Morgan Hampton Comic Reviews

To hold us over until we get full-on series featuring these characters, they revealed the creative teams for the first few books. Names like Vita Ayala, ChrisCross, Nikolas Draper-Ivey, Khary Randolph, and Brandon Thomas join industry vets Denys Cowan and Reginald Hudlin on the flagship books. It's great to see Static, Icon, Rocket, and Hardwire have creators with new and fresh voices as well as some of the ones that had a hand in their creation. 

In a short backup story, we follow Midnighter as his story from Infinite Frontier continues and he has to deal with some timey wimey stuff that would bother just about anyone. 

In the end, Drowned Earth delivered on its promise of being a 90's influenced swashbuckling journey through the waters of the universe while putting our heroes in some weird predicaments (and costumes). But in addition to that, it created some vacuums of power and presence that will be interesting to see filled in the coming issues.

Thomas is also using a closed plot, at least for now, to really up the intrigue for the story. There are so many wild choices in this first issue that have left me with so many questions. There's no way I'm missing the next issue. And I can't believe I'm saying that about a book where the protagonists are Aquaman and Green Arrow. Alone. Nobody else. Just those two blond dudes. I'm telling you. You gotta give this a shot.

I really do like this story, and I'm excited to see how it all unfolds and how they manage to switch back, but I'd be lying if I told you I didn't laugh every time I see Aquaman & Green Arrow standing next to each other. I have a hard time differentiating them sometimes. It just adds a level of intrigue to the story for me.

The issue breaks that six-panel structure a few times to give us some beautiful splash pages as well as some larger breathing room to convey an image or some form of action, but other than that, Cliquet is being very intentional with the way things are laid out, and it's something that definitely adds some depth to the issue for me.

I was not expecting to explore the depths of these characters in this way at all. The whole premise promises to put a unique spin on the 'buddy-cop comic' genre, but now we're talking about purpose and what life is when that's uprooted?! I am absolutely here for it all. This is the type of stuff I live for.

The setup and title for this book put Jackson on a trajectory that suggests by the end of it, he will be having a major upgrade. Whether that means he'll take up the Aquaman mantle or not is yet to be seen. But there's no way my guy isn't about to level up. And I know I'm riding the wave that takes us there.

I don't know where this story is going after just two issues, but I'm really excited to find out. The creative team has already subverted my expectations. I thought this story would be a narrative dedicated to upgrading Jackson to the Aquaman mantle, and that still very well may be the case. But the scope of everything is much bigger. This promises to have some major ramifications on Atlantis and tangential Aquaman storylines. You've gotta love the attention put into a story surrounding a character like Jackson.

It's a situation that's more nuanced than what's right and what's wrong, but with Aqualad's hero status, his moral compass sits far and away from most nuances. With his past unraveling in front of his eyes, it's going to be interesting to see how he navigates this.

I don't know about you, but I can't wait. With this and the Black Manta series finale, we have been in a renaissance of new and nuanced Aquaman-centric stories. I can't believe I've loved it as much as I have, but here we are. I'll see you all when Aquamen drops, because you best believe I'll be reading that series.

I've been saying this, and I'll continue to say it. These Aquaman books are in really good hands right now. If you aren't reading them, rectify that.

Ascender was worth the wait for anyone patiently biding their time until this powerhouse creative team returned to this beloved universe. Is it different? At the surface, yes. But at its heart, this is still a story about a beacon of hope in a bleak world.

Ascender #2 gives us a short reunion between some lifelong friends and fan favorites while further planting the seeds of this series' big bad.

Ascender #3 surprises with some welcomed flashbacks that really help you start to piece together the ten-year gap of time that bridges DescendertoAscender. As always, Lemire & Nguyen don't mess around in the craft department.

In Ascender #4, Mother gets a fiery surprise while Andy, Mila, and Bandit flee some hot-breathed dragons in the most jaw-dropping issue of this young series. Dustin Nguyen & Jeff Lemire are really in their bags right now.

Ascender #5 gives us pirates vs. vampires plus a jaw-dropping moment from one of the series' main characters.

Ascender #6 gives all of the main characters a bad day by stripping them of what they desire most. A father and daughter are split up, a drunk has lost her leisure, and an evil witch loses her patience.

Ascender #7 uses a handful of Captain Tesla's flashbacks to help bridge the gap between Descender and Ascender.

Batgirls #1 is a fun entry into a lighter side of Gotham with some of the city's most balanced heroes both in fighting and personality. If you like lots of action with some laughter mixed in, or if you're just a huge Batgirl stan, this is a book you're gonna want to check out.

Batgirls #2 gives us a healthy balance of crime fighting and cozy roommate hangouts. It's what the book promises, so it's nice to see that so far it's a consistent staple.

It was cool seeing the Batgirls out on another mission after having some downtime last issue. You can already tell they're learning how to be a team in such a short time, and their chemistry is getting stronger by the page. What was partially nice about Batgirls #3 is that they weren't all in agreement on Tutor being the one they were looking for, but they still worked together despite their doubt to help find out the answer. Teamwork, you love to see it.

Tynion IV and March continue to take Batman in a new direction while the Caped Crusader juggles rebuilding Gotham and hunting down an unknown figure who wants to usurp the renovation from under his feet.

As always, issue #97 makes sure that Batman is having the worst day of his life. There's zombies, a clown killer, and Joker in a swimsuit. You don't wanna miss it. 

Batman #101 signals a new era for the Caped Crusader and Gotham as Bruce Wayne grapples with how to change his approach to protecting the city. 

Batman #102 pits Batman against Ghost-Maker, a new villain that Bruce has a shared past with. 

Batman #104 gives us a history lesson on Ghost-Maker, who turns out to be an old acquaintance of Bruce's, like everyone else in his rogues gallery. 

Harley vs. Clownhunter. Batman vs. Ghost-Maker. This fight may not be what you were expecting, but it has huge ramifications for the ever-expanding Bat-Lore.

Batman / Superman #15 gives us a heartwarming story fit for the holidays as best friends in a snowstorm try to get their other friend to his home before it's too late.

If you want a masterclass in character development and how it intertwines with the plot and conflict of a story, this is a comic book you need to be reading. Bryan Hill and Dexter Soy are bringing the fan favorite but often ignored characters out of obscurity and doing the important work to prove why they belong. You truly love to see it.

In an issue that allows the Outsiders to breathe, they regroup and gear up for the next inevitable showdown with Ra's Al Ghul as they also work out some of their more personal conflicts.

The Outsiders continue to inch ever so slowly toward their retaliation against Ra's Al Ghul. If you wanna see Black Lightning levitate or Duke teeter over to the dark side, you're gonna want to pick up this issue. 

The penultimate issue of Batman & The Outsiders puts Black Lightning and Orphan front and center while they take on Ra's Al Ghul for the final time.

It's like you've gotta go through so much hell before you can achieve true happiness, but it's the hell that puts the happiness in perspective and allows you to appreciate it. If this is truly Snyder and Capullo's last teamed take on the Caped Crusader, what a better way to send him off? They have tortured him senselessly over the years, all the way up until the final pages of this book. And finally he's repaid with a younger, less injury-ridden body and a world that he gets to help jumpstart instead of one he's trying to save.

