.dcletterspage.com

And you have a heroic Supergirl and a smart and savvy Linda! Talk about a home run for a first issue! Welcome aboard KellySue DeConnick and ChrisCross!!! I really wish we could have the chance to see more than three issues from you!

And I'll get to meet (re-meet) a bitter, angry, isolated Kara who either doesn't care or feels above it all. Can't wait for next issue.

So congratulations are due to Kelly Sue DeConnick for giving us this story. I would have loved to see what she would have done with this crew of characters in Supergirl if you had continued on. And, as always, thanks to Sterling Gates, Jamal Igle, James Peaty, and Bernard Chang for all their work on the title which brought us up to this point. This story could not have happened without the foundation you guys put down, revitalizing Supergirl, making her heroic and likeable again, especially Gates and Igle.

I know he probably has nothing to do with this new evil surgeon. But a Brainiac story by this team! That is something I really want to read. Anyways, I thought this was a very good issue. I like this creative team and there was a lot to like here. But since I don't think I quite comprehend what Lex wants, and as that is the spine this run is being built on, it isn't a home run. 

I'll admit this was a quick read. But when you review the content and plot progressions and new elements, I think it is a meaty enough read. And I'll admit that I didn't mind, at least here, for more room for the art to breathe and sink into my eyeballs. Between this book and Action Comics, I feel like the Superman books are on solid creative ground again. And I am thankful!

I hope we get some background about why they hate Lex. And how they are able to do what they are doing. But color me intrigued. I can't wait to see Campbell's take on Banshee. Another solid issue laying down more of that foundation while pushing things forward. Love the Lois moments! 

I like the cliffhanger. Jimmy knows Siobhan was the Banshee and he loves her. Nice they have an honest relationship with no secrets! Whew! Even though the issue felt like a quick read, there is a lot to digest there. Lex's dreams and the timing of the Pharm/Graft revenge are things I still want to learn more about. But overall, this was a meaty, fun, and beautiful issue.

Now that is a great cliffhanger! Yes, the Parasite and the Banshee are 'defeated' easily. But they are sort of small components of the bigger plot and I am okay with it. Because it is the big story that I am finding compelling. And there are enough 'small moments' in these mini-chapters to  keep me smiling.

I have been very impressed with this book so far. One thing I have to say is that Melnikov is much better suited for this story than usual artist Jamal Campbell. 'The Chained' needs to look scary and grotesque. Melnikov is better for that. Plus a Carl Draper mention! Rock on!

It is all very solid. All interesting. All well drawn.  Plus, some really solid Supergirl stuff.

The art does flip around. The ending is partially by usual artist Jamal Campbell. But 4 artists on one issue is at least 2 too many.  Still, the book has a nice energy and pace to it.

There's a fun scene where Jimmy is running the Planet. There is scene where we see The Chained recaptured. There is a lot of stuff happening here.  That was some wild ride, just what comics should be. Best of all, I am interested in all the plots here. The Lena plot is definitely the one I am following closest. Hmmm ...

Any ways, this whole issue was a blast. With the bulk of the book in the old West, it feels like a 'done in one', completely thematically in line with a Terra Man story. So it just felt right. On top of that, somehow, we still get some progression of the main story to boot. This is the sort of issue you buy people who have left comics to lure them back.

If there is one part of the issue that didn't truly click for me, it was this. Why would 'super-hero' Lex dream of this? If he knew then (which it is said he did) that regular Kryptonite can effect humans if prolonged exposure happens, why would he let himself be effected in the past (something said in this issue, a reference perhaps the to K-cancer Lex got in the Byrne era??).  And a synthetic Kryptonite cloud that can kill humans? Is that the best revenge this squad can do to Lex? Still, overall I liked this issue for it's honoring of the past while pushing this fun story forward. Fun art as well.

You know, as a reader, this has been a decent run of stories. I wouldn't say a slow burn because the issues have been snappy, semi-self-contained all while the main plot has been pushing forward monthly. So this finale seems more like a sprint to the finish line than the steady pace I felt it needed. I suppose that Williamson deserves some praise; I wanted more story.  Still, despite the action, this felt like an ending with a loud whimper rather than a thunderous bang.

But let's not bury the lede. Somewhere and somewhen, in continuity, Kara cared for a future Brainiac. A Kara/Brainiac 5 romance happened. Long Live the Legion! And kudos to Williamson for respecting Supergirl's lore. I'm betting that Brainiac is being manipulated here. He is shorting out, creating the Queen, experimenting on super-beings. None of that sounds like him necessarily. Give me more!

THAT is a cliffhanger.  So a couple of quibbles aside, this was another great chapter. We see the Brainiac plan actualized. We learn Luthor knows the secrets Brainiac is hiding. Supergirl and her mini-squad are out there continuing the fight.

I have enjoyed Joshua Williamson's run on the character and this Brainiac arc has been pretty engrossing. I think it has nicely showcased the new world order that Williamson has made - villains as allies, family as phalanx, Brainiac as universal threat. Does this closing chapter stick the landing? The answer is mostly.

We have seen these suits in SuperCorp since the book started. Lois wouldn't be one to just sit back and watch the world be destroyed. This makes sense. And it is a solid cliffhanger. So overall, not a bad issue for what it was, an event crossover. But this is what crossovers should be ... solid enough to stand on their own but enmeshed enough to bolster the event they are in.

Neron!!! I haven't really thought about him since Morrison's JLA run. Although I suppose he must have been part of Reign in Hell. This works as a tie-in, telling someone like me enough about the main book to get me up to speed. And I suppose this builds on what is happening there. But I like as showing us a Superman pushed to his limit, his family at risk, and willing to put some niceties behind him.

Off to the end of Absolute Power. I liked this issue but it seemed like none of this mini-storyline of the Mordru Map in the end seemed to matter. A still powerless Superman is on Earth to fight Amanda Waller. No complaints with the art or the character moments at all. 

This is an amazing plot twist, one that somehow makes me interested in Doomsday. I also think it makes sense for him to be the Time Trapper. Some know that I don't like when the Trapper is revealed to be another character. But this works! So overall, a crackling first issue filled with enough moments to be a true jumping on point. I immediately wanted to read more. That is the best sign! Congratulations for Williamson and Mora for bringing it!

