Danny's Profile

I try to be as open minded as possible, and even, or especially when I encounter something I don't like, I try to give it a fair chance, and understand why I don't like it if I still don't like it after giving it said chance. It was the case with post I Am Bane Batman series by Tom King, which I grew to dislike only more and more with every passing issue. Enter Batman/Catwoman, which made, to say I try to be as open minded as possible, and even, or especially when I encounter something I don't like, I try to give it a fair chance, and understand why I don't like it if I still don't like it after giving it said chance. It was the case with post I Am Bane Batman series by Tom King, which I grew to dislike only more and more with every passing issue. Enter Batman/Catwoman, which made, to say more

Who the hell are these critics on this site that give 90% of everything they read 10 stars? Everything can't be a 10. Its hard to take the critic reviews on here seriously sometimes. But this was a solid comic and series. Definitely not a 10 but was worth the read. But I am so glad this event is finally over. These huge events that span for months and have multiple tie ins and effect every storyli Who the hell are these critics on this site that give 90% of everything they read 10 stars? Everything can't be a 10. Its hard to take the critic reviews on here seriously sometimes. But this was a solid comic and series. Definitely not a 10 but was worth the read. But I am so glad this event is finally over. These huge events that span for months and have multiple tie ins and effect every storyli more

someone else on here said it well - it feels like Snyder slapped the word "hope" on a dialogue balloon for at least one character every other page, and crammed the book with....stuff. From that we're supposed to ignore the messy, stretched-out storyline over two similar events, and all we get at the end is a reinforcement of Morrison's "Multiversity" (which was great) by saying there are other mul someone else on here said it well - it feels like Snyder slapped the word "hope" on a dialogue balloon for at least one character every other page, and crammed the book with....stuff. From that we're supposed to ignore the messy, stretched-out storyline over two similar events, and all we get at the end is a reinforcement of Morrison's "Multiversity" (which was great) by saying there are other mul more

Overall this event was a 2015 Secret Wars parody, that repeated the plot of Convergence and had similar consequences as Doomsday Clock.

Did Scott Snyder, the writer of the COURT OF OWLS storyline, just kill DC comics? I don't see anything good coming out of this event, man. The guy's career at DC began with a bang and ended with a whimper. You can slap the word 'hope' on each page and insert a thousand heroes but that doesn't make it a good comic book. Especially if the consequences are flat which this event has in droves... Also, Did Scott Snyder, the writer of the COURT OF OWLS storyline, just kill DC comics? I don't see anything good coming out of this event, man. The guy's career at DC began with a bang and ended with a whimper. You can slap the word 'hope' on each page and insert a thousand heroes but that doesn't make it a good comic book. Especially if the consequences are flat which this event has in droves... Also, more

This whole thing feels unearned and inconsequential with its over-the-top story. It's a discombobulated mess! It leaves one both underwhelmed and unfulfilled by the end :/ Honestly, is Snyder 5 years old? Because the script certainly feels that way. Juvenile and callow. It's a rushed and crammed filled event with no clear goal except to kill off DC, I think. If you're into that kind of thing, grea This whole thing feels unearned and inconsequential with its over-the-top story. It's a discombobulated mess! It leaves one both underwhelmed and unfulfilled by the end :/ Honestly, is Snyder 5 years old? Because the script certainly feels that way. Juvenile and callow. It's a rushed and crammed filled event with no clear goal except to kill off DC, I think. If you're into that kind of thing, grea more

I don't get it.

I understand little to nothing what happened in this issue. It is so stupid and over-the-top I don't know should I take this seriously. The art is excellent as always but... what. I haven't read every one-shot there is because there is too many and most of them are bad.

How on earth the two guys who reintroduced me to Batman 7 years ago during their awesome ru I don't get it.

I understand little to nothing what happened in this issue. It is so stupid and over-the-top I don't know should I take this seriously. The art is excellent as always but... what. I haven't read every one-shot there is because there is too many and most of them are bad.

How on earth the two guys who reintroduced me to Batman 7 years ago during their awesome ru more

I would have loved this back in 7th grade.

This is just too much. It feels like all of these past issues has been constant set up and exposition with little happening. The only cool stuff has been in the tie-ins (especially Speed Metal and Multiverse's End).

Snyder tries to fill the book with cool and deep metaphors to add some kind gravity and eloquence to the constant strea I would have loved this back in 7th grade.

This is just too much. It feels like all of these past issues has been constant set up and exposition with little happening. The only cool stuff has been in the tie-ins (especially Speed Metal and Multiverse's End).

Snyder tries to fill the book with cool and deep metaphors to add some kind gravity and eloquence to the constant strea more

Both overwhelming and underwhelming at the same time. It's hard to believe that it was written by the same Scott Snyder who wrote The Court of Owls.

Cons: Too much exposition (Scott should've opted to write a novel) and Lex feels rushed. The writing is just absurd, man. No way this series should've been 7 issues. This should've been 12 issues at least (with no tie-ins).