Two issues in, I think you could say there are more questions than answers, but the mystery is good enough to keep you coming back for more. 

Bitter Root #1 sinks a hook so deep that you can't help but look up everything about the Harlem Renaissance until the next issue comes out. The characters are distinct. The art is striking. And most importantly, the renaissance feels authentic. If you've been looking forward to this series, it doesn't disappoint.

Bitter Root #2 flips the rules it established in issue one on their head while piling on a healthy serving of action, backstory, and philosophy. Oh, and if you like racist Klansman getting what's coming to them, you'll feel seen.

Bitter Root doubles down on its world-building as action propels the story forward into uncharted territory. If you'd been on the fence about this series so far, this was the issue that sinks its hooks in and makes the set up worth the wait.

Bitter Root #4 provides mind melting action as the conflict reaches its boiling point. This is the point of no return as it seems like things are about to drastically change moving forward.

Bitter Root #5 had all the smoke. Action? Bet. Ass whoopins? You got it. Colors that pop more than a bowl of Rice Krispies?! Come on, son!! You already know!!!

The Bitter Root Summer Special keeps us satisfied by giving us a collection of short stories that fill in our gaps of information regarding characters and events from the past. It's the perfect bridge between two arcs and it does a lot of work to flesh out some of the questions that we had after the cliffhanger at the end of the last arc.

Val Del Andro is doing the damn thing on the art in this debut issue. This promises to be a gritty book, and I think he captures a lot of what that feels like in Manta's design. His hardened face with a scar running down the right side tells the story of a man who you don't want to mess with. Equally, Marissa Louise on the colors has captured lots of muted greens and blues that give off an unsettling feeling.

If you want to get a more nuanced look at some of the decisions that went into crafting this story, and some of the depth added to Black Manta and Atlantean culture, check out my interview with Chuck Brown, the writer of the Black Manta series.

Black Manta #6 may be over, but Black Manta will be seen next in the Aquamen book coming out on February 22. I'll for sure be reading. So, see you then!

The thing this issue left me wanting more of was a stronger sense of story elements. They brought that heat with everything else, but I'm not sure I have an idea where this story is going after this. I'm sure that's the point, as it hides so much of 56 from the reader. But I want to know what the conflict is, what 56 wants, and how they're going to achieve it. But this is the first issue and it had to establish an entire world let alone its protagonist. I can't wait for issue 2 to come out to see what unfolds.

Hill & Marcellius deliver a fast-paced issue filled with backstory and insight. Interesting relationships are on the horizon and our protagonist remains an elusive enigma. I just hope to see more things from his perspective in the future as the story is at its best when he's at the forefront.

Other than a few sections with some clunky dialogue, Bonehead continues to deliver a well-paced, action-packed story with just the right amount of mystery. This was a really balanced issue. I feel like the first issue was all action while the second issue was backstory and setup. This time around, we get a healthy serving of everything. Everybody eats. In the few areas that it may lack, Bonehead clearly makes up for that with how fun it is to read. There's a character named Pumpkin Juice for crying out loud!

Nahuelpan is killing the art, too. A book featuring the main man needs to match the absolute batshit levels of crazy that come with that, and we get that in spades. My favorite image from Crush & Lobo #5 features a portrait with Lobo and one of his many lovers. They're in a loving embrace. She looks secure and loved, and he looks evil and mischievous. It definitely got a chuckle out of me.

Nahuelpan and Bonvillain really had fun with the art and the colors in this finale. As entertaining as the action has been in this whole series, it really struck a nice balance between the lighthearted tone the book uses as its identity and a more traditional approach to action when the moments call for it.

Snyder and Capullo are back like they never left with their debut of Dark Nights: Death Metal, and somehow, they are still able to take it to another level with the absolute insanity on the page. If you've read any of their stories from the past few years, you're gonna want to pick this one up.

Death Metal leads right into DC's Future State, which explores new alternate futures as a result of the events of Death Metal. I don't really know how this is gonna play out in the years to come, but I will say that for the first time maybe ever, I'm leaving a big crossover event feeling a sense of finality, like maybe things will stick this time around. And if that's the case, I think the DC Universe will be better for it.

Multiverse's End provides us with some light-hearted multiversal fun, proving that alternate universes don't have to be dark and brooding, even if they're filled with Batmen.

Dark Nights Metal: Infinite Hour Exxxtreme! is all Lobo, all the time. If you can't handle The Main Man, get the frag out the kitchen!!

Robin King is another one-shot in a long line of one-shots for the Dark Nights: Death Metal event that was super enjoyable. It adds context and nuance to the character that I honestly wasn't expecting to get.

This is another tie-in to the main Death Metal story that actually holds quite a bit of weight. It has huge ramifications for the final issue, so I'd say it is necessary to read it before Death Metal #7 comes out. Lucky for us fans, it's worthy of our time and money.

Death Metal: Trinity Crisis #1 is a tie-in that adds some context to the conflict of the main story. It also features art from Francis Manapul, which is all you really need to know.

If you want some comics to distract you from the world burning while also giving you that sweet Summer content that we all desperately crave, the DC Cybernetic Summer Special is the book you're gonna want to pick up.

Season themed anthologies are where it's at. DC has produced a few this year, but Very Merry Multiverse is without a doubt my favorite. Make some hot chocolate, sit back, and enjoy your favorite characters celebrating the holidays that you can't this year. 

Lemire and Nguyen deliver a relatively standalone issue that, at the same time, seems to have some pretty huge implications on the greater arc of the series. And I can't wait to find out how. It's almost not fair how great these two are together. All I know is one thing: They can have my bank routing numbers.

Lemire and Ngyuen yet again deliver a solid, seemingly effortless issue where almost all of our questions are answered without compromising the intrigue. In fact, I'm just as, if not more excited for whatever is coming as I would normally be.

Issue #29 of Descender provides action that propels the story forward. If you've been reading the series in real time, this is the issue that responds to that cliffhanger from a few months ago. It seems from here on out, the narrative is gonna get a little bit tighter as characters that were separate, are now getting closer together.

As the series enters its possible twilight, Descender #30 provides emotional context over story progression. These puffy eyes wouldn't have it any other way.

Descender may be gone, but it delivered a solid finale. Questions it posed and answered will lead us into the future of Ascender. You won't be disappointed with this final issue, but you will be sad… because from here on out, everything changes.

Far Sector #3 goes a long way in showing us that Jo Mullein is experienced with the types of inequality prevalent on The City Enduring because of her own experience with it on Earth as a black woman. Having that type of history inform the will and decision making of a Green Lantern is the type of stuff that I crave. Give me more!

Far Sector #5 gives us a lot of background on Jo Mullein that informs so much about the character in the present day. As a person of color, if you've ever wanted to relate to a Green Lantern, this is the one. Jo Mullein is for the people.

Far Sector #9 reminds us that planets halfway across the galaxy are a lot like Earth. The people are miserable, and memes run the world.

Far Sector #10 drops the answer to every question you might have as it sets up a climax guaranteed to grab your attention.

