Atlee Greene Comic Reviews

Spencer and company have put together a great first installment that firmly establishes the hero's motivation which will play a key role in everything that occurs going forward. Those who never heard of Ant-Man and are jonesing for more information after watching the trailer would be well-served to pick up this book.

In this world, the caped crusader has a similar stance on murder, until he realizes you can't have rules in a city that doesn't play by them. My only complaint is that the book actually had to end because I was enthralled from beginning to end.

There are a lot of comic books based on a particular franchise that fail to capture what made the original so unique. Bill & Ted's Most Triumphant Return does the opposite in spades with plenty of air guitar shenanigans that provide all of the fun and nostalgia one can handle.

That part is not clear at the moment but there are bread crumbs that could go down either path. Geoff Shaw's artwork produces a cartoony vibe that is filled with great emotion. Facial expressions from Ruben and other characters augment certain scenes that deliver the desired result. The story gets better and better with each turn of the pages as each new development makes the book even more intriguing. This is one of the best single issues of the year. I hope the rest of the series will be just as good because the bar has been set extremely high.

The creators have produced an excellent follow up that has me super excited to see how the last two issues play out.

There are some first issues that are merely one hot wonders while others completely miss the mark. Lantern City hits the bullseye with its eyes closed due to its great script, stunning visuals, and enthralling premise. With the promise of much more to come in the story, the second issue can't come soon enough.

One of the things that makes Mouse Guard great is that it's doesn't come out on a regular basis. Having to wait for something so elegant makes one appreciate the labor that goes into such an endeavor because we get something different with every outing. Three new creators will try their hand next month with more tales that are sure to please if they are half as good as this opening chapter.

To wrap this up nicely, Rumble is as carefully crafted as it gets. It just might be my new favorite comic book.

Jonathan Hickman delivers in a big way here and with the splendid artwork of Esad Ribic and the gorgeous coloring of Ive Svorcina, Secret Wars is in excellent hands and plans to take us on a the ride of a lifetime.

Secret Wars #2 has so much going for it as the status quo has been replaced with a new order of things. It's only a matter of time until someone challenges Doom, but I have no earthly idea how anyone can oppose him, much less win. It's not just the fights that are going be interesting, but how the areas of Battleworld interact with each other that seemingly makes this deep story full of endless possibilities.

The ending in this issue looks to serve at the turning point when John Shaft turns into the mythological bad ass we've come to know as Shaft. As history dictates, that is not a good thing for those who have wronged him.

Well, sometimes, the comics with remarkable storytelling only appeal to a select few and fail to capture the imagination of the masses. I read all of the previous issues in this run and judging by my own opinion of the character, I'm not surprised of its short shelf life. However, I feel She-Hulk deserves to second chance to make a first impression.

Salvador Laroca's artwork is amazing and nailed all of the iconic images and landscapes, while Edgar Delgado's coloring was spot on and felt very in touch with the ways of The Force. Kieron Gillen's work with this opening chapter is a great sign of the amount of fun Star Wars fans are going have. Darth Vader's first ongoing series comes out swinging and hits a home run with every turn of the page.

People want the Superman who can punch Darkseid the length of two continents. While Straczynski's approach could come across to some as emo, the DC Comics reboot and the reported darker direction of next year's Man of Steel film heavily suggests the corn-fed Boy Scout is gone. If this version of the last son of Krypton is not the new definitive one fans want, this is certainly the closest to as good as it gets. No matter which side of the fence you are on, this second installment of Superman: Earth One will receive even more praise and vilification as its predecessor.

No matter which side of the fence you are on, this second installment of Superman: Earth One will receive even more praise and vilification as its predecessor.

Michael Gaydos' art is so dark and descriptive, that it makes me wonder if the grit on display is exactly what Swierczynaski envisioned when this project was conceived. Kelly Fitzpatrick's coloring is the visual cog that makes this thing go round and round. Three issues in and it's clear that The Black Hood is going to be something special. If you're apprehensive of picking this up on the shelf due to the unfamiliarity of the title and publisher, don't be. Pick up the first two issues and jump on the bandwagon before it leaves the station. Trust me, you'll be glad you did.

This is probably my favorite single issue of the year so far. The world is ugly in a sense that things aren't going to go well for those involved which has me beyond enthralled with what's to come.

Paul Smith's artwork does a phenomenal job of making the book feel like something out of the 1950's. In a world where the majority of top comics article storylines that have world ending odds, it's nice to read a well put together mystery that is a little more grounded in real world affairs while peaking our imagination to the fullest. In other words, it's all out fun and a must buy.

Even if there wasn't a climactic battle pitting good versus evil, getting to know Russell within these pages was a genuine treat. I can't remember the last time I enjoyed a graphic novel as much as I enjoyed this one. Kirk Scroggs made me think of my childhood at multiple points throughout the book.The Secret Spiral of Swamp Kidis not just an excellent read. It's an entertaining and heartwarming experience. It will be an absolute crime if Scroggs doesn't win an Eisner.

If you ever wanted to know how you dethrone the greatest hero of all time, read this right now.

This issue gets better and better with every turn of the page and it poses the question, how can good prevail, in any way, when they are now all that is evil?

Dystopian tales are a dime a dozen lately, but the carefully crafted nature of this book commands your attention from the moment you read and examine the very first panel. The delays with this series haven't gone unnoticed, and next year's upcoming Book Two won't be solicited until the notoriously slow perfectionist Quitely finishes up his work (There will be a prequel series by Millar and artist Wilfredo Torres in the meantime). This is a top notch series and it would be a shame it if fell into the void of the forgotten.

I have never had as much difficulty making my pick of the week as I did this week. I went with Daredevil #23 in the end but this series is truly something special and fans should enjoy the awesomeness that has been unleashed by Francesco Francavilla.

I have never had as much difficulty making my pick of the week as I did this week. I went with Daredevil in the end but this series is truly something special and fans should enjoy the awesomeness that has been unleashed by Francesco Francavilla.

I think this speaks volumes to how well Death of Wolverine was produced because while he will be resurrected at some point, the road along the way towards his finale already boasts a sense of bereavement that is gripping and chocked full of exciting possibilities.

Making this series a weekly event was the right call. Having to wait a month with such an emotionally charged and action filled story would dilute the gravity that the creators are trying to convey. Two down, two to go, and it looks like we are witnessing a classic in progress.

Forecasting aside, this is a fun book that doesn't disappoint.

The response to this series has been overwhelmingly positive so I think it's safe to say Amala will be back. For my money, it can't happen soon enough.

Kelly Sue DeConnick and Dexter Soy deserve a lot of credit for creating a beautiful book that is full of heart and personality. The creative importance of lettering in comics is often over looked. Joe Caramagna's wonderful lettering of Carol's looks like hand writing you would find in a journal instead of the customary rectangular box with type.

The four bonus side stories added to this extraordinary tale of the little boy Linney makes this without question, a can't miss book. Please, believe the hype. It's all good!

Romance, violence, mystery, and action are all impeccably woven together in superb fashion. Even though this is just a preview of the full length graphic novel scheduled for a summer 2013 release, this is one book you don't want to miss.

Humberto Ramos' magical artwork is the perfect fit for this fabled adventure and it shines in every panel of the book. The opening page shows the real world implications when one deviates from the script, and despite this you still find yourself rooting for Red and Wolf to succeed, without a second thought, even though one of the most popular stories of all time will be erased from existence as a result.

The ending is guaranteed to make you come back for next month's issue. I know that is what comics are supposed to do and the good guy is always able to MacGyver their way out. Bunn has created a situation that truly has me scratching my head because I have no idea how Wolverine is going to get out of this situation.

If you are looking for something different, make this a top priority on your next trip to the comic book store. You'll be glad you did!