Excellent ending to whet my appetite. Heck, it made me want to pull out Hunter/Prey! I thought this was a great issue from top to bottom. Nothing decompressed here. Just story, action, and fantastic art.

This was the perfect issue to slot in before the craziness of wrapping up the Doomsday plot. This adds dimension and weight to the cast and their issues. We can catch our breath as readers. I keep hearing that Williamson might be off this book soon. That DC is planning on rebooting the title ... again. I hope they are just rumors. Williamson is crushing it here.

So what isn't to love about this. The plot has its basis in Superman continuity. It embraces his history. The motivations of the characters make sense. The battle makes sense. There is a little mystery revolving around what the Aftermath wants with Doomsday. Lex seems to be remembering his past. And then the ending.

'To Be Continued This Summer!' I guess I have to wait. Still, this was a fast-paced, action-filled, but also plot-heavy story arc which I gobbled up and wanted more. No complaints. Williamson is really on fire here and I am glad that he seems to be sticking with the title. Add Mora and you have a winner.

I say it a lot. I am a grizzled comic reader. When I am surprised I am happy. When I am surprised with what seems like a good story beat, I am very happy. So Event Leviathan, the Creeper, a heel turn by Mercy, and Eddy Barrows art? It all makes it a very entertaining issue.

In case you can't tell, I really liked this issue, a delicious brew of character growth and action with a dash of pathos on the side. The art was stellar. Williamson and crew are crushing it. And X-El as the name for Bizarro Lex! 

Fun read all the way through and made me want more right away. Always a great sign.

Perhaps it was a bit of a ruse. As soon as he learns about Booster, he breaks the chains and takes off. (Nice splash by Izaaske.)  And he says he needs to find the World Forger, the Monitor's brother, perhaps hinting at an upcoming Crisis? An Absolute Crisis? That was a lot of stuff packed into the issue. But it sure did feel like the closing of a big chapter for Superman with a whole new plot coming around. While I think Pharm/Graft had run their course, some of the other plots - Lex, Siobhan, Marilyn Moonlight - I think I wish we had more of.

More importantly, he tucked a character here to help Doomsday and Superman. No reveal here ... you have to go read. But trust me, it is someone I usually never want to see again. Will Williamson make me intrigued about this person too? Just a great opening volley. I wanted more immediately. And Mora continues to just sizzle.

Dystopia! She-Hulk level fourth-wall breaking humor! Headache inducing timelines! Inspiration in the darkness! Insane art! I mean it is all there and somehow works. 

Will Prime and the ragtag real Legion hold of the Darkseid Legion? Unlikely. But what a turnaround for Prime. So this is another fun chapter in this story which is really impacting the whole DCU. I loved seeing the Legion origin. I am chilled by this Saturn Girl. But it was Prime and his actions that made this sing.

This was a decent issue, building up the background of the story, giving us some interesting nuggets to mull over (Lara's ideas, Parasite's power up, Lois gaining power) all wrapped up in Barrow's delicious art. This book continues to fire on all cylinders.

And then Prime finds help in the Fortress in the form of many Superman robots! Who knew he had one for every costume! Great closing panel. So this was a pretty fun issue. The Lex moments and the Prime moments were great. The art was superb. But the pages spent recapping felt like a little bit of wasted space.

Now in retrospect, I think the finale is going to be Superman vs the Joker, which I might have picked had I known Joker was in it. (In fact, I think Superman is going to have to kill the Joker to get the power to defeat Darkseid forcing him into another soul-searching storyline.) I knew it was going to be a hero v. villain finale which led me to the Luthor/Zatanna finale on my sheet. Ah well ... I would have run this promotion very very differently.

So for being a crossover in a brawl-event like KO, this issue was more of a character focused story. We get the Prime/Robot thread, showing us what Superman should be like, but also peeking into what Superman thinks of Prime. And then those three panels of Garth and Imra. Wonderful.

In total, I thought this was a very good issue. I love the art. I love the Legion stuff. I loved being reminded that Superboy can snap at a moment's notice only to see him reel it in. And I am still wrapping my head around the Doomsday stuff.

Fun. Hero's journey. Life lesson. Super-villains being beaten up.

So another crackling issue of this Prime-led book. I am really loving this.

I don't think I can say how much I loved this immersion into the Superman universe. Great moments for just about everyone. A nice mix of humor, pathos, action, and suspense. I love the hints at the future storylines especially Brainiac! Kudos to Joshua Williamson and all the artists!

I still don't quite like this Amanda Waller. I don't quite how she is able to be so threatening to the most powerful heroes and villains of the DCU. I don't like when Batman stares down Darkseid either. So overall an okay issue. But I am looking forward getting back to the main arc.

Outside of that one 'sympathetic backstory' piece (although for all I remember he had abusive parents in the past), I thought this was a good issue. For me, the most interesting part is that Superman seemingly bullied Lex into remembering things. Perhaps the Lex with his memories intact will be upset that the kind Lex was kicked to the curb. Perhaps Superman will regret bringing this threat back into the world. And this felt rushed given we were just seeing the amnestic Luthor. Barrows' art is always solid and I think he works best on specials and mini-series without the pressure of a monthly book. His stuff here worked well, especially the flashbacks.

So yes, a two-front war was waged with a series of action sequences. But it was the small moments in this book, adding depth to the characters and their relationships, that made this book a winner. Solid work by Charles Soule. But with characters changing affiliation and dying as well as a crowd of new Reds, who knows what the Red Lanterns book will look like after this arc?

I have had my complaints about Charles Soule's work in Superman/Wonder Woman. But here (and in She-Hulk) he seems more in his wheelhouse. And, as sprinkled throughout this review, Allesandro Vitti is superb throughout this issue.

And I have to say, the Supergirl stuff was inspired. More than even in her own book you got that sense of redemption and growth here. Really wonderful stuff. And, as I have said before, the art here really suits the tone of the book. There is an inky griminess to this book which suits the Reds perfectly. And if Alessandro Vitti isn't available, Jim Calafiore is a great stand-in.