Far Sector's penultimate issue brings the action and the conflict as it sets up a finale where Jo Mullein has more ways to fail than she does to succeed. 

I'm so excited for her next adventures. She's already a main character in the new Green Lantern series also featuring John Stewart, so I think it's safe to say she's not going anywhere any time soon. Jo Mullein is the future. 

Fearscape manages to blend a lot of familiar elements into a story that feels wholly original. It's hilarious, clever, and intriguing. If you're a fan of reading, no matter the genre, or the medium, this is a story you can appreciate.

The fact that I've been convinced to invest myself in the year of our Poseidon 2021 into an Aquaman book is proof that when there's representation on the page, backed up by representation behind the scenes, stories can be elevated at least one letter grade. But probably more.

Green Lantern: Future State #1 gives us a glimpse into the lives of some of our favorite Green Lanterns as they navigate their place in the galaxy without the power of their rings. 

Future State: Green Lantern #2 ends and promises a really compelling story on the horizon spanning the entire Green Lantern Corps. 

Immortal Wonder Woman reminds us that no matter who dons the name, Wonder Woman isn't going anywhere anytime soon, and when other heroes fade, Amazons will always persist. 

Justice League: Future State shows us that a team must come together to be successful. And in an additional story, the Justice League Dark tries to hide out before they're hunted by Merlin. 

Justice League: Future State ends with the Justice League opening themselves up to each other to save the day, while Justice League: Dark weighs the options on how to take out Merlin.

Future State: Nightwing gives us a different perspective of Gotham City, as Nightwing is on the run from the ever determined Magistrate.

Future State: Nightwing #2 closes with Nightwing and the new Batman taking down the new head of the Magistrate as they live to fight another day. But what it's really about, is the budding bromance between Dick Grayson and Tim Fox. I think we have two new best friends on our hands.

Future State: Shazam caps off its two issues by revealing who is controlling Shazam and what will happen if he says his famous catchphrase one more time.

Future State: Suicide Squad proves that no matter when, no matter how, Amanda Waller is gonna put a bomb in some people's brains.

Future State: Superman: House of El #1 introduces some new characters in the Kryptonian family that will make you want to pick up all Superman-related books to see where they might pop up next.

Future State is off to a solid start as the Flash navigates a future without the Speed Force while searching for an evil Wally West channeling his best Eobard Thawne impression.

Future State: The Flash #2 pits science against speed as Barry takes one last stand against Famine to save Wally from certain doom.

The Green Lantern Season Two #3 quadruples down on the craziness that this series promises to deliver. We've got alternate dimensions, sad clouds, and a little love story all fitting neatly in 32 pages.

This ain't your daddy's Green Lantern. But the crazed villain Hyperman and the Silver Age art will lead you to believe that this is the next best thing.

The Green Lantern Season Two #7 sets up the book's future conflict while dazzling with some incredible panel layouts.

Green Lantern Season Two #9 plucks Hal from his universe and drops him into another one where Earth is protected by a group of women, and the Green Lantern Corps is a bunch of simps.

Green Lantern Season Two #10 is a multiversal story about love, being misunderstood, and wanting to be yourself. There are also a few extremely clever instances of wordplay that will guarantee a chuckle out of you.

Green Lantern #1 gives us John Stewart as the man in charge as he leads the Green Lantern Corps into a new era of galactic history.

I'm really loving how this series is wasting no time ramping up the stakes, and how after the second issue, it seems things are going in a different direction than I initially thought. This series is safe in Thorne, Soy, and Santucci's hands. My mouth is full of popcorn and my hands buttered up while I wait to see how these characters navigate these unprecedented situations they find themselves in.

And on top of all of that, this issue receives extra credit for focusing on its two main Black characters. I know that that's what this book essentially will be from here on out, but this issue was just really successful at displaying their agency. If you read this site, you know how important it is to see ourselves in these characters and behind the scenes. It's truly a joy. 

Things are slowly setting up to come to a head in the next few issues. Sinestro affectionately and accurately called Jo Mullein "Last Lantern" during their confrontation, and while it's accurate, and dope as hell, I hope it doesn't spell too much danger in Jo's future. At least not before she can meet up with some of her other Oan homies.

All in all, like Icon, Hardware's debut issue wasn't too different from the original run back in the day, but I'm sure as things really get going, things will take a few unexpected turns. I know I'm here for the ride.

I keep having to pinch myself that the legend Denys Cowan is providing the art on this book. And on one of Milestone's original characters. His unique style is pulsing with the lifeblood of what makes Dakota such a special universe. But on top of that, his action in this book, specifically when Hardware is in the suit, is some of the best art you could ask for. The linework is immaculate.

There is a particular double splash page with Hardware flying around Singapore where, when coupled with Sotomayor's colors, made my jaw drop at how beautiful it was. When I can even think about the word beautiful when working my way through a story so intense, you know you're doing something right as an artist.

While I have the utmost confidence in Hardware to get himself out of this situation, I'm still not seeing just how he's going to do that. But if this issue told me anything, it's that my guy has enough resolve and brains to get out of any sticky situation, and you already know I'm gonna be here to follow along.

All in all, Icon & Rocket still have really strong chemistry, even in 2021. They still feed off of each other really well. Icon is more than a Black Superman, and Rocket is more than a sidekick. Hudlin does a good job conveying that to us in this debut.

In Icon & Rocket #2, we see the dynamic duo go through a montage of crime fighting as they clean up their neighborhood and inspire their community.

Icon & Rocket #4 give Icon an interesting villain, and because they're both not from this planet but their origins are different, I wonder if in the future they might need to team up when the powers that be make the decision to go after both of them. I'll be there for that. That's exciting stuff.

The best part of Icon & Rocket #5, for me, focuses on Raquel as she goes back to school. She's missed so much time because she's been out saving the world with Icon. Even though it hasn't been too long, she clearly feels out of place, almost like she's outgrown the importance of school, especially when you juxtapose it to the more serious, tangible change she's enacting in the world.

There were some really promising glimpses in this zero issue. Even some connections to things we saw in Future State.  Everything seems to have a level of connectivity that hasn't been felt in a while. Some of the swings are big, and I hope they stick to some of the changes that are being made. All in all, Infinite Frontier really looks to fulfill its promise in being infinite, at least when it comes to what the possibilities may be. 

Xermancio did something really cool with the art in this Infinite Frontier #1. When Flash makes it to Earth Omega, he meets a big bad who I won't mention, but his presence makes Flash cycle through different versions of this meeting that have taken place over the multiverse. Or at least that's how I interpreted it. Xermancio conveys this by illustrating in a different art style in each panel that passes. It's reinforced by different lettering styles as well. It was really well done and I'm not sure if I've seen something like that in a comic before. At least not anything I can remember. 

The DEO essentially wants the same thing that Justice Incarnate wants, but they operate more like a bureaucratic agency with agents in the field and guns and paperwork. Not too dissimilar to the Time Variance Authority on the Loki show. Operating in this way allows them to get deeper into the mystery of what's going on than Justice Incarnate. They seem to be handling the big stuff. The DEO is handling the stuff falling through the cracks, but even their motivations are yet to be revealed. I can't really say if they're the good guys or the bad guys at this point, but they are getting some answers. What they've found out in this issue in regards to whose influencing things is a major development. 

