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It's funny because even before he got to write ASM one of the things I always saw next to Zeb Wells name was "edgelord" and a bad writer. People claiming he writes as an edgelord etc and I thought that this was a very weird thing to say.
Sporadically I would read a story or an issue by him and would try to understand why readers called him an edgelord and a bad writer. Unfortunately it's this It's funny because even before he got to write ASM one of the things I always saw next to Zeb Wells name was "edgelord" and a bad writer. People claiming he writes as an edgelord etc and I thought that this was a very weird thing to say.
Sporadically I would read a story or an issue by him and would try to understand why readers called him an edgelord and a bad writer. Unfortunately it's this more

This issue somehow manages to be even worse than the first one. I'm not even gonna touch the fact that after 50 years of being canonically written as vegan, she suddenly is exclusively carnivore.
Wilson is trying to push Poison Ivy back into being a villain but she does it in such an awkward and lazy way that's just laughable. In this issue Ivy acts like a more unhinged version of Carnage. If This issue somehow manages to be even worse than the first one. I'm not even gonna touch the fact that after 50 years of being canonically written as vegan, she suddenly is exclusively carnivore.
Wilson is trying to push Poison Ivy back into being a villain but she does it in such an awkward and lazy way that's just laughable. In this issue Ivy acts like a more unhinged version of Carnage. If more

Despite the cover, this is not a PRIDE book. There are traces of Ivy's relationship with Harley but it's a rather underdeveloped subplot. Unfortunately this story throws all the character progress of Poison Ivy under the bus for a story beat that doesn't even make sense (exterminating mankind would lead to nuclear collapse and global destruction in a few hours). There's a twist coming (hint: googl Despite the cover, this is not a PRIDE book. There are traces of Ivy's relationship with Harley but it's a rather underdeveloped subplot. Unfortunately this story throws all the character progress of Poison Ivy under the bus for a story beat that doesn't even make sense (exterminating mankind would lead to nuclear collapse and global destruction in a few hours). There's a twist coming (hint: googl more

In short: Stephanie Phillips reunited Harley and Ivy just to break them up in just a few panels. The only reason the issue exists is for the worlds fastest first date and breakup. It's pure queerbait, avoid it. I was very supportive of this run but unfortunately neither the book nor the writer deserves my money anymore. Tee Franklins book is a better choice for anyone who wants to read a fun Harle In short: Stephanie Phillips reunited Harley and Ivy just to break them up in just a few panels. The only reason the issue exists is for the worlds fastest first date and breakup. It's pure queerbait, avoid it. I was very supportive of this run but unfortunately neither the book nor the writer deserves my money anymore. Tee Franklins book is a better choice for anyone who wants to read a fun Harle more

My review is only about the Ashes Of Eden story by Sam Johns and Laura Braga. A horrible story that erases all character progress of Poison Ivy and pretty much turns her into a Nazi planning to murder the entire Gotham City as a response to her garden getting burned. Laura Bragas art is buried underneath 90s edginess and what pretty much is a copy paste of Carnage USA only with Ivy in the place of My review is only about the Ashes Of Eden story by Sam Johns and Laura Braga. A horrible story that erases all character progress of Poison Ivy and pretty much turns her into a Nazi planning to murder the entire Gotham City as a response to her garden getting burned. Laura Bragas art is buried underneath 90s edginess and what pretty much is a copy paste of Carnage USA only with Ivy in the place of more

I bought this as well as the previous issue after a small discussion with Tynion. The art is really beautiful and so are the colors. But good art is not enough to make a comic good. The plot here is nonexistent. The plot in the whole arc is nonexistent. There is no risk, no sense of danger, of urgency. The Alfred dialogue was unnecessary and it lacked emotional depth. But the worst part of it. Oh I bought this as well as the previous issue after a small discussion with Tynion. The art is really beautiful and so are the colors. But good art is not enough to make a comic good. The plot here is nonexistent. The plot in the whole arc is nonexistent. There is no risk, no sense of danger, of urgency. The Alfred dialogue was unnecessary and it lacked emotional depth. But the worst part of it. Oh more

This is what happens when a bad editor (Brian Cunningham aka the dude who kicked Gail Simone off Batgirl in hi first day at the office) teams up with a yes man writer. A badly written, horribly edited mess of a book with no redeeming qualities. We could talk about the elephant in the room that is the erasure of Harley and Ivy as a couple but the writer will blame it to the editor and the editor to This is what happens when a bad editor (Brian Cunningham aka the dude who kicked Gail Simone off Batgirl in hi first day at the office) teams up with a yes man writer. A badly written, horribly edited mess of a book with no redeeming qualities. We could talk about the elephant in the room that is the erasure of Harley and Ivy as a couple but the writer will blame it to the editor and the editor to more

No. The way suicide is used to push the story is ridiculous and badly written. The queer erasure of Harley Quinn and the forced thing with Booster Gold adds to the low score. 0/10

Emanuela Lupacchino deserves better writers. It is astonishing how DC put out such an overtly racist and badly written book. Stiff, robotic dialogue, google translated sentences. Harley despite her growth, still being defined by Joker. A boring story that makes no sense and is horribly misogynistic. Azzarello desecrating the characterisation of the protagonists.

This feels like a diffe Emanuela Lupacchino deserves better writers. It is astonishing how DC put out such an overtly racist and badly written book. Stiff, robotic dialogue, google translated sentences. Harley despite her growth, still being defined by Joker. A boring story that makes no sense and is horribly misogynistic. Azzarello desecrating the characterisation of the protagonists.