I have never been the biggest Hulk fan when it comes to his comics, but Mark Waid is making me change my perception of things on this matter.

The $4.99 price tag is more than worth the price of admission. Just sit back, relax, and enjoy the show as Infinity brings the galactic noise.

Joe Hill sets a dark tone filled with the right amount of suspense and eccentricity that has been a hallmark of the series. Gabriel Rodriguez's artwork is truly one of a kind and perfectly complements the narrative. Everything that happens in the cave consumes your imagination as you envision yourself fighting gremlins in a confining and inescapable darkness. "Mind blown" are the words I would use to describe the ending, which makes you wonder with eager anticipation how the final chapter will unfold.

Bottom line, this comic book is a perfect example of good science fiction as it will captivate every fiber of your imagination.

The ending teases the possibility of a sequel down the line and while there was no stone left unturned, Bemis and the entire creative team have turned in something special and I hope we haven't seen the last of Tim and his "Manic-Man" persona.

One of the great things about this series overall is Bemis' portrayal of Tim. Absent is the stereotypical, self-loathing whiner with a bleak outlook on life and present is the stereotypical, self-loathing whiner of sorts who is troubled by the degeneration of his generation. The real difference is that now he has the power to actually do something about it. The ending teases the possibility of a sequel down the line and while there was no stone left unturned, Bemis and the entire creative team have turned in something special and I hope we haven't seen the last of Tim and his "Manic-Man" persona.

The heart of the story lies with police officer Dana Cypress, who was removed from the "Revitalized Citizen Arbitration Team" by her father, the chief of police. She is also looking after her little sister who is revealed to be a Reviver in the last issue and trying to keep is a secret. A solid comic book in every way and it makes me want to find out more.

The cover would have turned me away years earlier because there is not a cape in sight. This is a unique and lighthearted coming of age tale that everyone will enjoy. The next time you go to the comic book store, go to the shelf and read the first five pages. I'm willing to bet your wallet will be three dollars lighter.

Soule makes this the emotional crux of the story going forward because the reader now has two things to cheer for. You not only want them to win in battle and save the day, but now you want them to succeed as a couple and their single biggest hurdle has been brought into the limelight. The story was great, Tony S. Daniel's artwork is always right on the money, and in turn, we have a really good first issue that not only comes out swinging in its maiden voyage but has plotted a course of unique destinations ahead.

This was exceptionally well written from beginning to end. The construction of the plot that brings Rose back into the Court's backyard will satiate the readers thirst for more Owl drama.

However, we're given so much to unpack; waiting longer than expected for the next chapter adds to the excitement of it all as Waltz and Eastman brilliantly use salvation and vengeance to produce an epic gift that keeps on giving.

This was a captivating debut for the new Thor series.

The twist at the end is kind of given away by the cover, but the narrative makes you wonder and eventually convinces you the story is going to head in a different direction, only to leave you amazed by the outcome and excited for the future of this series.

Purveyors of the pull list should add Crossover to their folder as it has the makings of the next great comic book.

Both add to the overall story while helping the uninitiated become acquainted with the next crossover element. It comes from Cates previous work, and while he alluded to it last July, I don't want to spoil the surprise. Overall, Crossover's ever-growing narrative keeps readers coming back for more.

Bottom line, Crossover doesn't fit in because it too busy standing out.

With the first story arc out of the way, the follow-up is sure to be an exciting ride.

I normally don't read the letters to the editor section but there is some great reading that expands on the underlying message Kelly Sue DeConnick is sending. The next issue is going to take a break from the main story arc focus on the origin story of Penny-Rolle which is a great first choice in this outstanding comic book endeavor.

As I stated earlier, this might not sound like the most fulfilling comic book experience, but the synergy of the creative team makes it so with an important message cleverly intertwined into a plot that makes it impossible not to jeer the bad guys and cheer the good women with resilient conviction.

Brian Michael Bendis and David Mack script negatively characterizes the inhabitants of Hell's Kitchen, and maybe the world. These sentiments are fiercely expressed through the narrative of Ben Urich and the art of Janson and Sienkiewicz.

Nimble Jack's insane mind games are cooling Declan towards death as the woman who cared from him is n inch away from death's door herself.

Val Staples' color treatment was delightful and brought the pages to life. Deadpool is a comic that doesn't take it too seriously and with the Marvel NOW initiative in full swing, Gerry Duggan & Brian Posehn have done a phenomenal in the opening salvo of In Wade we Trust.

Some runs have a strong first issue and so-so issues after that. I don't think that is going to be a problem with this series.

The only bad thing about this book was the very end where it said that Rai returns in December. I'm inpatient and I really don't want to wait that long. However, I'm all in on this series and will be the first person in line when the second arch hits shelves this holiday season.

A master plan to take out Father comes close, but eventually falters. Matt Kindt adds new elements that makes each outing more intriguing than the next. This book is just a pleasure to read and gives you the most for your money.

Dark Horse has a sure fire winner on its hands the first installment of this psychological thriller has all the makings of an instant classic. This was ridiculously close to being my pick of the week.

Ben Urich keeps pissing off the wrong people in his quest to tell the story of the late Matt Murdock.

Horror today shocks more than scares and this book accomplishes both as this is an intense thriller that will take you on a ride you won't soon forget. The only bad thing about this book is that it is the finale.

This goes without saying, but you need to buy this book ASAP!!! If you have a tablet, the work shines just a little bit better on the screen.

Anything else is just a letdown, despite how good it is. Another thing that makes this story fascinating is the fact that the masked heroes are millionaires. This sends a message, in small way, but still a message, to a world where the 99% feel violated by the rich 1% that there are good rich people in the world that do and will continue to do great things for the benefit of everyone.

Dynamite has a real good thing going here and I can hardly wait to see what happens next.

It doesn't matter if the stories are true or not, it just matters is they are good. In this case, the stories are wonderfully told and a privilege to read.

Despite these stories being derived from a competitive nature, it's really not about who wins or loses, its about enjoying the wonderful stories in the spirit of a good time.

Marc Gungenheim's "The Good Guys" is the serious story of the issue while the "The Ducketeer" and "A Dream of Flying" provide a little something for everyone with stunning visuals and a lot of laughs.

To drive my point home, Cliff is dealing with a riot in Los Angeles while saving the day on another planet.

It's hard not to judge this issue solely on the Vader/Aphra confrontation. However, it something that's been built up since day one. Not only was it worth the wait but the ending served as the ultimate fustercluck for the beloved doctor.

Si Spurrier deserves a big gold medal on the steps of Yavin for how he concluded this series by making it true to the titular character while enhancing familiar story elements.

The horror element sneaks up on you by presenting one distressing occurrence only to wake up from the nightmare and into more terrifying reality. The pacing of these moments are well executed and Sean Murphy's artwork makes it all click. If you're not on The Wake bandwagon yet, please jump on right now because it is a suspense filled ride you will not want to miss.

If you are not reading this series, you are doing yourself a huge disservice.

A lot is going on here. Sean Murphy was relentless in how much he piled on for the reader to unpack. In addition to the volume of information, everything is executed in a poignant manner that makes it all matter. The risks, rewards, stakes, and danger conceptualize what The Joker is set out to accomplish. The last issue set up everything quite nicely. This chapter doesn't make you wait any longer and goes all-in on Murphy's compelling tale.

Murphy accomplishes both in grand fashion by changing the questions, as readers believe they have the answer.

Sean Murphy unpacked a lot here. Excellent character development, fantastic visuals, and emphasis on the secrets at play has Batman in a position where he can't possibly win on his own.

The results made for a fascinating read that increased the tension with every page examined.

With two issues to go, smart money says Murphy can't top himself as the work he exhibited here is exceptional. Wise money, on the other hand, says never doubt the talents of Sean Murphy.