Issue #4 of Criminal Sanity follows Harley as she gets closer than ever in figuring out who the Joker is. At the same time, he's seemingly leaving breadcrumbs that lead to him on purpose. Their inevitable meeting is getting really close.

Nothing but respect for my Green Lantern. Other than the story which was a bit on the safe side, Priest sets up some interesting themes in trust and culpability that Batman is going to have to grapple with.

Along with the much-needed variety, this issue brings a fun, humorous, and wacky adventure with some surprising faces. However, the team is haunted by their mistakes and their public perception. Things are going to get a lot worse before they get better. But for the first time in a long time, I'm rooting for them not just because they're the Justice League, but because I know a bit more about them.

This was a solid issue that doubled down on the conflict and even added a new layer. The League is bickering with each other and the world doesn't want their help anymore. They've hit rock bottom. Which means next issue is the start of the rise. With this killer on the lose, maybe they'll finally have something to punch.

All in all, Justice League continues to be pretty solid. I'm happy to finally know who's causing the League so many problems. But what makes me even more hype is thinking about how when the League stops this new adversary, the world's disdain for it will be even more amplified. It really hammers home the duality of a hero. Yeah, the League is in a position of privilege. That's the only word to describe someone who gets to chill in the Watchtower, but that privilege comes with a burden. I'm happy to see that things aren't gonna be resolved by simply shifting the blame onto an adversary.

As much as I've loved Priest's run so far, 5 issues in, I am still yearning for a bit more conflict. I love the development of these characters but at times it feels like it might be at the expense of the action. There haven't been a lot of punches thrown and while that was okay in the beginning, it's starting to drag a little. It feels like every issue ends on a cliffhanger and then it's barely addressed if at all in the next issue. Hopefully, it picks up. I'm optimistic.

My one issue with this issue (hahaha) is that yet again it seems like the plot isn't progressing much. Really interesting things keep happening, but they never seem to move the narrative forward. I could definitely see the fallout of what's going on lingering into Snyder's run, and I really hope that's what happens. I'm not saying I need the League to throw more punches, I'd just like to see the resolution on the horizon at this point. But the predicament that Grobyc is in (for me) more than makes up for it. I'm just trynna be objective and give a well-rounded analysis, okay?

This book's conflict continues to rise, and though The Fan's motives are clearer than ever, the team is still only in a reactionary mode. They haven't made any strides in taking him out. That's where this run has lacked thus far. They're getting their asses handed to them mentally, physically, and socially. And they can't seem to figure out how to make a move. It does seem like things are tying together a bit more over the past few issues, so maybe there is some sort of restitution on the way. Overall this was a solid issue filled with thought-provoking commentary on the rights and wrongs of vigilante justice.

Things are beginning to wrap up in this arc. There's still some gas in the tank but we've entered the third act. I've liked this run a lot since the beginning, but this was one of my favorite issues so far. It had a little bit of everything. Action, commentary, and humor. And it was all balanced really well. It also capitalizes on the Black Panther craze by centering a story in Africa. Not that it was intentional, but it can only help.

Priest and Woods deliver a jaw-dropping but in hindsight logical twist that completely subverts the trajectory of the story. We've got one more issue in this Priest/Woods run and I'm really excited to see how it all unfolds. I'm pretty sure things aren't gonna be wrapped up in a nice little bow.

No joke, I've had some all-time favorite comics moments while reading this, and for that, I am forever grateful. Issue #43 of Christopher Priest and Pete Wood's Justice League ties up every major plot point while leaving the reader more than satisfied. It also leaves the door wide open for Snyder to take the reins in a few weeks. Justice League will return on May 9th, with No Justice, a weekly event that will spill right into Scott Snyder's run.

Look, I've been pretty high on this series from the jump, but this issue right here is easily the best issue of the entire series. Snyder, Tynion IV, and company are at the top of their game, yet they're still reaching for the stars.

Justice League sets out to be Snyder's most ambitious comic to date. After one issue, it's holding up to its promise. Snyder and his team are focused and full of purpose, all while having a bit of fun.

So far, two issues in and this series is everything that's been promised. They swing for the fences, and we reap the benefits. Justice League is epic, personal, mysterious, and authentic. This feels like it's gonna shape up to be a definitive run.

Justice League continues to make my 10-year-old self happy, while delivering a complex story filled with authentic character-driven moments. Snyder and Jiminez are delivering their best work twice a month without missing a beat. What more could you ask for?

Justice League #4 displays the book's balance as more characters are explored without sacrificing the other things that make this series work so well. If we've learned anything other than the fact that Snyder is reaching for GOAT status with this book " it's that Justice League is a model of consistency.

Even with a different creative team, Justice Lea"I mean Legion of Doom #1 delivers everything we've come to expect from this title along with a fresh perspective: both on the page, and behind the scenes.

Seriously, if you're not reading this series at this point, you're doing yourself a disservice. Justice League is indulging us in all our urges and cravings: Conflict, balance, shock, awe, and humor. The only disappointing thing is that each issue has to end.

Though it left some things to be desired, the finale of Justice League's first arc undoubtedly planted seeds that will blossom into the most viciousvenus fly trap of misfortune. And they ain't ready.

Justice League #8 used the evilest villains of the DC Multiverse to conduct a case study on trust. I think it's safe to say that there isn't much of it to go around. And with The Batman Who Laughs rearing his creepy ass head, the Justice League & the Legion of Doom are both in for some trouble.

Justice League #9 shows us a day in the life of the team when the world isn't in immediate danger. Some powerful and relatable themes are explored in a way that really brings these gods and aliens down to Earth. To say this was one of my favorite comics to come out this year would be an understatement.

The prelude to "Drowned Earth" makes your mouth water with thirst quenching art from Francis Manapul, while simultaneously convincing you how dope Space Krakens are.

Justice League #11 follows Mera's lead as unconventional groups begin to find the answers they need to turn the tide of the conflict in their favor. If you like swashbuckling adventures featuring superheroes, this is the issue you've been waiting for.

Justice League #12 gives the fractured teams of the JL a small W as they gear up for what's gonna be an uphill battle to drain the Earth of the infectious space water. Meanwhile, the Ocean Lords and Black Manta, trying to dodge defeat, are about to throw their hail mary" The Death Kraken.

Justice League #13 gives us one of the darkest issues of the series as the Joker reveals his true reasoning for joining the Legion of Doom. The answer shouldn't shock you, but it is kind of funny. Remember, everything's all one big joke.

If you missed Hawkgirl, John Stewart, and Martian Manhunter the past few issues, this story is here to make sure it was all worth it. The Secret ofHawkworld provides new history, fragmented origins and some deep, dark secrets that promise to make this arc a linchpin of the overarching story Snyder and Co. are crafting.

Justice League #15 gives us some clever action involving Martian Manhunter, Hawkgirl, and John Stewart, while planting the seeds for a new conflict to blossom over the next few issues.

Sixteen issues in, Justice Leaguestill feels like one of the most important books on the shelf for DC. It's the type of stuff that's gonna have ripple effects far beyond the tie-in JL books. This is the forefront of the DC multiverse, and you don't want to miss the puzzle pieces being placed week after week.