I have to applaud Charles Soule for giving us this Kara, dealing with her loss initially through rage but growing too, maybe moving away from it. And Bleez, the Judge, even Guy - all those characters feel well-rounded and real. Add to that some very compelling art by Vitti (he really draws a fantastic Supergirl) and you have a winning issue.

So ... in the end ... I think I have to call this Red Daughter story a success. And that amazes me. I still don't think it needed to happen. The same sentiments that Supergirl showed here could have happened in the first issues of her book. The nurturing mentoring that Guy did here could have been done by Kal. Unfortunately, the first 2 years of Supergirl's own book brought her down the road of isolation and angst and anger (specifically at Superman) that this sort of drastic catharsis and redemption was the only option left. And this story did that. It brought out some of the optimism and heroism in Kara, showed her she can adapt and love. The characterization of the Reds is also strong in this book, particularly the pain that Bleez is weighed by as well as Guy trying to bring some order to the Red chaos. And it is that characterization that will keep me coming back to this book.

This was a very good ending to a very good prolonged run. The characterization of all the Reds was solid. But the faceoff between Guy and Atrocitus was perfect.

This was a depressing issue. It shows how grim and blighted a world filled with super-powered amoral people would be. And it shows how living a life like Guy's could burn the goodness out of anyone. It is a powerful and dark issue. Well written and well drawn.

Isn't there just a twinge of hope here? Guy as a dad, walking into the horizon? This is a great counterpoint to last issue. And this would be a great ending to the title! We have one more issue with Walker at the helm. I am very interested to see what he has for us.

And then we see the classic Guy smirk with hope to find a ring and use it for good. No more weariness. No more pain. No more rage. No more self-loathing. No more despair. The name of this story is 'Hope'. Classic.

So we have the set up. Our heroes have to be ninja-like in saving their heroes. And next up is Wonder Woman. Yes!!!! A fun comic to read!!!

What can I say. This was just a fun entertaining issue with action and laughs and great art. I love the friction between the boys, always the best part of the series and these characters. How I wish we could have got a Supergirl team-up issue.

I am truly loving this book. As always, it is the character moments that are driving this for me. And I love these sneak attacks happening against the Justice League.

So another fantastic issue that had me grinning. How can you not smile at the Supermobile trouncing Vandal Savage?

As I say every review, I will miss this series and only hope we get to see more stories of these characters like this one.

While this chapter wasn't as whiz bang as others, it was still a blast.

And we see how they had even more adventures which perhaps we will see in the future. As I said, I liked the earlier portions of this story than this closing. But if you look at this in its entirety, it was a ton of fun. I will miss these boys if this is their last hurrah.

That was a pedal to the metal fun ride. It felt like a classic, different mission teams heading off in different directions to save the day, but it had modern day sensibility and action. The fate of the world is at stake. Our heroes are effected by the storms. We have Eastern demons trying to control the world. Batman is possessed. And Supergirl was fantastic!

These are all decent stories setting up the next chapter in all these characters. There isn't a clunker in them. I wouldn't put it on par with the Alpha issue. But it is pretty good.

And as I said at the beginning, it all flows so well. The heroism of Superman and Supergirl and the Legion, the callous villainy of Zod and Brainiac, the frightened citizens coming together ... it all just worked. Add to that the usual stellar work of Pete Woods and you had a phenomenal opening chapter to Last Stand. And let's not forget ... finally, Superman is acting as Superman.

Pete Woods continues to shine here and Travis Moore pitched in on some pages. While their styles are different, it wasn't glaring enough to distract. Given that we know the War of the Supermen is coming, I doubt the Kryptonians remain shrunk for long.

I think James Robinson and Sterling Gates really did a great job on this mini. Many of the plot threads from New Krypton are tied up here. The pace and action was incredible. But there is so much story left to say ... so much to wrap up. Is it possible to finish this year long story in 4 issues? I really hope so. And I think Pete Woods' art is stunning here. I am glad he is staying on as the artist of Action Comics.

Add to that the inclusion of Tess and a promise of Kara and the Legion and I guess I will stick around for more. Perez does his usual solid work here and clearly has a grasp of the actors from the show as I can see them in the renditions.

Overall, there is enough good stuff here to keep me happy. Henshaw as reluctant and eventual villain. Lots of powerful tech showcased, basically showing us Henshaws future arsenal. Lex plagued by paranoia and hallucinations. Tess sticking around. Clark as Superman. And a potential Kara sighting. It's all good. I do worry that Green Arrow might be a bigger presence in this title that I would like. But that is a quibble. So far so good here.

I knew it wasn't going to end pretty. Sure his consciousness does get downloaded into one of the Hazardous Environment Drones but Henshaw doesn't seem happy. As I said last issue, this is a guy who loves the senses of touch and taste and smell probably isn't happy in a robot. I thought we would see these drones in action much later in this arc so I was surprised to see it used so soon. That's a good thing. So no complaints about this economical issue. Things progress nicely with the appropriate mix of action, drama, romance, and humor. In fact, things seem to be moving so quickly that maybe Henshaw isn't the big bad of this season but more of a mini-boss?

Again, nothing to complain about here. The story moves along quickly. There is solid characterization everywhere. And now the hinting of the Crisis. Add to that the sharp art and it is a winning combination all around. That said, the 'Vandervoort' Supergirl better not die in this Crisis!

Kudos to Miller for showing how a more classic interpretation of Superman can still be a gripping story. Now where is Kara and the Legion? I need Supergirl and "Steph" to team up again!

And Jamal Igle is the perfect choice here, bringing great expressions to add to the words and plot, filling in so much subtle information by his art choices. Another month ... another very good Smallville issue. Just the right mix of action, seriousness, and humor. Wow!

But there is no doubt that the best stuff for me this issue was the Clark/Lois relationship even though they are never together! It is so easy to see why Superman would love a woman like her. Add to that some great Chris Cross art, in all facets ... expressions, actions, panel and page layouts ... and this was satisfying. The Lois crying panel and the Chill/Chill/Batman panel progression were perfect!

I also think, unlike a lot of DC books right now, there is a sense of fun and joy in this book. It isn't slapstick ... but it does feel like real life. There are ups and down, sad moments and happy ones. How great was it to hear Lois say she was going to kiss Clark's 'stupid face'? Completely endearing. Smallville continues to be the most well-rounded of the super-books. It has a nice pre-New 52 feel to it without the ennui of the television show. I wasn't even sure I was going to get this book. I am glad I did!

