Chris Y's Profile

A fun little interlude. Marco Fodera does a good job filling in for Tom Reilly.

The finale of Punisher: Red Band doesn't hold back. All in all, this was a pretty good series.

I liked this issue. Maybe the opportunity to draw Rawhide Kid inspired Marquez - his art looks much more detailed and naturalistic here than in previous issues. Also, Simone's story hits all the right notes. There are scenes and dialogue that took me back to the glory days of the X-Men and New Mutants in the 80s, and even if this current book doesn't quite reach the quality of those classic runs, I liked this issue. Maybe the opportunity to draw Rawhide Kid inspired Marquez - his art looks much more detailed and naturalistic here than in previous issues. Also, Simone's story hits all the right notes. There are scenes and dialogue that took me back to the glory days of the X-Men and New Mutants in the 80s, and even if this current book doesn't quite reach the quality of those classic runs, more

It's interesting that Marvel chose to cross over the FF with the old Planet of the Apes movies, not the new ones, and it's definitely the better choice! I'm a huge fan of the movies and Josh Trujillo just nails the different personalities of the ape characters. Andrea Di Vito provides solid art, although I think the book would have been so much better with a more traditional or even retro 60s art It's interesting that Marvel chose to cross over the FF with the old Planet of the Apes movies, not the new ones, and it's definitely the better choice! I'm a huge fan of the movies and Josh Trujillo just nails the different personalities of the ape characters. Andrea Di Vito provides solid art, although I think the book would have been so much better with a more traditional or even retro 60s art more

It's a satisfying conclusion to the first story arc, although it doesn't quite have the emotional impact Fraction seems to think it has (judging from the montage page showing the story's fallout.)
The open scene with Bruce and Dr. Zeller talking over multiple panels with the same camera view is incredibly well done and there are a few other calm moments in which this issue really shines - som It's a satisfying conclusion to the first story arc, although it doesn't quite have the emotional impact Fraction seems to think it has (judging from the montage page showing the story's fallout.)
The open scene with Bruce and Dr. Zeller talking over multiple panels with the same camera view is incredibly well done and there are a few other calm moments in which this issue really shines - som more

I can see Ayodele was trying to tell a good story here - that of a superhero confronted with personal failure and becoming a potential threat to the world as a result - but the full emotional impact doesn't translate into the finished comic because of the artist's limitations. In fact, Federica Mancin is such a huge step down from most of the artists working on the last Storm series, that I had to I can see Ayodele was trying to tell a good story here - that of a superhero confronted with personal failure and becoming a potential threat to the world as a result - but the full emotional impact doesn't translate into the finished comic because of the artist's limitations. In fact, Federica Mancin is such a huge step down from most of the artists working on the last Storm series, that I had to more

Great character and I'm happy to have the original Betsy back in a comic but if I wanted to rehashed continuity blast I'll do it the right way and read classic X-men. At least then I got Art Adam's covers. Book is so wordy and just who asked for this story ? When X-men are the worst they have ever been ... you put this out ? Try again.

There's no doubt that Kirkman, Finch and Leoni are all excelling in their craft. However, every issue of Skinbreaker looks the same. Same faces, same setting, same monster, same colours. I'm sorry to say, I'm losing my interest in the title.

I was glad to hear they put the real Psylocke, Betsy Braddock, back in the spotlight, but unfortunately this is a poor retelling/continuation of a classic X-Men story, masterfully told by Chris Claremont, Marc Silvestri and Jim Lee back in the late 80s, that nobody needed. Maybe Marvel should focus more on making the present day X-Men cool again, instead of trying to rehash the glory of days gone I was glad to hear they put the real Psylocke, Betsy Braddock, back in the spotlight, but unfortunately this is a poor retelling/continuation of a classic X-Men story, masterfully told by Chris Claremont, Marc Silvestri and Jim Lee back in the late 80s, that nobody needed. Maybe Marvel should focus more on making the present day X-Men cool again, instead of trying to rehash the glory of days gone more

I like the writer. I like the character. What happened ?? How was this book such a bore ? Man what a bummer. Tony doesn't even appear till 10 pages in and he's highly unlikable. What a missed opportunity here from a writer who is talented enough to do way better. The art is very mid as well.

Let's be honest, Joshua Williamson is probably on board because he is paid relatively well for his name, which is hot right now. His script for this issue, however, isn't on the same level of quality as his G.I. Joe work.
The artist, Carmen Carnero is doing solid work, but her stuff on Exceptional X-Men, as bad as that book was, looked better.

All in all, Iron Man #1 is a mildly e Let's be honest, Joshua Williamson is probably on board because he is paid relatively well for his name, which is hot right now. His script for this issue, however, isn't on the same level of quality as his G.I. Joe work.
The artist, Carmen Carnero is doing solid work, but her stuff on Exceptional X-Men, as bad as that book was, looked better.

All in all, Iron Man #1 is a mildly e more

For some reason Mikel Janin's art isn't as great as usual this month - might be the inker's fault - and the story continues to be okay, but not very exciting - which, of course, is absolutely subjective.

Good issue, but Adriano Lucas's colours looked a little underwhelming this time - so much so, that I first thought they were done by somebody else.

I hate to say this, but X-Men of Apocalypse is the best X-book right now. The story is a variation of what we've seen a hundred times, but Simone Di Meo's excellent art makes it feel fresh, exciting and fun - the three characteristics all the other x-titles are missing.

JRJR may be a reliable artist for Marvel, but deadlines aren't everything. Looking at these pages is just so incredibly painful. Even the colorist can't save them.

I almost liked this issue, but despite a few nice moments in the first half that felt like I'm actually reading the Fantastic Four, the train of writing derails completely towards the end of the issue. And then it just ends... somewhere.
Of course, I also have to translate every panel into art that's actually good in my mind to make this even work, since it's Humberto Ramos and his fricking I almost liked this issue, but despite a few nice moments in the first half that felt like I'm actually reading the Fantastic Four, the train of writing derails completely towards the end of the issue. And then it just ends... somewhere.
Of course, I also have to translate every panel into art that's actually good in my mind to make this even work, since it's Humberto Ramos and his fricking more

Valerio Schiti was good in the first arc, but Delio Diaz and Frank Alpizar are even better if you ask me. This is fantastic art and the writing is great as well, if you can get into all the political intrigue and a Cap that is just as conflicted and downtrodden as idealism in the US seems to be these days. Personally, I miss the carefree days of Cap just hitting some bad guys without a myriad of p Valerio Schiti was good in the first arc, but Delio Diaz and Frank Alpizar are even better if you ask me. This is fantastic art and the writing is great as well, if you can get into all the political intrigue and a Cap that is just as conflicted and downtrodden as idealism in the US seems to be these days. Personally, I miss the carefree days of Cap just hitting some bad guys without a myriad of p more

The art looks surprisingly solid. Not great, but solid, which is something I can't say about many Marvel books these days. However... Hellverine!?! Seriously? Even the name is cringe.
The whole team roster looks odd, with just two other male characters besides Cable and Boom Boom as a token woman. WTF.

Anyway, I was willing to give X-Force a chance and... I didn't expect it to be The art looks surprisingly solid. Not great, but solid, which is something I can't say about many Marvel books these days. However... Hellverine!?! Seriously? Even the name is cringe.
The whole team roster looks odd, with just two other male characters besides Cable and Boom Boom as a token woman. WTF.

Anyway, I was willing to give X-Force a chance and... I didn't expect it to be more