Whether we're in store for a real conclusion or not, this book is the perfect primer for next month's grand finale.

Sean Murphy delivered one hell of a conclusion and created a sequel series that somehow surpassed the original. If the White Knight series becomes a trilogy, it has a lot to live up to, but it's evident that Murphy is up to the task.

What Batman: White Knight does so well gives readers something to chew on. Murphy's one-shot story adds even more depth to an already in-depth series.

If capes and cowls are not for you and you are tired of the vampire thing, this is a must read because it's brought so much more to the table than you could imagine.

He is the standard for a tale such as this and his work enhances every panel on every page. In a world where capes and cowls dominate the market, this type of story could be lost on some people. Those who will try anything once are in for a real treat while those who are familiar with the series will be impressed to no end.

While the reappearance of Baltimore's arch nemesis Haigus is always something to anticipate, I think The Witch of Harju will give everyone involved more trouble than they can handle and then some. That sucks for someone living in 1920's Estonia but cool for comic book fanboys everywhere.

While these moments jumble up Bat-continuity even more, they were still powerful moments to witness.

Snyder's script hooked you from the first word balloon and the art work is just right. Bruce, Dick, Jason, Damien, Commissioner Gordon and Harvey Bullock all look younger and we get a glimpse of what the villains look like. The Joker seems to be the top bad guy in town while the Riddler now has a green Mohawk shaped as a question mark. The story seems to be current because the GCPD works with Batman unlike Detective Comics where the police are hunting him down. Very good first issue and I can't wait to see how the evidence pans out next month.

This issue is what the Dark Knight is all about. Scott Snyder's work in this series is engaging, insightful and clever. Gotham City is just as important a character as Batman himself. The artwork is presented with painstaking detail. Readers should expect this series to get better and better with each issue.

The conclusion of the book ends with a chilling boom that perfectly displays the danger in store for Batman.

As you read the book, you get to a page layout where you have to turn the book left side up to make sense of it all. When you turn from that layout, the next page is upside down which looks like a mistake. You naturally turn it right side up to examine the page thinking you are correctly holding the book again. As you continue to read, it takes you a minute to realize that you're reading the previous pages over again, thus, experiencing and sharing the mental madness Batman is going through. The ingenuity of it all was simple and brilliant. The art work is in sync with the story almost more than any other comic book I have read in quite sometime. Even this early in the year, Snyder's number 5 has all the makings to be the single best issue of the year.

Capullo's art work captured this moment brilliantly as Batman looked as big as the Hulk, which is obviously a mental depiction of how mad he was since we all know he is not really that big. The price is going up a dollar in May with eight more pages of Bat-Insanity to sink our teeth into.

The games are over and the Court takes flight to begin their reign of terror.

The Court of Owls are the best new villains to be introduced into the world of DC Comics since the reboot. Others that have made their debut have been more or less cookie cutter variety but there are just layers upon layers of depth that you can sink your teeth into with the Owls.

The creative team brilliantly laid this out as the suspense rose with each turn of the page. In the end, Lincoln being Bruce's brother could all be a ruse. However, the events in the back up story "The Fall of the House of Wayne" makes it difficult to believe the vengeance filled March is lying.

It will be interesting to see what the August and September's #0 issue will bring since The Joker will makes his return to the series in October.

Kudos to everyone involved for their work on another great issue and hopefully Becky Cloonan will make another visit to Gotham soon.

Kudos to everyone involved for their work on another great issue and hopefully Becky Cloonan will make another visit to Gotham soon.

The entire Bat-Family, and even Harley Quinn, are intimidated and on high alert as things are about to get very interesting.

It's a cliffhanger for sure because you don't know for sure if he is bluffing or just playing mind games with The Dark Knight.

Not being rattled, in the slightest by The Jokers antics while locked up in Arkham Asylum paints the green menace in treacherous light and he will no doubt; bring The Dark Knight some serious problems in the future.

Instead of the dangerous riddles we are accustomed to; it is his intelligence that Tynion brings to the forefront. Not being rattled, in the slightest by The Joker's antics while locked up in Arkham Asylum paints the green menace in treacherous light and he will no doubt; bring The Dark Knight some serious problems in the future.

I'm sure I speak for all comic book fans when I say that the sky's the limit for this creative team. If you do not read this mega event, then you are doing yourself a huge disservice.

Andy Kubert steps in for Greg Capullo in the art department and draws a ravaged Batman combing the streets of Gotham as he hasn't attended to a single injury, or fixed the holes and rips in his costume. While the next big tale in the Batman universe has already been announced, Scott Snyder proves he can do no wrong when the title of his book starts with the word "Bat".

James Tynion's Batman and Superman backup story concludes as the duo fights a will o' the wisp demon. It was nothing fancy but it was enjoyable to read. With "Year Zero" right around the corner, Snyder and company prove this series is highly compelling under any circumstances.

I would be inclined to agree with that argument, but the little details that Snyder injects into this arc makes it too intriguing to pass up.

Zero Year had some hits and misses along the way, but I think it's always a good proposition to have the main Bat title telling stories in the present.

Creepy is the only word needed to describe James Tynion IV backup tale and Kelly Jones' artwork is an eerie sight to behold. I often wonder when Scott Snyder and company will be unable to top themselves and the first installment of Endgame looks like that won't happen anytime soon.

The fact that Batman has to seek counsel alone lends credibility to Joker's story. The who in this equation augments the investigation to the nth degree and will conjure up endless possibilities of the finality of End Game.

The artwork and colors have a dark and twisted elegance that depicts how Eric feels. Most comic books that feature the bad guys often have them playing the anti-hero. There is absolutely nothing heroic about this angry guy in the cape.

The pace of the story is quick but thorough. It's a shame this series is coming to a close soon. While it's not the traditional superhero book, it's something different and unique that follows a complete psycho.

If you haven't read this series than please get the graphic novel that will be released in the future because this is one of those books that you will remember forever.

The end of the book also has a two page artistic preview of what lies ahead in the series along with a lovely brochure about the curriculum at "The Jean Grey School For Higher Learning" and a ladder chart listing the faculty, administrators and students. This is an excellent start to a series that has the juice to go a long way.

The story is an absolute improvement over the last few issues.

It's safe to say Jason Aaron is at the helm of the most entertaining X-Men book going today because he is able to bring something different and exciting to the table each and every month.

Fraction does a fantastic job of painting him as the everyman's hero of Queens New York. David Aja's art felt like something I would see drawn on a subway wall and Matt Hollingsworth's coloring gave the story a Bohemian motif to match the grittiness of the story.

A side note; anyone know why one of the variants has Spider-Man surrounded by the many incarnations of Doctor Octopus? It's a cool cover and the one I purchased, but I can't seem to discover the reason for it's creation. Please let me know in the comment section below. Thanks!

Now I know your convinced. Buy it right now!!

Some people have told me that the artwork has turned them off from reading this book. It almost did the same thing to me, but once you take the time to really read everything in this book, you will have a greater appreciation for Hawkeye and the creative talents of Fraction and company.

Almost made the list but it was missing that little something. Alan Moore fans will absolutely dig this new League of Extraordinary Gentalmen tale.

He is someone who is easy to cheer for and it will be interesting to see where things go as Vader's involvement in the story will no doubt test Tohm's allegiance to it's fullest.

Expanded Universe stories can be either hit or miss but this issue bullseyes the womp rat in spades.

This has been the best Star Wars series released by Dark Horse this year. Iron Eclipse is a close second but the period of time between Episodes III & IV will always have a leg up on drawing in Star Wars fans.

This will probably go down as the best Star Wars series of the year as the 20 year gap between episodes III & IV are a writer's dream because there is so much ground to cover.

All five issues gave you something different to sink your teeth into while building anticipation for the next chapter.