And adding Impulse to Batman as guest stars sounds like a League is being formed to fight that huge upcoming threat. I enjoyed this issue a lot, thinking it a nice opening chapter for this arc mixing in the usual action, humor, characterization, as well as a sort of sci-fi ghost story. It all works!

If there is a Crisis coming up, Supergirl has to be around right?? Miller hopefully won't kill off the Vandervoort-Supergirl in this Crisis, would he? So another stuffed and satisfying issue. And I love the internal winks at some of the more ludicrous parts of the story. But with an interesting main story and a number of intriguing subplots, this book is a winner.

As a 'print guy', I suppose the end of this story is already known. Maybe reviewing these digital first/print later comics doesn't make sense? Anyways, this was another solid issue. I had more problems with this issue than prior ones. I don't quite get the Speed Force threat. I think the E2 Ollie/Chloe affair has a sliminess to it which belittles both characters a bit. And Hamilton again uses tech in a new way. But these are more like a popcorn kernel stuck in my back teeth, a little annoying but not enough to take away from the deliciousness of the bag of buttery goodness.

But that said, those stories are written so well with such great supporting scenes that even if the conclusion is unexplained I know enough to sort of roll with it. The best thing about 'Haunted' being over? The Supergirl issues are that much closer.

So this was a perfect opening chapter. It showed up enough of the plotlines to get an understanding of the story but there is still a lot that needs to be shown and explained. It continued to expand the Smallville universe, giving us great guest stars. Despite the main story being in the future, Miller still shows us enough of the present to keep the 'small moments' quotient steady. And what a cliffhanger!

That said, this war storyline between Earth and Argo with the Legion caught in the middle is still a bit amorphous to me. I don't know if I quite understand enough why they are at each others' throats. Is there open war? Is the Faora body enough to bring about war? Is it just fear that a planet of super-humans is a galactic hop,skip,and jump away?? I don't know if I have my head wrapped around this plot well enough to feel I understand it. Still, that isn't a major complaint because the rest of these this issue is so great. Supergirl and the Legion is like chocolate and peanut butter. They always go great together.

When an arc ends and I wish it wasn't over, when I wish for more story, that is a sign of success. And I would be remiss if I didn't again comment on how much I liked this variant Supergirl costume designed by Cat Staggs. Marvelous.

So nothing but great words for this issue. The art is just lush. Diana, either young girl or apparent super-hero, is portrayed wonderfully (pun intended). She seems equal parts protector and warrior. The addition of Martha and the DEO are great hooks to build up the depth of this universe. And the Lois and Clark interaction is still perfect. This was one of those issues when I wished I had the next issue in my hand after I finished this one. That doesn't happen too often. Fantastic!

So we are staring to see more and more of the pieces of the Faust plot but I don't know if I could put the puzzle together quite yet. But as usual, Miller does a great job moving the plot along while adding all the small flourishes that makes this book work. Whether it is Easter Eggs like Shadowpact or Artemis, or the wonderful quiet character scenes like the Lois/Trevor and Diana/Trevor one, this book has it all - action, humor, character growth. Add to that the incredibly slick art of Jorge Jimenez and this is a winning book. If you love sequential art with flair, I suggest you buy this book.

Miller knows all the strings to pull, ratcheting up the action this chapter, but also still giving us some small moments that make this such a great book to read. Now this is how Superman and Wonder Woman should relate to each other.

And Jimenez hit a grand slam here. From the beginning, his stuff has crackled. I truly hope we see him back here (or on any DC book) in the near future. Hooray for this Superman/Wonder Woman book.

The book is placed in the forties, during WW2, and looks at the adventures of the female super-heroes of the time. While the merchandise line seems to lean on a sort of Vargas pinup girl or air force bomber iconography, this is not a cheesecake book. The entire book revolves around these women as heroes, not eye candy. And with this period piece feel, and on the heels of the show Agent Carter, this was entertaining and engaging.

And luckily, the Supergirl stuff is solid. I like Kara's no nonsense attitude there. Is it okay for me to admit I am surprised at how good this book is?

Perhaps the best way for me to sum up this issue and this title is that it is wildly entertaining. I just love it. And these versions of the characters are so engaging. They are treated with respect. They are fancifully dressed but that is just a superficial rendering of more three dimensional characters. I hope this book is a success in all its formats. Because it is a ton of fun, written well and lushly drawn.

All these pages are by Jarrell and everyone is just fresh, strong, and beautiful. The art sings here, working with the words. So I continue to love this book. It is a guilty pleasure, an Elseworlds based on statues of scantily clad characters. But Bennett brings so much more to the table. This is a nice romp.

I thought this underwater action sequence was drawn brilliantly, and the colors here (J. Nanian and Kelly Fitzpatrick) are murky and dark when needed to convey the environment. Wonderful. So another great issue in this series. I read comics to escape a bit and to be entertained. This book has continued to do both. Action, characterization, multiple locales, it has it all. This is wonderful, a 'top of the stack' book every time.

This was an action packed issue, as a war issue should be. And yet, throughout, we see these small moments of character. Whether it is romance or inspiration or even humor, Bennett is able to let the characters breath and be three-dimensional even as the chaos happens around them. So, outside the Stargirl and Supergirl odd moments, this book shined, another chapter in a great saga. Given the lack of #Rebirth news, I have to assume we are nearing the end. That is a shame.

Kara won't become a monster. She won't become the lieutenant in Faora's army. She won't lead a clone army. She'll fight Faora. (I bet Faora is regretting letting Kara go now). I guess we'll see how this all ends next month.

So a tremendous opening chapter with three subplots brewing and a Crisis right around the corner. As usual, I am impressed with this book.

I have to say this was a great middle chapter. The story moved forward on all fronts. We see the threat the Monitors are, an Earth vaporized. We see Lois and Clark use their brains to escape that fate. We see the emergence of a new hero. And we see the evil of Lex, suddenly openly and brazenly malevolent. And we are that much closer to the Crisis. Unbelievable. Incredible.