This feels like a diffe more

Absolute trash with a horrible almost pro-Bolsonaro edge. A horrible take on Poison Ivy and racist undertones in a tone deaf mess. Avoid this crap.

The book follows the recent trend of DC of "no ending". I guess some cokehead at DC believes this is good marketing. It's not. I've been a supporter of this book since day one. But #6 fails spectacularly in every level. Poison Ivy is shelved once more, or perhaps fridged, her relationship with Harley Quinn gone and the previous five issues readers bought as well as Ivy's death and rebirth in HiC n The book follows the recent trend of DC of "no ending". I guess some cokehead at DC believes this is good marketing. It's not. I've been a supporter of this book since day one. But #6 fails spectacularly in every level. Poison Ivy is shelved once more, or perhaps fridged, her relationship with Harley Quinn gone and the previous five issues readers bought as well as Ivy's death and rebirth in HiC n more

There is great chemistry between the collaborators of the book and that is visible. Adriana Melos art is astounding and gorgeous adding small cartoony details, like i.e a heart when Ivy and Harley hold hands, that enhance the emotional impact of the book. It's been a long road for both heroines and hopefully they acn find some peace of mind after beating Floronic Man and the new, weird threat that There is great chemistry between the collaborators of the book and that is visible. Adriana Melos art is astounding and gorgeous adding small cartoony details, like i.e a heart when Ivy and Harley hold hands, that enhance the emotional impact of the book. It's been a long road for both heroines and hopefully they acn find some peace of mind after beating Floronic Man and the new, weird threat that more

I had some complains about #1 and #2. It felt that the book was a Harley Quinn book because of the focus on her but #3 starts showing us us the Ivy side of things. We see how Pammy is slowly getting better, learning to control her powers and her new connection to the Green. There are a lot of questions to be answered. Remember that Ivy literally knows every secret in the world (Everyone Loves Ivy) I had some complains about #1 and #2. It felt that the book was a Harley Quinn book because of the focus on her but #3 starts showing us us the Ivy side of things. We see how Pammy is slowly getting better, learning to control her powers and her new connection to the Green. There are a lot of questions to be answered. Remember that Ivy literally knows every secret in the world (Everyone Loves Ivy) more

After the events of Heroes in Crisis it's nice to see Poison Ivy strong, proud, kick ass, sexy and alive again. This issue essentially is two stories, we see Floronics man attack on Ivy and Harley and we get the beginning of a second story with a certain "hat aficionado". The writing is very good and we see glimpses of what the future will bring to the book for both characters. I have some questio After the events of Heroes in Crisis it's nice to see Poison Ivy strong, proud, kick ass, sexy and alive again. This issue essentially is two stories, we see Floronics man attack on Ivy and Harley and we get the beginning of a second story with a certain "hat aficionado". The writing is very good and we see glimpses of what the future will bring to the book for both characters. I have some questio more

This is probably the best Harley Quinn story ever and this is definitely THE BEST Poison Ivy ever written. Excellent writing, perfect characterization, beautiful, gorgeous art. Definitely check it! This is going to an Eisner winner guys!

Despite the impact heroes in crisis and year of the villain has in this book, it's a great, well thought story that starts slowly but climaxes into a dangerous and unexpected visitor. An opener that serves as a recap and an initiation to the plot lines that it will follow. Adrianas art, Hi Fi colours, and Morales inks are spectacular, beautiful, creepy, funny and sexy. A great start. We missed Pam Despite the impact heroes in crisis and year of the villain has in this book, it's a great, well thought story that starts slowly but climaxes into a dangerous and unexpected visitor. An opener that serves as a recap and an initiation to the plot lines that it will follow. Adrianas art, Hi Fi colours, and Morales inks are spectacular, beautiful, creepy, funny and sexy. A great start. We missed Pam more

"Wait for the final issue" "You just don't get the story" "You are too stupid to understand it"
"Everyone loves HiC and those who don't are clickbaiters"
Well. Here we are. HiC is a collection of tropes coupled with some really nice (yet problematic) art. You can see that the artists, especially Mann - despite finding his portrayal of women problematic - loved working with this and put t "Wait for the final issue" "You just don't get the story" "You are too stupid to understand it"
"Everyone loves HiC and those who don't are clickbaiters"
Well. Here we are. HiC is a collection of tropes coupled with some really nice (yet problematic) art. You can see that the artists, especially Mann - despite finding his portrayal of women problematic - loved working with this and put t more

To the people who said "wait for the final issue, you can't judge an incomplete title". We did and to no one's surprise it did nothing to change how it's perceived. This title is garbage, plain and simple. The worst "crisis" since Identity and wholly underserving of that moniker.

The real crisis was King's writing. There is nothing this issue did to resolve the various egregious faul To the people who said "wait for the final issue, you can't judge an incomplete title". We did and to no one's surprise it did nothing to change how it's perceived. This title is garbage, plain and simple. The worst "crisis" since Identity and wholly underserving of that moniker.

The real crisis was King's writing. There is nothing this issue did to resolve the various egregious faul more

Seen people say that Heroes in Crisis is hated because they don't get the subtext -- you know, Wally dealing with loss and so on -- but if it really was about that, then we should have had a book that dealt with that. If that was really the case, why is that particular thing a small percentage of the story? Why is it a bad murder mystery that is not even resolved, but for a taped confession? >
In the end, we just get the heroes stopping Wally from killing himself, gets some hugs, and gets placed in JL jail... hooray *sarcasm*

It's so weird that King can do an excellent book on anxiety and mental illness in Mister Miracle, and completely screw the pooch on the same topic just months later. The highest of highs, the lowest of lows. more