Rick Remender's run on Secret Avengers hasn't been as good as Warren Ellis' run so I was worried about this series. I'm happy to report Remender does a fantastic job from beginning to end. John Cassaday's art does an equally fantastic job in telling the story.

This topic has engulfed the Marvel landscape for the majority its existence. Rick Remender examines this issue by bringing the political nature of it all to the forefront. While diversity may not be something you would want to read about in a comic book, it is a reflection of the world we live and is pulled off quite nicely.

Daniel Acuna's artwork is always on point and I really enjoyed the direction of the panels involving Scarlett Witch and the Horsemen because it gave off this vibe that one might be playing the other as they discuss their ideology in a dark room. Wanda is trying to make up for past transgressions and is tempted by what she is hearing even though she is verbally flat out refusing their request.

Miles is barely in this issue, but that was definitely the right call since his since his one page appearance made more of an impact then him being in every page. Peter is the visitor dealing with a whirlwind of emotions when he learns the Ultimate version of him is dead and that his identity was revealed to the world.

The story progresses to S.H.I.E.L.D. HQ where Ultimate Nick Fury has Peter detained in a holding cell and their conversation produces the biggest word balloon ever seen by an anxiety-filled Peter Parker. Some tend to bag on Mysterio but I feel he was the perfect villain to be the catalyst of these events. Bendis' writing makes the story move at such an entertaining pace that you start getting concerned as the pages on the right hand side get thinner because you realize the end is near and that's the only disappointing thing about this book.

The art is great, the concepts are interesting...people, you should be reading this!

As always, Bendis and Pichelli delivery the goods, in droves, with their unique talents.

If subtlety is not your thing, then the ending is anything but and the possible ramifications of it are endless.

I wonder if this series has the juice to remain important during its limited run but it is off to an amazing start.

This is the first of a series of digital comics that will be released around the holidays and this Bat-fan will be back on turkey day!

Minutemen is the perfect choice to kick off this event since we saw and heard quite a bit about the masked heroes of old. Is it enthralling enough to make you change your mind if you cursed the ground that DC Comics walks on for green lighting this? Probably not. If you are able to read this with an open mind, you will see how good this book is and gain an appreciation for the creative talents of Darwyn Cooke.

Damn, this is a busy week for sad endings in comic books.

His use of illusion starts off heartfelt but turns lethal in the face or torment and ridicule. Moloch's rise to criminality is similar to that of The Penguin. While Gotham City can be unforgiving, the world of Watchmen knows no bounds which goes to show that Moloch is truly a product of his environment.

This really should have been the first issue, but I liked the creative switcheroo. Seeing the act after learning how it all came to be really changed my view of things and got me into the characters a little more. Ray is not a monster, but in many ways, he might as well be. Then again, maybe he is doing everyone a favor. After all, does the world really need superheroes that look down on us mere mortals from the heavens?

Of course, that all pales in comparison to the book's dramatic conclusion that will make you stand up and slow clap in approval. While too much of a good thing can take the special out of something so grand, I feel that there is still more ground for this series to cover and hope it gets revisited at some point.

That has happened to all of us at some point in our life so it is easy to relate to but the off the wall hilarity that ensues when trying to get his attention is simply priceless. Generally, I don't read comic books based on a show because I already know what I'm going to get. If you also feel this way then please make this the exception to the rule because you will be very thankful you did.

To say I'm happy this series is back is an understatement. Colder is on its way to becoming the epitome of horror comic books. It not all about the decapitating scares or the blood splattering imagery. It's an extremely well-woven narrative that truly knows it's audience while appealing to a larger fan base.

An interesting question coupled with a scary proposition looking to garner perilous results as Colder once again delivers a feast of scares.

Lee Weeks beautifully pens and illustrates a tale of struggle in the direst of circumstances. Daredevil gained more than he lost when his vision was taken away from him, but he is still just flesh and blood and has the same tolerances to heat and cold as the average Joe.

It can be hard to take these one-shot comics seriously because the Hanna-Barbera side of things is a far cry from what we used to know. Putting that aside makes a pairing such as Green Lantern and Huckleberry Hound an exceptional way to approach serious issues without trivializing them while using a unique hook to provide enough of the escapism readers look for in comic books.

This was probably one of the best first issues I've read in quite some time. There was no exposition or background filler. We knew what we were getting and the creative team used their strengths to present worthy wild story with common stakes that I actually cared about. If I'm correct in how the other heroes of the Valiant universe are going to be implemented in future issues, the creative force behind this series will have a lot of good things in store for readers!

If you are unfamiliar with Titan Comics, this is an awesome book that will serve as your introduction to their catalog.

This series has the juice to go a long way and I hope that this creative team will stay intact in order to ensure it's success.

This may seem weird, but even though we are only two issues in, I'm enjoying Earth 2 a lot more than anything in the regular DC Universe. Just like I have said about Ultimate Comics Spider-Man, the creative team deserves a lot of credit and needs to stay intact in order for this series to go down as one of the greats.

If you are looking for something new, you've found it and if you have heard the hype surrounding this release, believe it.

This company has some good things in the works for 2013. Make sure you check them out!

Bunn's ability to turn the horror volume up at precisely the right moments helps this book obtain the desired result of something special that firmly belongs in the must read category.

Whether you're a fan of all things He-Man or only have love for the 80's Filmation cartoon, the inside baseball nature of the story doesn't flaunt it's knowledge in the reader's face to prove a point. It uses that information to craft an exciting story that all MOTU fans will thoroughly enjoy.

Overall, this second installment maintains the highly enjoyable ride of the first issue. The story progresses while keeping true to the tone of the narrative in a completely different setting. It's easy to see this is a labor of love for Masters of the Universe fans, and I can't wait to see which universe we visit next.

Now, he has back up. I can't wait to see what Seely and Derenick have in store for the finale!

Tim Seeley has created a dual masterpiece. Masters of the Multiverse not only stands on its own but has created a new and rich comic book universe. Perhaps, this was the plan all along. The mythology and continuity are not only intact but have been expanded upon to set the stage for new stories. Seeley's shown that not only does he get MOTU, but he also respects it. If DC Comics pulls the trigger on an ongoing series, I hope Seeley will steer the ship. No matter what happens going forward, Masters of the Multiverse finished on the strongest note imaginable and should make for a great graphic novel.

This book has a little something for everybody and is a strong debut issue from Image Comics.

If the guy who stands for truth, justice and the American way turns to the dark side, then that is a plot point you can sink your teeth into. For 0.99 an issue, this comic is a deal you dont want to miss.

In a way, Tom Taylor is giving fans a story filled with those speculative "what if" scenarios you shared with your friends. For example, what if Superman is trapped in a room full of Kryptonite and Doomsday is blocking the only exit?

Based on what has been revealed about the video game, it will be interesting to see how certain super heroes decide to unpledge their allegiance to Superman while others form new alliances. Those who take the trip down DC Comics' digital landscape will thoroughly enjoy this story at a price that can't be beat.

I can hardly wait for the next issue.

Starts off slow but picks ups as the story moves along. Emilo Lopez's artwork is the highlight of this book.

The detail of Marco Rudy's artwork perfectly illustrates the madness Spider-Man is experiencing. Val Staples' coloring compliments the pencil and makes the reader feel that they are tripping on acid at times, which also conveys the gravity of the psychological peril Spider-Man is in, as his spider sense is ringing nonstop. The maze of twists and turns written by Kindt makes you wonder if this is real or just some horrible nightmare. The end of this tale reveals an insurmountable gauntlet of 99 problems for Spider-Man.

Overall its fun read and it's not hard at all to figure out what is going on if you missed the four previous issues. Oh yeah, Rush is in it too!

The publisher promises a shocking twist and delivers in spades at the very page where Xander, the anti-robot extremist of the Mega Man X period, makes a big statement with a particular set of drawings in his jail cell that will make you giddy with all sorts of guessing games and conspiracy theories of what's to come.