So another issue of Smallville is in the books and this one is a great middle chapter. The plots all move along nicely. We have some new ripples to contemplate. And we have the return of the Superman family! Nothing but praise here as the team continues to tighten the noose around this universe with a Crisis around the corner.

We knew that this 'episode' was the set-up for the final Crisis. We finally get to the big event, the one hinted at back in the first issue of this series. As a result, things do need to wrap up a bit quickly. The Eclipso ending, the destruction of the Yellow Rings, Superman and Lois returning to Earth ... they all happened fast and a bit loose in this issue. But that said, there is so much fun, so much character progression, so much depth to the characters here that I am able to roll with it a bit.

Regardless, this was another fun romp in the mis-adventures of Jon and Damian. I am thrilled we are getting one more story. I am saddened we won't get more. I am hoping Bendis doesn't let me down. I am steeling myself for the worst. But that won't take away the enjoyment I got from this.

I love these characters. I am going to hate to see them go away. I am going to hate to not be able to read their madcap adventures any more. At least I got one more ride on the merry-go-round.

I wish I had asked Peter Tomasi more about this comic when I saw him at cons this summer. He must be emptying out all the dream things he hoped to get to in the ongoing title. It also feels a little like a love letter to DC's Silver Age silliness, perfect fodder for Jon and Damian. Hoping everyone who needs a little joy in their lives is reading this book. It is so much fun. And it is the perfect palate cleanser after last week's Heroes in Crisis.

I don't think these are different versions of the sons. I think it is the sons themselves! Anyways, I have enjoyed this comic for the entertaining silliness that it is. I am going to drink in the next 8 issues. Kudos to Tomasi and Barberi for bringing a smile to this grizzled comic reader!

This was just about as silly as you can get. And airy like cotton candy. But I am hoping for something fun and sweet when I read this book. So that worked out well.

So some nice bits, no doubt. But this book is starting to feel a little formulaic - brought to someplace new, mini-adventure, run into the Gang, get sent to someplace new. Still, I better enjoy this book while I have it!

Anyways. This continues to be a fun comic with inside comic homages and great characterization between the sons. Throw in Film Noir dialogue and it makes me happy. Roll on the next 5 months!

The next issue blurb says 'The Good, The Bad, and The Sons!' My guess is the 'vacation planet' is going to be a parody of Westworld and the Super Sons will be playing a little Cowboys. The Luthor 'big plot' seemed to come out of left field but I suppose it sets up a finale. And I am still enjoying the hell out of this book. So no complaints there.

Anyways, another fun issue with fun moments. Another dip into the depths of the DCU as well as a riff on the Westworld phenomenon. And we got to see Damian play a harmonica. Nothing to complain about here.

Two more issues. And we already have the older Jon in Superman. Enjoy this dynamic while you can!

If you aren't thinking Red Skull, you should be. I'll miss this series when it is done. I'll reread their books whenever I need a laugh and a reminder that comics can be big, loud fun. And I thank Tomasi and Barberi.

Thanks to Mr. Tomasi and Mr. Barbieri. I'll miss these guys.

I'll definitely be picking up the next issue. Supergirl really shone here.

I must admit I really liked these last two issues so Monkey Prince will probably end up on my pull list. As I said before, this is just what a tie-in issue should do. It definitely was tied into the event. But it also kept the main title plots moving. As a new reader, it made me curious to read more. Perfect marketing! Add a solid Supergirl appearance where she shines and I am an entertained reader.

This is a limited series. I assume it all ends with the next issue. But I'll be there. This is too fun, too entertaining, and too visually engaging to pass up.

Very solid ending. I worry that like Kenan Kong, the Prince will be forgotten or pushed so far on the sidelines as to be unimportant. I have really liked this series, the perfect mix of action and fun you would expect with a new teenage hero. Maybe DC can give us a Monkey Prince and Supergirl special in the summer?

I have no complaints here. So far so good! This is a perfect opening chapter, grabbing me with some good hooks and continuing great characterization of not only Superman/Clark but the supporting cast too! And we see Supergirl again!!! But please Bryan Q. Miller .... PLEASE .... DON'T KILL SUPERGIRL!!!

So this was a find middle chapter of an arc. This revealed a lot of information about the story but leading me to more questions than answers. That is what a middle chapter is supposed to do. Give me just enough to start trying to figure things out but leave me wanting more. I don't know if there has been a good Crisis since the original Crisis on Infinite Earths. Hoping this one will be a lot of fun. Certainly, there are enough DCU characters introduced here to make it feel big enough!

We are building to something big here. And we have a whole cast of characters that as readers you feel you know, care about. And that is going to make the eventual tragedy that will happen in this Crisis affect us as readers even more. I just hope it isn't a Nightwing death. But that would be some sort of echo to a Supergirl death in the first Crisis, no?

I suppose it is only a matter of time before there is a big enough team to get to the actual Crisis. I don't think Supergirl is going to die. But now I am worrying about Jay Garrick. The old saying is 'you can't have a Crisis without a Flash dying'. Maybe he dies and somehow Impulse returns, dons the Flash guise. This book is really clicking on all cylinders.

I guess we'll have to wait and see. A young Supergirl, being a hero, trying to figure out who she is, and striving to do better. It's why I fell in love with this character decades ago and I'm reading it again. Thank you Sophie Campbell!

A lot happens in this issue! A lot. Action! Characterization! A heroic Supergirl saving people and wanting to help her enemy! Origins! Costume changes! And more history homages! Such a change from the more recent back-up strips and specials and the ponderous pace there. This is the sort of Supergirl adventures I want to read. 

This is just the sort of Supergirl I want to read. I love Lena and how she has to overcome her own issues. I like that Supergirl struggles with her proximity to Supergirl but overcomes. And the art is just lush. Three issues in and so far, zero complaints.

This is sort of 'done in one' adventure that continues to build this world. We see Supergirl as a young hero but an accomplished one. Having her train Luminary like Superman trained her is a brilliant plot thread. And so many nods to history. I just hope this remains a Supergirl book with side characters and not a team book with her in the background.

Rosi Kampe's scratchier art works well with a cat-focused story. Fun times and onto the next issue!