After a brief moment with Justice and Doom on equalfooting, the fate of the universe is still in question. Justice League #17 gave us a heartwarming and heartbreaking flashback with J'onn and Luthor that could end up being the key that opens the door to them working together in order to help save the universe from Perpetua.

Luthor calls game on Braniac as the two gargantuan intellects join forces like KD and the 73-9 Warriors. The Justice League are now the clear underdogs. Let's hope they can pull off a major upset. The fate of the universe depends on it.

Snyder, aka The Architect, has laid out a solid set up issue for what might just be the most fun arc of the series so far. And when you pair that with Jiminez's wholesome art, you've got yourself a comic book experience that feels like a warm hug. Every panel of this issue took me back to the moments that made me fall in love with comics as a kid. You can't go wrong with wacky fun and DLC skins for the whole squad. You just can't.

Justice League #20 delivers some satisfying sights into the future, both for the characters and the audience. This arc continues to display one of the boldest stories Snyder's ever written and gives us some of the most enjoyable art from Jimenez. Missing out on this arc is like choosing not to eat dessert after dinner. Shame on you.

Justice League #21 gives us a healthy balance of giant imps, uncharacteristic Batman opinions, and overpowered index fingers. It's proven yet again that it's a series that is without a doubt about that life. You better recognize.

Justice League #22 gives us a history of the DC multiverse in a way that plants Perpetua front and center. She's the mother of everything. And she's disappointed in her kids. The only problem with that is, the entire multiverse could pay the price.

Justice League #23 brings us back to the sixth dimension where our heroes' quest for justice once again is held under a microscope. Good is bad. Bad is good. And Batman might have the power to end everything.

Justice League #24 gives us an interesting dynamic between the Justice League and the alternate future version of the Legion of Doom while Batman contemplates a decision that might change what you think about him.

Justice League #25 manages to stick the landing on one of the most satisfying and thought-provoking comic arcs to come out of the big two in recent memory. And the best word to describe the set up for what's to come is" Doom.

Justice League #26 ushers in a new arc filled with comic book eye candy, hella stressed heroes, and an expanded team that brings me back to the days of Justice League Unlimited, when the whole DC squad could pull up on you.

Justice League #27gives us a Martian Manhunter damsel in distress, with Hawkgirl coming to the rescue murkin' everyone with her mace. Meanwhile, their alternate future son has an existential crisis.

Justice League #28 closes out the Apex Predator arc providing us with a whole milk, mayonnaise infused Lex Luthor who is one step closer to his plans coming to fruition along with the destruction of the DC multiverse.

As we head into the "Justice/Doom War," Snyder, Tynion IV, Redondo, and Jarro refresh our memories on the past few years of the DC Universe in a way that still manages to flesh out the characters of the story- especially some of the ones lacking exposure.

If you haven't been reading this series so far, this is a pretty good point to jump in. As I stated, it does a good job of streamlining the conflict of the past 29 issues and clearly stating what the good guys and the bad guys want. So, if you're not a completionist like me, jump right in blind! You won't be confused.

All in all, this was a fantastic issue filled to the brim with a plethora of things that make comics great.

Justice League #32 delivers some wholesome moments between paralleled pairs of Green Lantern and The Flash while keeping our heroes pushed against the wall with the rising stakes. Not sure how they're gonna get out of this one.

Justice League #33 sets the heroes up for a stellar come back while doubling down on the time travel multiversal madness that's made this run so much fun.

Justice League #34 handed a big fat L to the Justice League with their most pivotal player choking when the team needed her most. You can't blame her, there's a lot at stake and she wants to make Luthor pay for what he's done. Okay, maybe you can blame her. But her mistake only sets her up for a stellar comeback.

The Legion of Doom are out here comin' with all the smoke like an underground group trying to get signed to a record deal by putting out the hottest mixtape the streets have seen in years. Their schemes? Flawless. Their execution? Airtight. Their style and charisma? Toxic. They bodied the Justice League this issue without even directly throwing a single punch. Meanwhile, the Justice League is out here hiring ghost-writers for their response track.

Despite the heavy themes the art was still loose and fun to offset some of the darker moments that the implications of the narrative imply.

Characters like Superman, Batman, and Wonder Woman have taken a back seat during this run so others could get the spotlight. And I'm glad that that's the case. But It was also great to see this moment play out with these characters. Their intertwined stories made it a more than earned scene. And I think it ultimately did its job, as it wound up taking Lex down a few pegs.

Justice League #40 debuts with a new creative team, new approach, and new conflict. The League faces the Eradicator and his Daxamite army as they look to conquer Earth and put the smackdown on our favorite Kryptonian.

In Justice League #42 the Eradicator and his Daxamite army continue to reign supreme over the Justice League, but a new plan promises to turn the tide over in the good guys' favor.

Justice League #45 was a fun read that provided a dope fight between the team that ultimately sets up the conflict they'll face for this arc and beyond.

Justice League #48 makes our heroes face a moral choice when a new species of aliens wants them to become their Gods. 

If you want something dark featuring the Justice League while also not having much to do with the grander stakes of the DC narrative, this is a book you're gonna want to read. 

Justice League #55 pits the team against each other and Nightwing will have to trust Luthor if he wants everyone to survive. 

Justice League: Death Metal #56 gave us a battle of the wits and fists with Hawkgirl and Mindhunter fight for the fate of J'onn J'onnz.

Bendis' Justice League debut is a solid start for what promises to be an interesting take on the flagship DC team. 

In a short in the back of the issue, the Justice League Dark team meets the OG Justice League and Zatanna is appointed the leader of the JLD. Meanwhile, Merlin is out in the streets bringing monsters to life from classic literature.

In the Justice League Dark short at the end of the book, our magical heroes fight literature (literally) in a possessed library. 

In the bonus Justice League Dark story, the JLD are learning fast that you can't fight literature with measly weapons. You gotta get down and dirty with the magic. 

All is lost for our heroes as they're drowning in the rising flood waters of the conflict. There's a glimmer of hope on the horizon as they regroup and figure out how to get rid of all this purple water.

All in all, if you're a fan of the animated show, reading this book will make you happy. It's new stories with the same version of the cast of characters that you know and love so well, shepherded by those who helped bring them to life back in the day. There's a lot to love about this book. 

My favorite device in this series is the narration. The perspective always depends on who the protagonist for that given issue is. But what I love about it is that it's written after the events of the conflict. You don't know when, but the protagonist is always talking about the events that you're reading in the past tense.

It can be a little disorienting as a reader to navigate the beautifully laid out double splash pages with heaps of characters. Sharpe does a really good job differentiating everyone's words with different lettering and bubbles. In a scene that you could easily get lost in, he really makes sure you stay the course.

Traveling to different universes also gives the artists the opportunity to convey the differences between worlds with different stylistic choices in the art. That's why we've got five different artists on this issue alone. Each one brings a unique aesthetic to their world, hitting home the point that everyone is in a different place. This is a technique I see a lot in comics, and it never ceases to amaze me. It's so simple, yet so effective.