While I don't read every issue of Mega Man, this is an arc that is super fun, easily garners your attention and will make the child in you smile all day whether you blew into your video game cartridge or not.

One thing nobody can deny is that this series has had a strong first showing.

Loeb, McGuinness, and Vines are always in sync and produce great action, solid artwork and a comic book that may turn out to be one of the best books in Marvel's catalog.

The clear and well defined art of David Balldeon and Terry Pallot, coupled with the colors of David Curiel, complements the witting and makes it just a beautiful book to look. In my opinion, Nova is one of the unsung heroes of Marvel's comic book line-up. It's consistently entertaining while exceeding expectations, and often well reviewed, but it tends gets lost in the shuffle of the A list character books.

Doctor Zaius hates humans because of the destruction and the fact that the bomb was man made. He is bound to find this out, if he doesn't already know. Knowledge is power and this will strengthen his resolve to no end.

This fun cast of characters makes Rocket Salvage worth investing into a different kind of mystery that is fantastic in every way. Trust me, going back to read the first issue to fill in the blanks will be money well spent.

While the premise is something we've read before, Jon Tsuei and Eric Canete make it easy appreciate the world and the mystery surrounding Rain as it appears to be something that is going to get bigger and bigger as things move forward with this eight issue series.

I'm glad I read this issue and the ending will leave you excited to see how the series concludes next month.

Fiona Staples' art brings a lot of energy and uncanny details to every page. If you haven't read this book yet then please, give it a chance.

There is one word that sums up the ending.

I hadn't thought of this until now, but none of the main characters have met each other yet and the comic is already one of the years best. Just think about that people!

If you like role playing games then this is right up your alley. Pathfinder is a potluck of fantasy, action, and adventure that would make any card player proud. This is coming from a guy who hates RPG's but don't let that sway your opinion. A lot of hard work went into this new title.

Saga is one of those books I would show someone in order to change their perspective on the genre. It's that good, and Brian K. Vaughan shows no signs of slowing down.

The Cyclops of the past and the Cyclops of the present meet for the first time. What do you think will happen?

Fiona Staples is money as always in the art department and Brian K. Vaughan has once again written one of the best comic books of the week.

Saga is the gift that keeps on giving because not only is every issue absolutely amazing but it just keeps getting better and better.

Saga is one of the first comic books I recommend to people who ask about a good title to read.

Catman is the character Simone has a lot of experience writing and he is used as a vehicle to reintroduce the world to something bad with a twist.

This issue serves as a great jumping on point since a recap of what you might have missed is seamlessly woven into the current story.

The writers deserve a lot of credit for producing a carefully crafted and entertaining script. Woodward's oil painting style artwork is the icing on the cake of one wonderful comic book.

After reading this I can safely say the ingenuity of this combination will appeal to hardcore and casual fans. The classic versions of the Legion and Star Trek crews simultaneously arrive in an alternate 23rd century on Earth where evil rules. Chris Roberson pulled off the coup of making these two groups feel like they were made for each other and they don't even meet each other in the first issue. The art and colors in this book blend together perfectly. This comic series has the juice to boldly bring readers where no comic book fan has gone before. Besides, you know you want to see Brainiac 5 and Spock's first meeting of the minds.

This second installment was just as fun as the last one. There is an even amount of things from both properties that produce page by page entertainment. The art and colors are gorgeously captured the emotion of the moment. This cross over event brings a lot of detail to the table with the art and storytelling and deserves more attention then it's getting.

There is an outstanding two page panel that shows a battle scene comprised of scattered fire, slaughtered Stormtroopers, decimated AT-ST's and battle damaged AT-AT's while an X-Wing fighter races down to the planet's surface. Taylor and Wilson's work is clearly in sync and this pays dividends to anyone who picks up a copy of this Star Wars title.

I'm officially counting down the days until the second issue drops in November.

The cover is easily my favorite of the week and the ingenuity of making it look like an olde-tyme circus poster was brilliant.

Powell's approach to mostly standalone books carries a clever symphony of storytelling that entertains more than your average three issue story arch. The dialog is a kind of wordy but you'll hardly notice as you will be consumed by an overabundance of amusement.

This book ignores the other Hornet comics published by Dynamite, which makes it a great jumping on point for new readers. Despite the story taking place in the 1940's, Daniel Indro art makes everything fresh and new and produces great character work. If pulp heroes are your thing and you want a comic that will make you come back for more, you've found it, right here.

Jonathan Hickman's ambitious narrative is dynamic and highly compelling.

Youthful characters with increasing shades of grey are making things go in different directions that is rife with peril and suspense. This might be my new favorite series!

If you are looking for something without a cape and cowl, Uncanny is a thrill ride that is definitely worth waiting in line for.

Most Actives believe they are the only one with powers, which is what Weaver thought as well. Andy Diggle's script provides the answers that we have been looking for while producing more questions at the same time. The organization that recruited Weaver seems to be one step ahead of everyone else but it turns out that someone may be one step ahead of them, leaving you to wonder how and why. Three issues in and Uncanny has been just that.

The cleverness in it all is what makes this book more enjoyable than most that travel down the leisurely path of poking fun at the competition recent trend of renumbering and rebooting their books. All in all, there is always room for more Skullkickers and this new title will no doubt harvest many laughs for years to come.

This book is filled with action packed entertainment you don't want to leave on the shelf.

The imagery was some of the best of the week and truly enhanced the excellence that is this issue.

Steve Rogers tries to have everyone's best interest at heart, but I think he got it wrong this time and that is what absolutely hooked my attention. Chris Bachalo's depicting of a new mutant named Eva using her power to stop time was riveting to see because it could be a game changer in the overall scheme of things and will be hard to counter act for any enemy. Besides Cyclops' new costume, which needs to go, the third time is quite the charm for this new and tremendous series.

Besides, I know Lee Bermejo's bad ass cover had you at "hello".

It's not an easy endeavor since they have to get back a 500 lb gorilla with a 50 caliber machine gun and a jet pack.

Looking forward to seeing one has truly demonstrated how good this book really is.

Twists and turns go hand and hand in this breath of fresh that is the Winter Soldier.

The Rocketeer soars into action to subdue Dinosaurs trampling all over 1930's Los Angeles.

While this issue is not as interesting as the first two, we get to know the family a little bit more while being pointed in a few different directions which will make fans come back for more in 2015.

Scott Snyder concludes his first story arc in a manner that was jaw dropping from beginning to end. Where the story goes from here is a complete mystery. This is the kind of comic book that has kept fans coming back for more and I don't see that changing as things move forward.

Honestly, the only bad thing about Xirais that it had to end.

This is truly a spy story taken to the next level and one you don't want to miss.

I was hesitant to pick this up since I haven't been interested in Daredevil in years. Waid's run has made me a fan and will make you a fan too if you are in the same boat. His writing in this book reminds me of a 1960's spy thriller. Panels are laid out with the some noir style and the art does a fantastic job of displaying how Daredevil's powers are truly unique and make you wonder if most super heroes could escape his perilous predicaments.

The art and writing maintain its stylish noir that really sets itself apart from the other comics on the market.

 If you haven't jumped on the Mark Waid Daredevil bandwagon, this is a great time to start.

Not hard to understand why Mark Waid received two Eisner award nominations for his work on this series.

The Black Cat's presence is felt in a bitter weet moment and things are set in motion for the Omega Effect crossover event along with the Punisher and Spider-Man.

Consistently great writing and art with a $2.99 price point makes The Man Without Fear the best value in comics today.

There are no bad guys being thrashed about or criminal masterminds being unveiled, but Mark Waid's run on this series is about all that and a lot more as I'm convinced he could write an epic about paint drying on a wall.