And Supergirl isn't denying the trauma ... or hiding from it. She tells all these 'inner demons' that she'll see them tomorrow. She awakens to the glee of her friends. Once again I have to thank Sophie Campbell. This was just a near perfect issue. From the deep cuts of Supergirl history to her rising above and showing us who she is ... a hero ... this issue sang to me. And the art just complements the story completely. 

Again, this was a sweet issue. Love Supergirl being such a supportive friend and bringing people who probably feel very lonely together. Campbell really seems to get her. And the art is just sumptuous. But the presence of a Sea Hag 'somewhere outside Midvale' makes me think my Chaos Stream theory is still viable. 

It is a nice ending. The story does add some depth to Supergirl knowing she hasn't completely moved past her history. It does put all we have seen in the seven issues before us into some context. She has been spreading herself a little thin trying to do it all. And here, in the cold dark days even Supergirl has some down moments. Still, this veered even a little darker that I would typically want for my hero.

So another emotionally heavy issue as things seem to be shaky between our friends. Campbell has made me care about this group already. I like that. I am interested to see how this all plays out. And Quinones' art remains top notch.  That said, I wouldn't mind a few more adventures, a few more villains, a few more punches. I wouldn't mind a little more brightness and a fewer tears. 

So another solid character issue with some decent action and some further world-building by Sophie Campbell.

As I said, I get we need conflict. We need a villain's threats to feel real. And we get that emphatically here. But can I please see a big Supergirl win?? Please? Don't get me wrong. I am liking this book. I love the art. But I need a win!

There is a lot of violent action here. Kara's cybernetics are full of weapons. The city is ablaze. Everything is vibrant. But in many ways, the strength of the issue was showing what a hero Supergirl is in the dysfunctional space of Kandor. It is a balanced showing of the insanity when neither side grows or accepts.

That said, I can't get away from just how great those moments were. If I could get so much out of such short scenes, it means the writing by Gates and Robinson is great. Eddie Pansica was bound to suffer in comparison with last issue's Jamal Igle and my anticipation for the next issues by Cafu and Eddy Barrows. His layouts were very good. But I sometimes felt the characters' faces looked a bit off.

All that said, don't get me wrong. I love how much face time Supergirl is getting here. She has been a major player here. One more week to go. Hard to believe!

So not a bad beginning for a title I am surprised to be buying. The friction between Vibe and ARGUS's goals is going to be the big draw for me. The possibility of classic inter-dimensional characters showing up is some nice spice. And Gates' sensibilities on a young hero along with Woods' slick art.

Okay, as a comic reader who cut my teeth on Legion, Teen Titans, Firestorm, and (of course) Supergirl, I have a soft spot for a title based on a young hero learning the ropes. Vibe settles nicely into that genre of comics and I have to say, I am enjoying it. Considering the fact that I have thought Vibe was a complete joke for 3 decades, I think kudos are in order for DC, Geoff Johns, and Sterling Gates. I suppose I will have to wait a bit to see a jail break from the Circus of captured interdimensional characters. But I better see one!

So overall a rapid and very fun ride with dramatic character movement forward. I would have expected this sort of story more around issue twelve of this series, so to get it so early is interesting to me. How will this effect the JLA book? Will this remain a 'teen hero discovering his place' book? Or will the cruel reality of rebelling against a black ops system with family and friends being caught in the crossfire end up working into the book? Will trusting ARGUS then trusting Gypsy leave Paco jaded and cautious? Or will he continue to try to help those he feels need it without reservation. This book has been consistently entertaining. It has a classic 'struggling young hero' feel like early Spiderman, Firestorm, etc. But it also is moving at a breakneck pace which leaves you breathless as a reader, wanting to read more almost immediately. It is a shame that sales aren't healthy. People are missing out on a great little comic here.

I'll ask those who haven't read the book to try it. I'll ask those who read the book to talk it up. This is a winner! Oh yeah ... and LADY QUARK!!

So what can I say. After the disappointing Supergirl and Legion, I get another very solid Vibe issue, a book filled with action, some crazy action, and enough pathos to choke on. And throughout it, we have a kid just trying to be a hero because it is the right thing to do, no matter what sort of a morass he is wading in. Just solid stuff. I have seen more and more big name sites praising the book. I have seen tweets talking it up. I have beat the drum. I fear that this is an overlooked gem on the comic racks. I hope that DC doesn't pull the plug prematurely. They need this book. I need this book.

The book also has Amanda Waller confronting Dante. Maybe Cisco is going to die and Dante will become the 'even newer' Vibe? I hope not. Cisco has been a breath of fresh air in the dank New 52 DCU. It is a shame this book is ending. But I will support it and enjoy it till the end.

Vibe maintains his outlook on life, his desire to do what's right, and his ability to look past the cynicism of the world and be a hero. This book ended way too soon. Because it is this sort of hero that is desperately needed in the dark DCnU.

And Miguel Sepulveda's art is powerful and nuanced. I can't wait to see what he does in Action Comics #900. And no more 'Dark Supergirl'!

There were other stories here I haven't mentioned ... a sequel of the Lil Leaguers story with Rafael Albuquerque,  some pinups, etc. So many of these were precious, fun, nostalgic. It amazes me when so much can be said in 2 small pages in comics. And to be honest, the Adam Hughes' art on those two pages were worth the cover price alone. I only wish the main story would have held up its end of the bargain.

I think Joshua Williamson did a very good job here with the characters. It is a fast paced and engaging story with a lot of whimsy. How often do you read a 'fun' comic these days. Despite the horror elements, this was fun. Between the high quality of  Batgirl #14 and this issue, I think we need a 'Young World's Finest' mini-series. I didn't really like Ale Garza's work on the title in the past. It looked a bit to scratchy and blotchy then. Here, his J. Scott Campbell-esque style looks much more polished. I think his art is something I appreciate more in doses than on a month to month basis.

This did what a true origin issue should do. It introduced me to the character and got me interested. So I guess I am in for the second issue.

So Yang has me for another issue. This book has been more enjoyable than I anticipated. It straddles pained teenage hero with silly fun with political intrigue ... not an easy brew. And I sense a bit of the Reign of the Supermen Superboy in Kenan and that isn't a bad thing.