Reading Justice League Incarnate #4 felt a lot like reading old comics from the '70s and '80s. Just incredibly fantastical images coupled with a thick, magical language. It's the type of storytelling that set comics apart back in the day from other mediums, and it was cool to see Williamson and the artists try to tap into that for this issue.

Mendona on art is doing a good job drawing the generalized versions of these characters. They may not have their most up-to-date uniforms on, but they still embody the characters we know and present the visual motifs that make them who they are. Mendona has also done a good job making everyone look eternally sad and tired. I finished this issue really wanting to give Superman a hug. 

Justice League: Last Ride #2 also deals with the idea of "Batman's orders," which is also the name of this chapter. Where the past and present show us the Caped Crusader barking demands left and right. In the past, things go smoothly - right up until the moment that they don't. In the present, with the 'Batman dropped the ball last time' context, we get the feeling that Bruce doesn't hold as much weight in the League as he used to. Batman's orders don't ring the same bells and Zdarsky lets the reader sit with that. 

Justice League: Last Ride #3 gives us Batman eating S'mores, and Superman making a cross galactic phone call. What more could you want?

Issue after issue, Zdarsky formats these books with "Before" taking place in the first half of the issue, showing us events in the past, and "Now" showing us the present. This structure is really effective in informing the new narrative by giving context from the past. It's like a recap of a story we haven't read before, and it always makes things in the present hit harder than they would have if we just learned about all of this in some exposition.

We all know the popular "Darkseid is." line. It's eerie and ominous and reassures dominance. And this book plays with that line masterfully: Darkseid is power. It's simple and on its own doesn't have a lot of impact. But coupled with the image of the central power battery exploding and Darkseid absorbing all of its energy like a souped up Thanos with the Infinity Gauntlet, that line is chilling. Mendona and Angiolini were in their bags for that scene.

I have no idea how this series plans to wrap up, but I'm here for the ride.

It's one of the best Justice League stories I've read in a long time. And that's large in part to the fact that it's not trying to tie into a larger narrative or reinvent the universe. It's just its own thing.

No Justice is a Double Stuf Oreo on the page and behind the scenes, but the beautiful art coupled with the promise of some great action make up for it a bit. Those who have been wanting a wider-scope Justice League story will have their appetites fed.

No Justice #2 defines each team's objectives while delivering refreshing character moments that you could only get with teams this random. Etrigan droppin' bars to help bring to life magic zombie aliens is also a plus.

No Justice #3 continues to provide interesting character dynamics, but at times, all that gets lost in the A1 stake sauce.

In the end, No Justice was more icing than cake, but I've got a sweet tooth so I ate it all up anyway. Things were wrapped up nicely in a way that gets you excited and optimistic for Snyder's take on this team.

Following No Justice, Justice League Odyssey sends a diverse team of heroes (and one mad, manipulative villain), to the far corners of space. While it may be a bit hard to place in regard to the main Justice League title, this is still a book that feels like it will have some big implications on this new and expanding DC Universe.

Justice League Odyssey #2 reveals the strange space religions revolving Starfire, Cyborg, and Azrael, and it's as creepy as you'd think it'd be. But the strength of the issue was how the character's motivations pull us forward in the story by providing organic situations that convey their stances.

Justice League Odyssey #3 gives us some hearty moments with our characters as they get some time to just be people in the midst of all the craziness. But that moment is fleeting as a new threat is revealed to be on their tail.

Justice League Odyssey #4places Cyborg front and center as he grapples with the morality of accepting his role as a god if it means being able to save an entire race of people. That might seem like a heavy burden, but it's just a normal Wednesday for Vic.

Justice League Odyssey #5 reminds us that this book is a puzzle piece in the enormous Justice League story being told across three books right now. If you're a completionist like myself, this is one of the things you live for. All these books are droppin' mad breadcrumbs, and I'm getting fat off all the clues and threads.

The underdog team regroups as they gear up to confront Darkseid about his plans to build a New Apokolips. New revelations, new motivations, and renewed purpose all make for a solid issue.

Justice League Odyssey #7 returns to the space-based action that propelled us through the first few issues as Starfire loses control of herself and her powers, Jessica Cruz's power depletes more of its charge, and Darkseid is a sad sack of potatoes sprawled out on a foreign alien planet.

Darkseid teaches a freshman-level philosophy class in Justice League Odyssey #8. And your classmates are Cyborg, Starfire, and Azrael. Green Lantern Jessica Cruz is trying to add the class but it's full right now. Make sure you don't miss more than three days before the midterm otherwise he'll drop you and you'll get that nasty W on your transcripts.

Justice League Odyssey #9 aligned us with Jessica Cruz's perspective as the rest of the team is coming off like they've been drinking too much of Darkseid's Kool-Aid. Jessica might have to throw some Lantern hands with her buddies in the coming issues. And if it's anyone, I'm glad it's her. She's the most level headed out of all of them.

Justice League Odyssey #10 brings us to the point that the series has been building towards from its first issue: A confrontation with Darkseid.

Justice League Odyssey #11 sets us up for some internal conflict that the heroes will have to overcome if they're gonna be able to stop Darkseid from enacting his plan.

The Odyssey team faced an impossible task as they geared up to face a calculated Darkseid that's planned out every move that's taken place since the beginning of the series. The only intangible is Green Lantern Jessica Cruz. But she may not be enough.

Justice League Odyssey #13 switches up the beat by introducing us to some new faces with the same aspirations to defeat Darkseid. Also, Jessica Cruz channels her inner Jesus and enters her life after death.

At the end of each issue, the creative team explains what inspired the story, as well as giving us character sketches and insight into the process of putting it all together.

The work of artBut have I talked about the art? Let's talk about the art. This ish is unwavering! I mean there is never a dip in quality. I don't mean that to sound like a complaint. I'm just impressed. The illustration is so particular and stylized, that it puts a smile to my eyes. Yes, you read that right.

Legion of Superheroes #5 continues to expand the conflict between the President of United Planets and the young hero taskforce that she helped create. We also get more confused Superboy. And we can never have enough of that.

Legion of Super-Heroes #7 packs it's pages with a moment for the Legion to regroup, and they spend that time figuring out who should be their new leader.

While it was a fun and often exciting way to read a comic, I do think the story suffered a bit from this approach. It quickly got formulaic and after a while, you wanted something else to happen. 

Simply put, if you're a fan of Martian Manhunter aka The Green Sad Boi, you won't be disappointed with this first issue. It gives us a unique glimpse into the mind of one of the most private characters in the DC Universe. We're gonna get to discover J'onn as he discovers himself. I'm so happy my dawg is getting the shine he deserves, even if he's probably afraid of it.

Martian Manhunter continues to be a treasure trove for renewed Martian lore as it creates an authentic representation for an entire fictional culture in ways that haven't been done before. You find yourself lost in the hopes and dreams of these characters- some of them green blobs- and then you remember that they're all gonna die. Powerful stuff.

Another issue, another look into the lonely life of J'onn J'onnz. My favorite thing about this book is that it's really enabled J'onn to wear his heart on his sleeve. In the first 2 issues, that was solely for the sake of the audience. But now we get to see the first time that he opens up to a human and it's a beautiful thing. This is the wholesome Martian goodness I've always wanted.