How can be the man without fear when he no longer knows what he can and can not fear?

Good story, worse kept secret identity ever. Wentworth (The Spider) has to deal with the villain, Anput, threatening those close to him while fighting off rabid zombies in a baseball field. Some cool stuff for sure.

He does a fantastic job with the art and there is nothing else to say about it. I hope he sticks around. Another great issue that everyone should go out and buy right now.

Once again, Loki tricks Thor and this time, throws him in the sea of fire. Thor should know better by now.

Part three of the Winter Wolves saga follows a team of three who all have different ideas in mind for the Six.

There is something deadly coming down the pipe for Daredevil, and the issue serves as a prelude of what's to come. As clich as it sounds, this is truly one of the best values in comic books today.

Like every story arc before this one, I have no idea how he gets out of this one but I cant wait to see how he does it.

I don't know if it is just the right creator with the right character, but speaking as a comic book fan, it is a true privilege to read, examine and explore. My imagination is better off for doing so.

However, there is something about this Daredevil run that is completely enthralling. I don't know if it is just the right creator with the right character, but speaking as a comic book fan, it is a true privilege to read, examine and explore. My imagination is better off for doing so. Pick of the Week? Maybe Pick of the Year.

Now that the Battlestar has never existed, Starbuck and Apollo find themselves stuck in an unusual time.

In fact, every facet of the story is executed with brilliance that not only highly entertains, but makes you think about the situation as a whole as you take in all of the awesomeness that is the twenty eighth installment of Daredevil.

This issue has a  little bit of everything from comedy to action and everything else in between. This is definitely one of the best single issues of the year and you owe it to yourself as a comic book fan to read this issue.

I applaud Marvel for not casting Miles as the ghetto hoodlum with the heart of gold and made him an all around good person. Bendis' dialog gives you no choice but to root for Miles Morales. I know a lot of fans are upset at Peter Parker being replaced. To these people I say the Ultimate universe is supposed to be different. Children from all walks of life and every creed and color look up to Spider-Man and have imagined what it would be like to be him. Miles is no different but unlike the rest of us, he actually gets the opportunity to live the dream.

Morales appears to be younger than Peter Parker was when he became Spider-Man which makes his character arc very interesting. The art work in this issue is the same as the first issue and the best work is on the last page when Miles discovers a particular ability that gives him a very big clue as to whether or not he is a mutant.

For the first time I have become a monthly Spider-Man reader and I will continue to be for at least as long as this creative team is intact!

Bendis, Pichelli and Ponsor are the best creative trio in comics right now as their work on this series remarkably captivates my attention with every page. This new journey is off to four amazing issues and is expected this to be the status quo for quite sometime.

If you thought this series was moving slowly, this is the issue you want to jump on. Excellent writing, fantastic artwork, and great action are all on the menu.

Very fun issue all around and if you haven't read this series yet, I suggest picking up the hardcover book containing the first five issues due to be out next month. Trust me, you won't be disappointed.

I've said it a million times and I'll say it a million more. If you haven't been reading this series yet, please start asap.

The execution overall makes you roll your eyes and smile at the same time.

NYPD Captain Frank Quaid makes a cameo and Miles and Ganke's cover-up routine never gets old and is sure to bring a smile to your face.

While Sara Pichelli is the standard bearer for all things Ultimate Spider-Man, David Marquez does a pretty snazzy job while Justin Ponsor's color treatment is money as usual.  Overall, a very good book with a villain you will want to reach into the panels and slap upside the head.

This is a solid comic book in every way and I hope the upcoming Marvel NOW re-launch will leave well enough alone with this series.

With rumors of various writers leaving the comics that they made famous or brought new life to, it's hard to imagine a world where Brian Michael Bendis is not writing Ultimate Spider-Man. Month after month, he creates something special that is nothing but a pleasure to read.

In my opinion, Ultimate Comics Spider-Man is one of most consistently great comic books on the shelf today. There is no doubt that Bendis knack for storytelling on an emotional scale coupled with Pichelli and Ponsors unique talents will be more than up to the task.

If I had to use one word to describe this series it would be "captivating" and this issue is just another example of why.

I'm not kidding, however, when I say Happy could be the crown jewel of your comic book reading experience this year.

Well, just like Happy, his importance has increased too, and not in a good way. Merry Christmas!

That makes it hard to get into a story but the overall story that Morrison and Robertson produced does a good enough job of getting their point cross.

With three issues to go, I can't wait to see what happens next.

The story is carefully crafted with precise detail that puts this series in a league of its own.

Nothing Earth shattering occurs in this issue, but Rememder wraps up everything in a nice little bow.

It is their relationship that takes center stage throughout the issue and it's revealing to see how Damian became the person he is today. In my opinion, the only zero issues that have really shed any real light on the past are the Batman titles and this is another prime example of the zero concept done right.

It is their relationship that takes center stage throughout the issue and its revealing to see how Damian became the person he is today. In my opinion, the only zero issues that have really shed any real light on the past are the Batman titles and this is another prime example of the zero concept done right.

Carlos M. Mangual's lettering carried a strong presence as it relates to Damian since the pint size hero's Batman impersonation reminds you more of Batboy than the Dark Knight. In my humble opinion, annuals suck. This one, however, is exceptional and the best one released in DC Comics new 52.

It truly showed that Bruce has turned a corner where as before, he would have beaten someone up at the drop of a hat. A new villain enters the fray and as he takes out the Batman of Moscow he sets his sights on Bruce Wayne. The creative duo of Tomasi and Gleason makes a new, yet familiar story refreshing. The artwork makes you feel that you are part of the adventure. Bottom line, this book was pure fun to read.

Tomasi's writing of Damien is unique because he is a complete badass which we all love but you sometimes wish Bruce would smack him upside his head. The best piece of art work in the book is when Damien breaks the neck of a bat with a one handed no look catch in response to Bruce complimenting him on his performance.

Two scenes come to mind that exhibit how awesome Patrick Gleason's work is. Robin confronts two criminals and one of them mocks "the little kid in the costume" and pulls out an iPhone for a photo opportunity, only for the Boy Wonder to slug him right in the face. Another is a two page spread where Batman jumps from the Batwing and into the alley in order to help Damian as you see the plane positioned near the moon and the coloring of the night sky made it all that much better. This book gets better with every issue and I'm looking forward to #4.

Gleason and Gray's artwork was entertaining and does a great job of conveying the darkness of the situation. What makes this book really standout is that you never know what Damien is going to do. He is smarter than most adults but he is also more immature than most kids and he is a trained assassin with the urge to kill. You can throw logic out the window when trying to figure him out and that is the draw to this story.

The last page shows an extremely angry Batman when he hears something while on a pursuit.

Damian has been the star but this is the Batman we have been waiting to see in this series.

Will Damien kill again and if so, how many times will Bruce let him get away with it before he has to do something radical?

There is a side story involving a plot to kill Batman but it's very boring and easy to ignore considering it's a plot to kill Batman. The Court of Owls took Batman to his limit in Snyder's Batman series so any other threat toward the Dark Knight seems idle at best.

Yes, there is stuff going on with Batman too but it's not nearly as exciting as the battle of the Robins.

While Scott Snyder is getting all of the props for his Joker portrayal, Peter Tomasi holds his own in that department while producing another exciting chapter in this sprawling story.

Despite what you see on the cover, Carrie Kelley presence in this story doesn't suggest in the slightest that she will be the next Robin. Still, she was an important part of the story as her connection to Damian pretty much guarantees we haven't seen the last of her. I don't want to spoil what her character brings to the table, but it creates a wow factor that opens up a whirlwind of possibilities while creating more questions at the same time. Tomasi and Gleason deserve a standing ovation for their spectacular work on this book as it is a crescendo of action and superb storytelling.

