TJMB3891's Profile

We're talking about a guy who writes what seems like 40 comic book reviews a week. It's not like he spends enough time with these stories to actually deeply think about them. Does he not have much going on in his life? How could anyone possibly pump out this much review material? If he reviewed only five books, I would probably take his reviews a little serious.

At least they've toned it down a bit but we'll keep getting some of this in some X titles (less in the rest of the universe but still some) as they were seen/claimed as the flagship books for this new gen style during Krakoa. I don't think the fans they are looking for really have the extra income to buy these books and Gen X like us, who have the funds, are luke warm at best to this crap. It mainly gets read for free.

I think the ladder are reading the book. I don't think teens are reading this book. Because I am 42 years old and I'm reading this book. I rarely see teens in the comic book store.

Not just teens. Technically the cut off for gen x is 45 right now. Readers in their thirties and twenties is more my thinking. I'm 48 and most people in my store who really dislike this style are 40 and above. There will always be those who like it in all age groups, just speaking of the majority.

Read waid and johns runs You will like

The Absolute line is above average, but it's not that great. I don't get all the inflated reviews.

Thank you Superman Fan. Geoff John's and Mark Waid are two of my favourite writers. I will check these out. Which one do you recommend starting with?

Mego-joe - "it's hard to find a reason for the existence of any of these Absolute characters out side of being different just for the sake of being different" I see this kind of commentary a lot. It's utterly arbitrary. Why should anything exist? It's obviously so they can tell fresh stories without adhering to the main continuity.

If that's all you've got there's got to be something within the story itself. That's just not enough of a compelling reason. It didn't work in the New 52. Why will it work now.

You see that comment a lot because it's valid.

Start with waid Flash 74 - 79 will make you love wally more

I'm sorry, I completely disagree with you and we aren't going to see eye to eye. I'll have fun reading the comics and you can ponder whether they should exist or not. 7 is a high score for something that you think should not exist.

A single issue can be done well even if it isn't compelling enough to bring you back. Differing opinions are fine. I want to understand what others like in what they like. The why's of it. I just don't see why a new version of the character is necessary. Do you like the character or idea of the character? What's the reason to like it besides that it's a new continuity? Why go back with a character instead of forward?

Because the main lines aren't selling. That's the real reason. So they switch up the talent and put a spin on things. There is an in universe reason as to why we have these and I honestly think that is compelling enough as it is. In a world without hope, one created by Darkseid that still fields the same heroes, what about them would change? It's a fomula that has worked for years. What If?, Elseworlds. This is THE Elseworld.

Then add on top of that strong writers and burgeoning artists and you have the EXACT reason this should exist. People aren't reading The Flash, or Batman, or Superman. Not in the numbers that they are the Absolute line. You might not like it but that just means you are not a part of the majority. Which is fine but to dismiss it because you aren't a part of the percentage that is reading these over mainline is just unnecessary.

People have many reasons to switch up. Most of the time I see people jumping off runs because of writers they don't like and coming back because of one they do. The Flash is a pretty good example actually. The same can be said for artists though they are less consistent in long runs than they used to be. A single writer can have many different artists during a run so that's just not as much of a thing anymore. Tonal shift, status quo. There are so many reasons to leave and come back a character.

Also, like Superman Fan said. Waid's run is amazing. Probably the single greatest run on the Flash ever. It's what got me into the Flash and being a die hard Wally fan. He established the Speed Force, the Flash Family. Everything that has been transformed over the years that a lot of people clamor for it's full return. And while we get pieces of it back it has never been the same. But start on 62, not 75. 62 is the start of Waid's run and redoes his origin. Easy jumping on point.

Just bought Waid's Flash omnibus! Cheers guys.

I don't find the in story reason compelling. If you do that's fine. Imagine if they just had good talent on the mainline books....

@Hex hot-take: I personally like Geoff Johns a bit more than Mark WAid. Yes, Mark WAid introduced a lot of Flash co ntent and is the template for Flash runs. But Geoff Johns writing just works for me more, while Mark Waid has short anthology stories. I still enjoy Mark Waid and give it an 8.5 (I finished both Mark Waid's runs). But personally I enjoyed Geoff Johns a bit more on subjective manner

@motorik I would recommend checking out Grant Morrison/Mark Millar's Flash run. It's just 12 issues but that run brought in crazy time dimensional concepts that transformed Flash into an OP character done right.

I'm with Joe on this. Give me lemire on the regular book not spurrier. But I still had fun with this book

@daspidaboy, two of my favourites. I love Millars Jupiter Legacy. Such a shame the tv adaption missed the mark. I will check them out!

You aren't going to get this talent in the main books because of the lack of creative freedom and the weight of continuity.

@George - exactly mate. You understand it. I understand it. It's not complicated. Can't wait for Absolute Martian Manhuter next week. By the wonderful Deniz Camp no less.

@motorik - manhunter looks crazy cool. If you like Camp and you haven't read it yet you should check out Assorted Crisis Events.

Sus Gabe they call him lol.

@mego-joe they could have the best talent in the world on the mainline books and it would still be hit or miss. Some writers have easy go of it writing within the constraints of editorial mandates and being pinned down by continuity, some don't. But when you can start something like this and you don't have to hold to any previous stories, the take can be fresh, the writer can take the story and the character wherever they want. It's basically and Image book with DC characters.

P.S. Lemire is the king of hit or miss on mainline books. He doesn't work well with editorial mandates. Just check out his X-Men for a good example of that.

One of my comments was that it works better as a brand new character for this and WW. Current JSA demonstrates Lemire's struggle inside continuity. I'd say a great comic writer wouldn't have a problem inside mainline continuity if they understand the character and are writing the character and not the idea of the character.

Any decent writer can come up with something without constraints, it takes a really great writer to do it inside continuity. Venditti's Hawkman is a great example of this. He did something very creative and interesting not only in continuity but in a complex and often contradictory continuity and made it work.

Despite disagreement I really appreciate the conversation! Thanks all!

@mego-joe When Lemire is on point, he's fantastic. His more recent works have not hit high. Gideon Falls and Ascender/Descender were absolutely amazing. I do agree, his JLA is patchy but I'm enjoying it. We may disagree here but it seems we are all passionate and avid readers. We're keeping it alive.

His New 52 Animal Man was great, I loved his Frankenstein Agent of SHADE and The Terrifics. In enjoyed the first volume of Black Hammer, but that's almost satire. It's in a weird space.

I also like minor arcana. I can remember not remembering anything about his x-men.

How much Aquaman have you read? I asked because he's been pretty brutal in a few runs.

I'm a purist. So, I'm a fan of the Peter David run. I've read the entire early run by Levitz, the rebirth run, by Geoff Johns, and the Abnet run. Those are the runs I think capture the character the best.

Agreed. I enjoyed the shit out of this book. Carnage was awesome.

I mean the character, the book was great too but I loved Carnage's personality.

I really liked Gomez. I wish they kept him on the book.

Gomez issues were some of the best. The artist the book launched with just wasn't a good fit. I almost dropped it. Glad I didn't. Still I expect it's a difficult book to illustrate.

It is a crying shame that they took Carlos Gomez off this book and put him on Venom.