I am loving this. I guess Yang is creating an Eastern DCU! That explains the Blue Condor (like Black Condor). Are they heroes? Villains? Is the Ministry 'good' or 'evil? Why does Kenan's father not trust them? So overall a very full issue of character moments, action, and plot progression. Nothing wrong with that trifecta! Hope everyone is getting this book!

Maybe, the point here is that the two will secretly team up to reveal the corruption of both sides. But this definitely is an intriguing wrinkle. Overall, a nice fast-paced issue pushing things forward while tweaking the characters enough to bring growth. So far, this is a surprisingly entertaining book.

Whew, a lot of twists and turns in this issue which makes it a nice heavy read. The background of Meitai and the back-and-forth nature of the family in terms of who they are fighting for added a nice layer of familial fidelity. So far, so good. I am really enjoying this book.

Nice way to stick the ending of this first arc. A lot has happened. The characters are very different than how they were in the beginning. And we have new layers of intrigue. I'll say it again. This book might be the best surprise of the Rebirth books for me.

There was a lot to like about this issue which helped fill in some background information on the characters while starting new plots. I love the Luthor moment. The hint at Deilan's origin is very intriguing. I love the subtle introduction of a Bat-Man/Wonder Woman romance. I love Rongpei, the vile jock who can't believe he lost. Even I Ching and his wisdom is a nice addition to the book.

For an amateur comic historian like me, that is brilliant. What can I say, New Super-Man is a sneaky entertaining book. I hope it continues to do well. 

So humor, a snake-like Luthor, and some super-hero fighting. Plus the dead Superman emerges from Hell (only to be chucked back into it). That's a lot of story and a lot of tones. And it all worked.

The ending is too good a surprise to spoil here. Suffice it to say, there is either a traitor in the midst of Kenan's life or there are two people who look very similar. I am leaning towards the latter. Whew! That was a lot of story for one issue, especially in this day and age. So that thrills me. But this whole cast of characters and all the subplots have had hooked me from the beginning. It is that perfect mixture of fun, emotion, and action that you want in a young hero book. If you aren't reading this book, you should be.

I really feel like Yang and Tan are firing on all cylinders here giving us enough of the title character to make it feel like it is truly his book while also showing us the big world around him. The League, the origins, the Turtle Spirit, the big bad behind the scenes - it all shows a long form thought around this corner of the DCU. It all feels fresh. I do worry a bit about this book being lost among the other titles. I don't think it helps that DC puts out 4 super-books on the same day. Readers only have so much to spend week to week. Why not spread out Supergirl, Superwoman, and New Super-Man onto different weeks of the cycle?

Whew ... that's a lot of story! And a lot of fun! And great action! And I learned some Chinese culture to boot! I hope this book continues along. It really is a great Rebirth book.

So this was a classic middle section of a story. No real new plots were introduced but the temperature on all the existing ones has been turned up. And we end with a classic cliffhanger, the hero team running to fight the villains. I have said it before but this is such a fun comic. It has the right mix of action, emotion, and humor. And most of all, it just feels new.

This title continues to maintain a high quality for me. It is always entertaining and definitely has the right mix of teenage humor, coming of age heroics, action, and mystery.

Where the heck is this going? This, as usual, was a very entertaining book. I love what writer Gene Luen Yang is doing here. And I'm glad DC is keeping the book going!

I don't know how much longer we'll have this book. But I am loving it. And this arc, confronting All Yang as well as comic history, feels like a nice coda. We'll see. Hope everyone sings the books praises. It is a very good book.

Without an Emperor to mentor, Yang instead decides that he will destroy the world instead. He utilizes the power of the Dragon to release an ultimate threat. I'm pretty happy with this issue. I definitely like the way this storyline has unfolded. And it seems to be coming to some climax next issue. But once this arc is over, once Kenan is truly fully Superman with the threat of All-Yang behind him, where will this book go? I wouldn't mind seeing some straight up adventures with a new Super-Man.  At the very least, we got to see Yang tell the tale he wanted to in the timing he wanted to tell it over.

New Super-Man #18 came out this week, a book with the cover dress of 'End of an Era!' And it sure felt like it. Reading between the lines on Twitter, writer Gene Luen Yang hinted that this was supposed to be the last issue of this book. Next issue it is called New Super-Man and Justice League China, in theory a new book. And this issue also tied up almost all the plotlines which have been bubbling in this book since the beginning.

Okay, so not a bad issue. If we care about Lois as Superman fans, we should care about Laney as Super-Man fans. I am glad there is more to her than just Hollywood style E! News. And maybe all this will bring her closer to Kenan. Hopefully it helps her iron out her own problems. My concern is that this book is now changing to a team book. And while that dynamic has basically been there all along, I wonder if the new focus means less time for a character like Laney. And if you are going to open this can of worms, as a reader, I'm going to want some progress.

So overall a nice 'first issue' for this 'new title'. You meet all the League members and get a decent idea of their personalities. We get the internal Yin/Yang debate. We get the Corps. And we get the Korean Aquaman. That's a pretty good trip down this title's buffet. I hope people give it a try. This has been an entertaining and engaging book from the beginning.

I am always entertained by this comic. I look forward to it every month. This issue encapsulates it so well. Asian mythology and philosophy. Familial angst. Teen romance. All somehow gelled in a great story. I will enjoy this book as long as it lasts.

There is a lot going down here and I am loving it.

So this was a decent story of self-discovery and self-determination. I have come to love these characters and this book. I'll be sad to see it end and I hope that DC is wise enough to not put this cast into limbo.

Twenty-four issues in the current market is a nice run. This was a great book. And I am glad Yang got the chance to give us an epilogue of sorts. If you haven't tried this book, look for it or the trades. And I hope Brian Michael Bendis doesn't let Kenan drift into limbo.

So ... whew ... that's a lot of story in 20 pages. I love it!!! After complaining for so long about decompressed story-telling, it is refreshing and invigorating to read compressed issues!

Jorge Jimenez is crazy good in this book. I would love for Jimenez to get a turn on the Wonder Woman book because his Diana is especially engaging. I'm hooked. Exhausted and a little perplexed. But hooked.