It's about Damian, it always has been. Even after Damian died and various villains took his spot on the marquee, Batman was trying to, in his own way, fill a void in his life. Now with that loss seemingly about to be found again, Tomasi is having Batman walk a very slippery slope.

The first couple of pages takes the story from zero to sixty and delivers loads of fun that never lets up. If the rumors are true and Damien does indeed have super powers, this is going to bring a whole new element to the series since Bruce could barely control the powerless version of his son.

There has been some criticism about Kate's sexual orientation. Public opinion of the issue aside, I liked that her and the detective's interest in each other was not this over done girls gone wild type of moment. It felt as normal as can be and the thought of seeing a gay couple on the panels never entered my mind. While this is a book in the "Bat-Family", it has a different feel to it as the only thing that reminds me it's a Bat book is the red bat on her costume.

There were a lot of cooks in the kitchen on this one and they all helped to produce an exquisite blend of art and story.

This series is truly a cut above most titles in the DC Comics catalog.

The imagery is not only enticing, but is also drawn differently than other books featuring the other Bat characters because it truly shows Gotham from a similar, but different, perspective of Kane. The bottom line is that you need to buy this issue, and the next one as well, if you want to know how the main event turns out.

Observations, winks, nods, bloody imagery along with fun and insightful character development serves as a reminder that everyone has their fight in these politically charged times. Despite the very real message, it's the ridiculous chronicle of events in this first issue that takes center stage. A skeleton monster demonically screaming, ""you fucked up!" made me wonder what the hell I had gotten myself into"and I can't wait to see what happens next!

What else is there to say about this sophomore outing"Oh yeah, there is a twist that comes out of nowhere. The confidence Esquivel and Villalobos have instilled in readers with two issues leaves no doubt we're in for a hell of a treat.

For three issues now, Eric M. Esquivel has not only made this concept work but thrive at every conceivable turn. Illustrations of mutilation, terror, and warmth conjure a deep appreciation for the overall body of work. And, of course, the book ends with another hook that makes the next issue all the more anticipated.

Four issues in and the story gets better with every outing and my excitement increases with each book that is released. Something big is about to happen at the U.S. / Mexico border. Those on both side of the fence, both living and dead, are in for a rude awakening that will serve as the ultimate test of tolerance for everyone involved.

Alan Davis' art was a big improvement from the last issues and his depiction of a skinny and scared Captain America was very well done!

Ed Brubakers time is winding down as #19 will be his last issue on a historic run that began in 2004. Cullen Bunn is an amazing writer and anyone that has not picked upThe Sixth Gunneeds to do so ASAP. However, do you remember how manyCaptain Americabooks you read back in 2003? I can tell you, none. Brubaker is not just another writer who pumped out some great books; he made the character relevant again and beyond. So enjoy the time we have left with Mr. Brubaker and his Eisner award winning talents on a beloved pop culture icon.

Ed Brubaker's time is winding down as #19 will be his last issue on a historic run that began in 2004. Cullen Bunn is an amazing writer and anyone that has not picked up The Sixth Gun needs to do so ASAP. However, do you remember how many Captain America books you read back in 2003? I can tell you, none. Brubaker is not just another writer who pumped out some great books; he made the character relevant again and beyond. So enjoy the time we have left with Mr. Brubaker and his Eisner award winning talents on a beloved pop culture icon.

The artwork of Micha Gunnell and Pasquale Qualano gives you the feel of a well depicted cartoon that is rich with detail and action. This is a fun read that you won't soon forget and it has a great ending that will bring you back next month. Oh, the variant covers with supermodel Rachel Clark are not bad to look at either.

This series is good, really good and I believe it will only get better.

Read the first four issues before checking out this delightful story with some fun artwork.

Carmine Di Giandomenico's art gives the story a serious tone required to sell the magnitude of what is about to transpire.

When it is all said and done, I have a feeling this character will never be the same again.

While we don't know what's next for the Punisher, it's not the last time bad guys will face the wearer of the white skull shirt as they are looking down the barrel of gun.

So let's talk the art. It's a little rough but that is a compliment in this case because it brings a realistic feel to the book. This is not the type of comic I would have read in my younger years because there is not a cape in sight. Greg Ruck provides another great example that not all comic books require spandex tights. This was ridiculously close to being my pick of the week.

This comic may sound like something you would normally not read but this is my pick of the week if you want a break from the capes and cowls.

This is a series that is not getting a lot of attention, but certainly deserves it. Emotion, action and suspense along with Dex's exceptional ability to deduce the facts in the case makes this a series you want to keep your eye on.

She read this one and can not stop talking about it and feels February is too long of a wait for part two to be released. I completely agree and so will you if you pick it up.

I read Criminal to get more familiar with Brubaker's independent titles and I have a much better appreciation for his work. He's a natural storyteller who's clever plot devices are a thing of beauty. Sean Phillips' art is perfect for this stunning, tense, on the edge of your seat thriller that is the definition of cool. Brubaker has struck gold twice this week with Winter Soldier and Fatale!

Besides the new Ultimate Spider-Man, I didn't think there was a series where the writer, artist and colorist could be so in sync with each other until Fatale. The story sucks you in from beginning to end; the art and color make you feel that you are witnessing these events in person instead of reading them on a page.

Each issue hooks you more and more as the evil things that lurk in the shadows will consume your imagination.

Sean Phillips' drawings are always spot on, but it's Dave Stewart's coloring that truly makes the artwork shine in this issue as it flawlessly conveys Brubaker's dark noir.

Stuff like that happens all the times in comics but the way Sean Phillips draws it makes the image eerie and real when your imagination is captured to such a degree. Dave Stewart's coloring is the icing on the cake of this dark noir that brilliantly keeps every guessing.

This is another excellent issue in this remarkable series.

If you haven't read Fatale yet, then please do so, like yesterday. All you will get is quality storytelling and quality art in spades.

I'm not going to spoil the ending but let's just say that it makes you realize how important that manuscript has been, and it was right under our noses all along.

There is nothing that needs to be said about Sean Phillips artwork because it is spot on as usual. Elizabeth Breitweiser takes over the coloring duties for Dave Stewart and fits in quite nicely. This issue serves as a great jumping on point and another jam packed issue for the committed readers of this series.

The slow burn nature of Fatale gives us little bits at a time without making the reader feel that they are not getting enough. If anything, Fatale makes the bread crumbs feel like a feast that ultimately keeps us satisfied until the next time dinner is served.

The first issue scored a perfect ten and this second offering scored a nine. That is not a knock in the slightest as I had an absolute blast reading this book and in the end, thats what comic books are supposed to be about. Fun!

All and all, the force is strong with this one.

I'vesaid it for the last three issues and Im going to say it again. If you are not reading this series, you are doing yourself a huge dis-service as a comic book or Star Wars fan. Read it now!!!

If you shy away from Star Wars comic books, please, make this series the exception. Read it now!

It was so daunting that I thought Palpatine was yelling at me. On Tatooine, Luke visits the graves of Uncle Owen and Aunt Beru and the scene just tugs at your heart strings because we see Luke going through the mourning process which we never saw in the film. All and all, Star Wars is the comic book gift that just keeps on giving no matter which galaxy you reside in.

The bottom line is if you believe in the ways of the Force, you will believe in the power of this comic book.

Then I remembered, oh yeah, nothing happens to Luke and Wedge because I've seen Return of the Jedi. That is what makes this series an amazing pleasure to read. Even though you already know the outcome, the story is written and the artwork is drawn in such a way that you forget everything you know and just focus on the here and now. Any series that can do that on a consistent basis is worthy of all accolades it can carry.

Something about the dialog suggests that Gail Simone likes a good drink and maybe expresses that sentiment through Red Sonja which speaks to how much fun you will have reading this book which will make you appreciate the serious even more.