Pros: Last few pages are pretty awesome (but it all hinges on how the next issue will look like). But, overall, Capullo's pencils are OK--but that's only because Sny Cons: Too much exposition (Scott should've opted to write a novel) and Lex feels rushed. The writing is just absurd, man. No way this series should've been 7 issues. This should've been 12 issues at least (with no tie-ins).

Pros: Last few pages are pretty awesome (but it all hinges on how the next issue will look like). But, overall, Capullo's pencils are OK--but that's only because Sny more

This is hot shit.

Tusk Darkseid makes me want to stop reading comics.

It feels so messy. I really don't like the idea how DC makes more and more one-shots that are required to read so that you understand the main book. Why not make them part of the main series?

I don't know what happened to Snyder. I really liked Metal but I really dislike this "EXTREME EPIC METAL WITH WTF MOMENTS AND CRISIS AND WATCHMEN". This book clearly tries too hard and fails misera It feels so messy. I really don't like the idea how DC makes more and more one-shots that are required to read so that you understand the main book. Why not make them part of the main series?

I don't know what happened to Snyder. I really liked Metal but I really dislike this "EXTREME EPIC METAL WITH WTF MOMENTS AND CRISIS AND WATCHMEN". This book clearly tries too hard and fails misera more

This just might be the most heinous event story out of DC lore.

Scott, what happened?

The best song to listen to while reading this is 'Harmonielehre: II. The Anfortas Wound' -- this entire issue is drenched with eeriness. Best to read on a rainy night, with the lights off, a lamplight on... Chilling.

The ominous tone set by Geoff Johns and the cinematic work done by Fabok, paired with the nauseating color palette of Brad Anderon... This is a daunting comic to approach. It has an almost scholarly feel to it--like this is a culmination to Batman's long and bloody history with Joker, which includes Jason and Barbra, fittingly. At its core, it's an examination of trauma done right *cough* Tom King The ominous tone set by Geoff Johns and the cinematic work done by Fabok, paired with the nauseating color palette of Brad Anderon... This is a daunting comic to approach. It has an almost scholarly feel to it--like this is a culmination to Batman's long and bloody history with Joker, which includes Jason and Barbra, fittingly. At its core, it's an examination of trauma done right *cough* Tom King more

Look, i get that the point of this event is to be crazy camp for the sake of it, but a lot of the writing and concepts are just so fucking bad. The whole New Apokolips scene triggered me immensely because Scott Snyder clearly didn't understand Final Crisis and blatantly messed up one of the climaxes of the book (Batman vs Darkseid). The Anti-Life Great Death Drive was stupid as hell, Darkfather is Look, i get that the point of this event is to be crazy camp for the sake of it, but a lot of the writing and concepts are just so fucking bad. The whole New Apokolips scene triggered me immensely because Scott Snyder clearly didn't understand Final Crisis and blatantly messed up one of the climaxes of the book (Batman vs Darkseid). The Anti-Life Great Death Drive was stupid as hell, Darkfather is more

"Fool me once, strike one. But fool me twice...strike three." - Michael Scott. Yeah, I should have stopped with the event back when I rolled my eyes upon seeing the last panel of Issue 1. I have this impression that this isn't Snyder's story at all-that someone from the top is pushing this down his throat. This just doesn't feel like the Scott Snyder I grew up admiring back when he wrote the firs "Fool me once, strike one. But fool me twice...strike three." - Michael Scott. Yeah, I should have stopped with the event back when I rolled my eyes upon seeing the last panel of Issue 1. I have this impression that this isn't Snyder's story at all-that someone from the top is pushing this down his throat. This just doesn't feel like the Scott Snyder I grew up admiring back when he wrote the firs more

The series is seriously treading through some ground I'm not sure I'm comfortable with. On one hand, there's the JSA (who are there only for a few freakin' pages and then, once again, vanish without giving Wonder Woman any advice) but on the other hand, DC is (yet again) taking something of elegant design (Dr. Manhattan) and using it as a plot device to bolster the BWL's power. I mean, dude? Doesn The series is seriously treading through some ground I'm not sure I'm comfortable with. On one hand, there's the JSA (who are there only for a few freakin' pages and then, once again, vanish without giving Wonder Woman any advice) but on the other hand, DC is (yet again) taking something of elegant design (Dr. Manhattan) and using it as a plot device to bolster the BWL's power. I mean, dude? Doesn more

If this is really the end of snyder and capullo on Batman, I must say bravo. I loved it, Snyder may have fallen off the wagon since metal with batman, but this series cemented at least for me, his love and great knowledge of the character. It's about Batman being human and not an automaton, cough cough Tom king. Batman is not a depressed maniac who fights an endless war on crime, he is happy, h If this is really the end of snyder and capullo on Batman, I must say bravo. I loved it, Snyder may have fallen off the wagon since metal with batman, but this series cemented at least for me, his love and great knowledge of the character. It's about Batman being human and not an automaton, cough cough Tom king. Batman is not a depressed maniac who fights an endless war on crime, he is happy, h more