As we reach the end of the first third of the series, Orlando and Rossmo double down on the choices that make Martian Manhunterone of the boldest books on the shelves. It's intimidating but always rewarding.

Martian Manhunter #5 disrupts J'onn's flow as an adversary from his past shows up on present-day Earth. Orlando and Rossmo continue to sprinkle in important moments from J'onn's life on Mars, but it looks like this issue is setting up for a major deep dive into the past that should inform the motivations of the characters for the second half of the series.

Martian Manhunter shows us every corner of J'onn's history as he attempts to piece himself back together and become the hero that we all recognize. The first six issues of this series show J'onn as a lonely wanderer. By the end of the next six, he'll be a hero.

J'onn and Meade begin to mend their fractured relationship as they inch closer to finding Ashley and her Martian kidnapper Charnn.

Martian Manhunter #8 makes me cry yet again as we delve into Meade's rough past and the early days with her late partner John Jones.

J'onn gets what he needs from the fossilized memories, and Charnn is about to level up now that he has a human subject that isn't dying from his experiments. In order to match Charnn's strength, J'onn is gonna have to step it up himself. He reveals that he hasn't been operating at 100% this whole time, and in order to fully commit to the Martian Manhunter that he is, he must fully confront his past and deal with the repressed trauma of his family and an entire race of people dying. He's got about a couple of hours to do all that, but I've got faith in my guy.

This whole issue is a true testament to the teamwork on display with Orlando and Rossmo. This wouldn't work as uniquely well as it does without them. I'm not even sure anyone else would have thought of doing this the way that they did. It was really cool to see the comics medium borrow some aesthetics from the gaming world. We see a lot of back and forth between comics and movies due to how similar they are, and I'm not at all trying to insinuate that this is the first time we've seen a comic implore some visual cues familiar to video games, but it was a nice change of pace and the perfect metaphor for what J'onn is going through and how he had to overcome it. Not to mention it was executed so well.

Twelve issues and a year later, this series is over. But its legacy is going to last for a long time. Comics are so prevalent in pop culture now that there's a new fan every day. People are constantly getting into the medium as a fan. And it can be hard to know where to start. This Martian Manhunter series serves as the perfect jumping-off point for J'onn and incredibly sets the tone for the character.

In the meantime, let's all celebrate Shilo Norman's moment in the limelight, and hope he's here to stay. 

I gotta give a quick shoutout to Rico Renzi on the colors for Mister Miracle #2. One, because colorists never get the love that they deserve, but also because my guy is killing it with 2/3rds of the primary colors prevalent in the book. Mister Miracle has a lot of red and yellow in his costume and surroundings, but Renzi continually finds a way to make those colors feel fresh and have purpose when I imagine that's got to be incredibly hard. So yeah, shout out to him. My eyes are thankful.

Mister Miracle: Source of Freedom #4 is my favorite issue of this series so far. It's giving HBO Watchmen Hooded Justice vibes. They really just revamped and re-contextualized a Golden Era DC character right before our eyes.

It doesn't just talk the talk, it walks the walk. Behind the scenes is just as diverse as what's on the page. When people get a chance to tell the stories that represent them, we all win.

All in all, another solid entry into this really fun series. I'm excited to see how it unfolds in the coming issues as we get to flesh out this new and exciting DC character.

This is set up to be an all-time run if you ask me. Taylor and Redondo are two of the best talents in comics, and Nightwing is a fan favorite who needs a little TLC. I'm so excited to see where this story goes. 

Nightwing #79 gives us some heart, then rips it away. If you haven't been reading this book, shame on you. Change that now. You won't regret it. 

Nightwing's gonna have to take a double dose of the H-Factor for his meeting with Heartless next issue. We still know so little about him, other than, you know, he takes people's hearts. Can't wait to see how Nightwing handles this dude. Check back for next month's review where I have an over 60% chance of referencing Kanye West's song "Heartless."

There's some more heavy heart stuff in this Nightwing #81, but I'm not gonna spoil it here. I'll save that for you when you read the actual book. Be ready, though. Long time Nightwing fans are gonna feel some type of way.

Tom Taylor and Co. really have something special on their hands with this Nightwing book. I feel like I'm saying this every issue now, but this might wind up being an all-time run.

Why am I crying right now? Because Nightwing is one of the best books out right now. I keep saying this month after month, and each time I pick up a new issue I think no way can this top last month" and then it does.

I really like the art in Nightwing #84, though. The usual Bruno Redondo is gone and Robbi Rodriguez is in his place. Not only does Rodriguez provide a visual language that reminds us that we're in a different place, following a different story, but I found that the art was really suitable to what's going on. It's a little bit more stylized, especially compared to Redondo, and it has its own gritty signature that really feels in line with a city like Gotham.

I can't believe I'm saying it, but I'm looking forward to how this crossover ends. Seer is an interesting villain, and I'll honestly read anything Taylor writes. So, I'll see you next month to talk about the conclusion.

As surprisingly entertaining as this tie-in was for me personally, I'm so excited to get back on track with the main Nightwing story next month. I need more Heartless now! And I need those wholesome moments that Taylor so effortlessly weaves into Nightwing and his surrounding cast.

Go buy this book! Even if you don't read this series. This is a masterclass of storytelling.

Nightwing #88 was an issue with a lot of heart.

As I always say, I'm not usually the biggest fan of crossovers, but I've come to realize that anything Tom Taylor writes is absolute gold, so I will always be here for it when he's involved. The second and final part of this issue takes place in Superman: Son of Kal-El #9. So, see you then!

But we also got hands in this annual. A lot of hands. The art team consisting of Tormey, HDR, Fernandez, Beredo, and Kalisz more than delivered on some beautifully laid out conflict either through fights or through car chases. It's the type of visuals that would make your eyes smile if they could.

Nubia & the Amazons #1 was as solid an opener as you could have hoped for when it comes to a character like Nubia. It reintroduces us to her story while making it known that she's not going anywhere anytime soon.

Nubia pays the Victor's Circle a visit when she hears words of doubt about her rise to Queen. So instead of talking a nice talk to try and convince people of her intent, she walks the walk, going to the Victor's Circle to prove her worth with her own hands. How can we not stan?

The story is positioning itself to reveal more of the backstories of the new Amazons, which is more and more likely going to feed into the conflict for Nubia. These new Amazons have been living in bliss since they arrived here, but what happens when they start to remember their lives before, and the pain and suffering are fueled by Medusa? Nubia is about to have a lot on her hands.

Punchline #1 gives Gotham's newest villain the spotlight in a series that promises to have as many twists and turns as it does "WTF" moments. If you like podcasts, this one is for you.

Henry on the art adds a stylized flair to Shazam #1 that lightens up the mood and keeps it fun, especially in the areas that get kind of heavy.

Shoutout to Henry and Maiolo on the art in Shazam #2, because it never even crossed my mind that demonic figures named Sulibak could look like they just walked out of a club in 1984 and hopped in a Corvette with the top down playing Push It To The Limit. But I'm glad that I know what that looks like now.