That is a lot of story. I am really rocked by this series and how much Snyder and Jimenez are stuffing into the pages. There are such wild images to see here. From the Lantern ring shattering, to the Keep floating in a sanctuary, to Aquaman/Diana punching each other, to Grodd looking like a dad carrying his baby around the mall, this whole thing is bananas. Bananas in the best way. Seven primal forces, the Multiverse on Earth, Umbrax the living sun ... it all has to come together. For my sanity, I hope so.

And from a 'rest issue' no less. I am all on board for this Justice League.

I'm riding the wave here. I love this book for keeping me engaged, tossing wild ideas in and out of the story, and giving it to me in such a beautiful package. Kudos to everyone involved into the book.

I suppose at some point, I'll break out the whole arc and read in one big gulp. Maybe I'll grasp more or be even more confused.. But for now, color me satisfied. These are the size and weight of stories that should force the League to work together - massive, universe threatening, primordial force stuff that requires this team.

And the art crackles. But there wasn't that breathless feel I have had after the League focused issues. I thought I wanted a pause and some exposition. Maybe I didn't?

This was just the pause I needed. There was so much action in the opening arc that I felt owed some characterization. It isn't that we didn't get a feel for our Leaguers in the earlier issues. But so much happened, it were fleeting moments. Now we get a whole issue devoted to meeting or re-meeting our team. This book continues to shine. Buy this book and give it to people.

I am surprised a whole space fleet could just blip around the planet without being noticed by someone beforehand. I love that a Hykraaian, like the Legionnaire Tellus, is in the crowd on the reef. So a lot to like here. Plots, subplots, main plots, and guest stars! And, as is typical of this book, a lot happens rather quickly. Buckle up your chin straps when you read this! If only I didn't need to read 4 books to get the whole tale.

Overall a good middle chapter to this long arc as well as an issue which felt thematically similar to those of this title which preceded it. I doubt I'll buy the non-JL issues (at least not until they hit the buck box) but I enjoyed this book on its own.

The art is stunning in all phases and all areas. And we have a plot in place to build on. You know it is a win when the issue was done and wished the next was already in my hands.

Add the fun character moments and some great action and you have an all around wonderful issue.  People should be reading this book.

Black Adam shows up and off screen he is also dispatched by Brutus. Hmmm .. Superman AND Black Adam knocked out! Can these others take down Brutus?

As the two streak back to the fight, they see an explosion.The Flash has figured out the math and has brought him and Hippolyta in as reinforcements.How I love this panel. Hippolyta has ended Brutus, knocking him out cold. She stands over him like a victorious gladiator ... or a hunter who has killed something. Even her banter about beheading anyone who challenges her is amazing! I don't mind Hippolyta being like this. It should (and does) contrast her from Diana.But I'd wear this as a t-shirt. Just brilliant work by Marquez. But this is sort of a rescue mission.The Flash knows this world is slowly poisoning his friends. They need to get back home.Before the return trip can start though, Zumbado has arrived. He has controlled this world. And now he is here to face off with Naomi and her new friends.All right, as someone thirsty for information about Naomi, I like this cliffhanger. I can only imagine that chapter 5 will fill in some details. It better.

All fresh views which is going to make this League a very interesting group. And given that one of Bendis' strengths is dialogue, this is grist for the mill.  I still wish I knew what Naomi's powers are.

The the crossover.This is Daemon Rose. We last saw him training his scope on Lois at the end of Checkmate #1. Here he namedrops Checkmate.So what does it all mean? I am eager to find out.

Back up top, Naomi distracts Synmar long enough for Superman to toss him into space briefly.I wonder if Synmar can sense her power level and that gave him pause. Please please please give us a list of her powers and more description of how strong she is. But Synmar turns out to be really tough. He takes out Superman, Hippolyta, and Hawkgirl.Batman sends out an all League alert. He even wonders if they should call in big hitters like Shazam, Black Adam, or Supergirl (woo hoo!!)Batman demands that the remaining League defend the Hall. I don't know if that is simply because of the people in it, the data held in there, or the symbol of it. But it doesn't matter. Synmar brings down the house.He is a tough villain.

So, does this end of issue page weirdness and the strange use of nonlethal weapons in a battle between assassins significantly detract from this issue? I have to say yes. Both things pulled me out of a story that I was otherwise immersed in. It doesn't take away from the snappy dialogue, the artistic display of Synmar's strength, the reveal of Naomi's powers, or the tremendous Superman.

Yes, the Projector is a bit of a cop out to end the Synmar threat. But the rest was pretty solid. And I love the Superman stuff.

So the issues closes with me smiling which is a good thing. There are other parts I also thought funny in this like Firestorm saying he isn't on the roster this year.  So some good moments. But in the end, the major plots of the last arc were swept under the rug. And the end of Checkmate was revealed. 

The power behind this new villainous spy army is ... The Royal Flush Gang??? Even the League is confused. 

Where is the Fortress? And why is Batman so worried? I hope we get more of Leviathan. I hope we see behind the curtain more. And I hope we get satisfactory answers to all of my questions. But the Gang being a threat, the key as a bat, the dialogue, it works for me.

It is moments like this and the one above with Naomi that shows how this lineup could have been a fun one to keep around.  So as sometimes happen, I have to let the plot sort of wash over me and instead concentrate on the character beats that really hit home. I have to think of the fantastic art, the way it perfectly complemented the words. And I have to remember we saw Supergirl in a DC book acting as a compatriot. 

As someone who grew up with Legion and League teams splitting up in to smaller groups, as someone who loved the time when Annuals were often standalone and mostly big action, fun stories, this was a complete treat.

So overall, I liked the Clark/Lois interaction. I liked the opening scene a ton. I love this ending which makes sense. But that cat scene is such a downer. I was hoping that Jon would go into the Super-Sons book untarnished. He would be the bright, sunny foil to the brooding Damien. That bloody pet death just soured my feeling for the whole book a bit. It seemed an unnecessary plot point to move Jon's story along.

I was for the most part very happy with this issue. The father/son scenes really played out nicely. The family moments with Lois are heartwarming. The colors are eye-popping. And the art, for the most part, is fantastic. The occasional odd panel and the one angry Clark moment are just two small speed bumps in an issue that really sped the plot forward and was infused with character moments. So far #Rebirth, so good!