It's not bad. I actually was entertained. But we've seen this type of story a million times. Fighting while talking.

I think all the stories were just ok. I actually liked the reprint story the best.

Maybe the best issue in my opinion. I felt really engaged in the outcome of the group of cats we've been following.

Started off a little corny and got better as it went. I enjoyed it.

I live the art. This issue was a bit more "relaxed" but I liked the story overall.

Patrick Horvath’s return to Woodbrook deftly expands the original series, introducing Monica Brewer, a new character who is the sister of Samantha’s victim from original series’ debut issue. Monica’s POV is expertly woven into the story’s established lore, setting the stage for a compelling new arc.

Horvath takes a bold leap by dedicating a significant portion establishing Monica’s character rather than returning immediately to Sam, and it’s a risk that pays off. Monica’s story is heartbreaking, as she’s forced to put her life on hold for years in pursuit of closure for her brother’s murder. Her adoption of a new, unfulfilling life makes her an immediate sympathetic and tragic central figure.

The issue’s climax is awkward and tense, leaving readers wondering if Samantha’s past will finally catch up to her or if she’s prepared to go further into the darkness. Horvath’s beautiful signature art style adds to the tension, delivering haunting visuals that perfectly capture the mood of every panel. Hassan Otsmane-Elhaou's letters effortlessly bring Horvath’s script to life.

Rite of Spring #1 is an emotional and haunting success which builds on the original series perfectly. Horvath’s visual storytelling makes this a must-pull for fans of the original series and new readers alike. The stage is set for a thrilling new chapter, and it’s clear that Horvath is poised to take the story in an even darker and captivating direction. more

The Seasons has been a fantastical, and fantastic, adventure that's gotten darker with each issue. After the revelations of the previous issues, where the secrets of the circus and the motivations of its evil ringleader were finally exposed, this week’s issue sees Spring Seasons trying to escape the magical world she's been trapped in. And what a journey it is!

Artist Paul Azaceta and colorist Matheus Lopes' visuals are nothing short of breathtaking — a hallmark of the series. Every panel is rich in visual storytelling, conveying the whimsical nature of Spring's journey with imaginative detail. The colors are vibrant, the characters are expressive, and the panel structure is innovative. Rus Wooton’s lettering keeps readers focused even when the images might be upside-down or wrong-side up.

The issue isn’t just a visual treat. Rick Remender's script packs two heartfelt reunions into the issue, bringing humanity to the story which reminders readers that, at its core, this is a story about family and relationships. These moments are beautifully written, and they add an emotional resonance that's impossible to shake.

And then there's Spring herself. This issue sees her stand up for herself, something she's been unable to do during previous confrontations. It's a powerful moment, and it points to how she'll approach the endgame of this story. Spring's determination to fight for herself and her family, even when she’s forced to question her own self-worth, is so admirable. I’ve always been a fan, but I'm rooting for her even more now.

The Seasons #6 is a visually inventive issue that pairs creative feats with emotional stakes. The series continues to be one of the most compelling and consistently strong books, issue after issue, on shelves today and I'm eager to see where the story goes from here. more

Prepare to be transported to the steamy Louisiana bayou in this tensely intimate debut issue. Si Spurrier’s script is expertly crafted, but it’s the visuals by Vanesa Del Rey and John Starr that truly standout. The artwork perfectly captures the environment, making you feel like you’re right there with the characters, sweating amidst unbearable humidity, wading through cypress swamps and dodging Spanish moss. But are the worst dangers that which nature hides from us, or is our fellow man — or ourselves — what we should fear most?

Spurrier’s development of Maria Burgau, the ultra-pregnant main character, and the rest of the supporting cast characters is nuanced and thoughtful, hinting at rich backstories that are begging to be explored. We’re introduced to Mrs. Watters, a devilish local mob boss, who Spurrier uses to present his main thesis for the series and pushes Marie to her limits. The character test she is confronted with, and her actions, will reverberate throughout the rest of the series.

What struck me most about this issue was the unsettling, eeriness that permeates every panel. It’s reminiscent of a classic slow-burn TV drama like True Detective, where the tension builds gradually but inexorably, and there’s always a question of whether or not something from beyond this world could be at play. Even without any overt mystical or fantasy elements, the story feels like it’s hovering just on the edge of something supernatural, adding to the sense of unease and anticipation. This subtle sense of foreboding is perfectly crafted, making it impossible to shake the feeling that something is lurking at every page turn. The pacing is deliberate and measured, allowing the reader to absorb the story and become fully immersed in this world.

Overall, The Voice Said Kill #1 is a gripping and intense debut that showcases Si Spurrier’s range as a writer. With its slow-burning narrative and vivid, visual world-building, this is definitely worth adding to your pull list! more

It's still a fun book with great art. Just not sure it really takes me to that next level when reading it.

I don't really care for how Benjamin acts as a character, but the story is pretty trippy, weird and unique. I think it's pretty entertaining.

I liked this a lot more than I thought I would. It started off a tad confusing, but by the end of the issue I was invested in the main characters story.

This is series is just a nice and easy comic, even though it's about slashing. It's entertaining, it's not too serious, and it always keeps me coming back.

It's interesting for the most part. Still not sure how I feel about this series. It's ok, but it's not really anything I'm looking forward to.

I think I'm just ready for this series to end, but it does have some redeeming qualities. It's just with the time between issues, I don't really feel invested.

After not being super sold on issue 1, and having to wait for my shop to get #2, I wasn't sure what to expect getting back to this series. I just read 2 and 3, and wow, this series has really ramped up. The emotion you feel for the main character is pretty heartbreaking.

I didn't like the twist in this one. Felt like it came quick and wasn't very impactful. Overall, it's still a fun little story with some great art.

A good return to this world. It has a new focus and I like the idea of the new main character from this point of view.

I don't think it was as good as last issue, but it does feel important to the Ultimate Universe.

This was a good first issue. Its not a super original concept, but it was done well.

Pretty standard for this Miles Morales series. Lots of action and talking while fighting.

This was a cool feel good type story, with pretty good character work between an unlikely duo. It wasn't what I expected, but it was fun.

I think I'll need to re read everything at once. I'm not sure I quite understand everything that happened due to the long gaps in between issues. It was entertaining though.

This series is becoming overly sad like Ice Cream Man, but I am here for it. What an issue.

I liked this one. The art wasn't that great for the tone of the issue, but I liked the story.

I didn't find this as good as previous issues, but it still is a high quality series that delivers each time it comes out.