This ongoing series is another great example of why there should be more, and the talents of Gail Simone is the perfect archetype to improve a glaring need.

This ongoing series is another great example of why there should be more, and the talents of Gail Simone is the perfect archetype to improve a glaring need.

When it is all said and done, Gail Simone's Red Sonja will be one of the standout books of 2013.  She brings heart to a character that performs her craft with sheer brutality while telling a phenomenal story in the process.

Red Sonja has become one of my favorite comic books in circulation today. Gail Simone has done a wonderful job of creating adventures that are not only worthy of the "Red Devil", but have put her in situations that she can't just slash her way out of with a sword.

If you haven't jumped on the bandwagon as it relates to this series, do so immediately. Red Sonja is a fantastic read that gets better and better every month.

In my humble opinion, if you haven't jumped on the Red Sonja bandwagon, what the heck are you doing? Start reading this series now.

I was critical of Dynamite Entertainment's Pantha comic book that debuted last week. While it was a good effort with potential, there was way too much going on story wise. Sometimes, less is more and other times more is absolutely awesome. This series has a lot going for it with Daniel Indro's grand art style complimented by Mujiono's wonderful color treatment. Eric Trautman's script provides a real sense of adventure for an entire 32 pages that I urge everyone to get their hands on.

Strong visuals, great script, and excellent direction keeps this series in the hunt for best Star Wars comic on the shelves today.

There are several developments that will make the course of events over the next few months full of speculation and intrigue.

Things start to unfold as Geoff Johns sends lot of characters down many different paths that will no doubt make things even more interesting as we move forward in the series and beyond.

There is a lot going on in Al Ewing's script but he makes it work beautifully as the tension builds to the books suspenseful conclusion.

Conrad's heist did not do completely as planned as his son, who is newly released from prison, has some serious problems that may make him wish he was still locked up.

There is a fair amount of fighting and violence inside the pages of this book but there is a lot more depth to the story.

The artwork presents the customary cartoony style we expect from this series and doesn't fail to augment the humor in the storytelling department. This is the perfect issue for old and new fans alike.

While due to some dull moments, it is not a grand slam by any means, the newly heralded dream team Scott Snyder and Jim Lee have set the standard for what a Superman comic book should be in 2013.

We all know that Superman always finds a way to win, but his inner dialogue gives off a sense of self-doubt as he is thinking of combat tips that he received from Batman instead of doing what he does best. I'm genuinely excited to see where Snyder and Lee decide to take us because with three issues in, this series is running on all cylinders.

Scott Snyder and Jim Lee get it, and they did a wonderful job giving us a fight, one year in the making, that exceeded expectations across the board.

Wraith proved to be a phenomenal antagonist because he challenged Superman on such an innate psychological level that you almost forgot about the big brother physical strength he had over him as well. While it may be back to the mediocre storytelling for the Last Son of Krypton, this series is a perfect example of how to portray him in 2014.

However, it is completely appropriate for this book as the black and white pages makes the figure work pop and gives the reader that old military movie feel. I haven't enjoyed reading a comic book this much since Scott Snyder's Batman #5 back in January. In my not so humble opinion, you need to buy this book, like yesterday.

The detail in Rahsan Ekedal's art is something any artist would envy. The pacing of the story makes you not want to put the book down and will leave you wanting more.

 Some quality father /son time that only Bruce Wayne could afford to pull off leads to some zombie filled action.

Do you like holy &%$#@ endings? If so, check this book out ASAP.

The cover says "Reading this book will make you smarter" and I think it just might.

Mr. Freeze versus The Court of Owls with the Birds in the middle only they don't know it.

When talking about this series as a whole, so far, this second run has been a B+ which is nothing to complain about. However, it's leaves a little to be desired when every issue in the first run was an A+. Different directions take time to flesh out and this issue brings the series back to that elite level quality and leaves lots of intriguing things in store for Miles Morales in the months ahead.

The artwork of David Marquez has been always spot on but it was coloring of Justin Ponsor that took center stage as the dark tone during the flashbacks represented for Jefferson a point in time that he would like to forget. As much as the Katie Bishop thing is just begging for continuation, the life of Jefferson Davis is a great detour that promises even more answers from the past that will dictate the future.

His immediate future, however, is embroiled with Hydra, which was capped off with great emotion on the final page.

While the story is fun the art takes center stage in this one. The characters look larger than life and the beautiful fight scenes capture the gravity of the situation our heroes face. I was unfamiliar with Joe Madureira's work but now, I believe the hype.

This is a heartfelt story that is entertaining from beginning to end and the detail in Lenil Francis' art is just what the doctor ordered.

The artwork compliments the writing but captures the gravity of a serious situation. Waid and Rucka put this together in a way where you don't have to be a regular reader of any of these books in order to enjoy this story. Part two takes place in Punisher #10 and should be interesting to say the least.

If this review didn't convince you to throw your $3.99 down than I don't know what will.

What's next for our Star-Spangled hero? The ending sequence will make you come back for more!

To say Im excited for next months conclusion would be putting it mildly. This issue will make you feel the same way as it set the stage for either the rise or fall of the Steve Rogers we know.

We know Steve Rogers will eventually find his way but it is the journey that keeps the reader coming back for more.

The grand finale serves as the ultimate holy shit moment that brings a set of insurmountable odds that the Fastest Man Alive might not be able to out run.

Nicole Duback penned a nice back story highlighting how even a hero can't save everyone all of the time, but you can help push things in the right direction. This was the right story to tell for this second annual because Hal is away on Oa running the Lantern Corps and Flash is doing his thing on Earth with the Justice League. It may be awhile before their shenanigans can entertain us again.

The piece of the story regarding the new powers and the fallout of using them is the crme de la crme that will make you come back for seconds.

With this story arc wrapped up, The Rogues are right around the corner and will no doubt turn up the volume to an already loud and exciting series.

In many ways the art is just as fun as the story and it gets my vote for artwork of the week.

The ending introduces a new bad guy who is connected to the Speed Force and will makes things a lot more complicated for the Flash.

It's a heck of a marketing strategy and very few series make me want to hand over my paycheck more.

It is a welcome change in my opinion and I can't wait to see what the creative team cooks up next.

What will come of our beloved speedster? Tune in next month. Same Flash time. Same Flash channel.

The mystery within the mystery is paramount to everything Meru is about to discover.

However, the Reverse Flash is so hell bent on his objective that any other element of danger seems moot. This doesn't take away from the story in any way, shape, or form, but it is something to examine considering what the big reveal means for the series going forward.

Flash #34 brings a lot of things into the limelight. The first half is great and if you are a "Futures End" fan, the second half is even better.

A well-paced story that begs the question, is Rhodey really dead?

Origins are revealed and secrets are discovered in this chapter that have only begun to scratch the surface

As much as we learned about the past, it's what we learned about Meru in the present that really puts things through a loop. Kindt's artwork is clean, simple and brilliant for this type of story.

What good things can you say about John Ostrander that haven't already been said? He's written some of the most popular stories in the expanded universe such as Legacy, Tales and Republic. His Dawn of the Jedi series will debut in February and has already garnered a lot of hype and this series will surely be among some of his best work when it's all said and done. The artwork in this book was a little different than we are used to seeing in Star Wars books. The colors were more vibrant than usual and the characters, buildings and planets were drawn with such pristine and spot-on detail. This was an excellent start to what appears to be a fantastically entertaining series that has the juice to remain interesting during its entire run.

Cross's stone cold persona was distorted when he showed genuine concern for IN-GA 44 when she was detained while looking up information about the 'Iron Eclipse' project. The crisp art work and vibrant colors are on par with the first issue. If you always dreamed of a comic book character where 007 meets Han Solo, this is the series for you.

The art maintained it's vibrant display that contains a lot of fighting and things blowing up.