Milestone is back! And hopefully it's here to stay this time. That's all up to us. Let's not give them any reason to think these books don't deserve to be on the shelves.

Static #2 provides some breathing room for characters and audience alike after a debut issue filled to the brim with action.

We may be two issues into this book, but it's really not until this issue where Static is truly born.

This is one of the most consistent books on the shelves, and it's all because of the frontloaded work.

I say this all the time, but it's so great to be reading these characters again after so long. I feel like a kid again. And Static, particularly, is in really good hands with Ayala and Draper-Ivey.

Every time I get to write about this book, I have to pinch myself. We are really getting new Milestone in 2022, and it's great. You really love to see it.

If you like sad heroes with a personal conflict, but more importantly, Black super genius detectives, then Strange Adventures #2 is out here to tell you that you should be reading this series.

Submerged #3 provides a hurricane of emotions as our protagonist Elysia must confront and swim through a downpour of horrible memories that stand in the way of her and her lost brother. Ayala, Sterle, Delladia, and Deering are the perfect storm of artists for this story, conveying everything with the heights of their talents. If you aren't reading this book, put on your wetsuit and swim to your local comic book store to pick it up. And hurry before the ink starts to bleed!

Suicide Squad #4 dives deep into just who the Revolutionaries are and why they're in the Suicide Squad. Oh, and some Captain Boomerang too. Can't get enough of that guy.

Suicide Squad #5 continues to impress with its character work, incredible art, and numerous twists and turns that keep me on the edge of my seat.

Suicide Squad #7 provides us with a John Wick-esque story centered around Deadshot. There's a disgruntled protagonist who wants to throw his dangerous life away in an effort to spend more time with his family, a shaggy head of hair and even a cute little dog. Nothing could go wrong, right?

It's safe to say this book is in good hands, and it's heading in a good direction. I'm looking forward to seeing how it all unfolds. 

Aside from the story, I liked learning a bit about Bloodsport as he's going to be a major character in the new Suicide Squad movie. I'm not ashamed to say I'd never heard of him before seeing the trailer, but now I can go in with a base level of knowledge. It definitely seemed like Thompson made an effort to give us a little backstory to help bring the character out of obscurity. I'm also pretty sure his entire existence in this book is informed by the fact that he's about to be in a movie. I know how capitalism works. 

In a short secondary story at the end of the issue, we get Tales From Metropolis, where Jimmy Olsen heads out into the field to interview some of the more unique citizens of Metropolis. This first story follows DC Comics' everyman, Bibbo Bibbowski. It's a pleasant and organic view of a legendary city through eyes other than Superman's. 

We're three issues into this new run and no matter what the conflict is, wholesome familial bonds are at the center of the overarching story. I love that. And I think it's perfect for a Superman story at this point in time. 

Superman:Villains #1 provides us with an unfiltered look at the impact that Superman's Clark Kent reveal has on his loved ones, and those he's been fighting with for so long. If you've ever wanted to see how Lex Luthor is taking the news that Superman is just a regular degular guy, this is the book for you.

Batman Hush haunts us all with another fantastic one-shot tie-in. It's not necessary to read, but you'll regret not reading it.

Tales from the Dark Multiverse: Flashpoint is yet again a fire tie-in to the Dark Night's storyline. Do you need to read it? No. Will your life be better if you do? Hell yes.

If you want spooky zombies and superhero aesthetics, this book is probably for you. Give it a try next time you hit up your local comic shop.

If none of that is enough for you, Beast Boy is a full-on Zaddy with a full torso and a beard and Cyborg actually has something to do. You love to see it, and let's hope to see more stuff we love in the coming issues.  

Teen Titans Academy #3 centers a story around new Teen Titan Bolt as she tries to flee the captive claws of the Suicide Squad.

Snyder and Jock convey a quiet intensity that leaves you unsettled well after you've finished reading. Few times do I have audible reactions while reading a comic book, but while reading this first issue, I gasped or winced more than once. That's how you know you've got something special on your hands. Something you know they're gonna be talking about for years to come. Who knows, when it's all said and done, it might be up there as one of the best Batman stories of all time" but we've still got five issues until we get to the punchline.

The Batman Who Laughs #2 will make you do anything but laugh. In fact, whatever time you read this will be the farthest you'll be from laughter all day. Bruce is having a really bad time, and Jock and Snyder use every tool in the shed to put the audience in his shoes so we can not only see what Bats is going through, we but feel it too.

The Batman Who Laughs #4 highlights Batman's descent into darkness with its stellar lettering by Sal Cipriano. Snyder and Jock create a story that's mentally and visually unsettling, but Cipriano's eerie lettering hits you in the soul.

The Batman Who Laughs #5 puts Batman against one of the toughest walls ever built. What opens as an issue with a glimmer of hope, eventually turns into one of the darkest cliffhangers in recent memory.

The Batman Who Laughs #6 throws everything at the kitchen sink as it evens the playing field and answers a lot of questions except the big ones. It prepares us for a finale that promises to challenge what we think is going to happen.

In The Batman Who Laughsfinale, Bruce has to accept that he's trash and bad at his job in order to stop his evil counterpart from turning the entire city into hateful human beings. He's the worst Batman, but that just makes him the best one for the job.

In a short at the end of the issue, Punchline faces trial for crimes committed under Joker's tutelage. While in prison on the days between facing the judge, she makes a name for herself by picking fights with the top dog in her cell block. 

In a short at the end of the issue, we get the continued story following Harper Row as she tries to figure out what Puncline is planning while behind bars and on trial for aiding the Joker in multiple murders. 

In a short at the end of the book, Harper Row starts to piece together Punchline's past, in an effort to understand what made her such a big fan of the Joker.

The second to last issue of The Low, Low Woods perfectly sets up a dramatic and dynamic ending for El and Octavia, as they're finally going to be in a position to find out what the missing chunks of their memories are.

You know these characters so well already, so the book doesn't need to waste any time introducing you. And Scott has a good handle on them as well. Nobody feels out of place, and their characteristics are so well defined.

Wasted Space is a welcomed newcomer to the space saga genre. It gives you many things that you've seen before, but in a very different way. That's one of Vault's strengths as a publisher. I'm in the camp that it's impossible to come up with something 100% original, but if you put the right spin on it, it can make your story feel like something that's never been seen before. That's what Wasted Space seems to be shaping up to be.

You wanna talk about colors? Let's talk about colors. Jones' colors on her section of the book make me feel like I've just discovered color for the first time in my life. Like I was born a minute before I opened the book. I thought I knew what brown, pink, and yellow were. But Jones showed me that I had no idea.

Wonder Woman: Dead Earth gives us a dark look at a world that Wonder Woman broke and is now burdened with fixing. If you like giant monsters with tendrils and corpses in superhero costumes, this might be the book for you.

I really like Oemings' art on this book. He brings a stylized look that really adds to the regal tone and aesthetic that Vendetti is setting up. It also helps differentiate it from something that takes place on Earth. Not that stylized art can't take place on Earth, but it's just another layer that adds to the story that makes it feel unique. Also, the Kryptonian clothing on display is absolutely fire. If they weren't all about to die, I'd say that I'd like to see them strut the runway one time for the one time.