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Daredevil calls it quits this issue in some character beats I felt were done fairly well even if it doesn't even last half of an issue. Then he gets pulled into this story with Death-Stalker and it's not much of a plot, nor is the battle any good at all, but it is big on style and that is something.

Heather comes across as annoying and a poor man's Karen. I'm not a fan of what I've se Daredevil calls it quits this issue in some character beats I felt were done fairly well even if it doesn't even last half of an issue. Then he gets pulled into this story with Death-Stalker and it's not much of a plot, nor is the battle any good at all, but it is big on style and that is something.

Heather comes across as annoying and a poor man's Karen. I'm not a fan of what I've se more

The art was like this a bit in the last issue but really gets over-the-top edgy by this comic. The whole issue feels overly dark and grim, in that cheesy 13-year-old-edgelord kind of way. The dialogue was pretty awful and Daredevil interrogating a pyromaniac with fire was worse.

Still, the actual investigation into the fires isn't terrible, but it is a little repetitive in its storyte The art was like this a bit in the last issue but really gets over-the-top edgy by this comic. The whole issue feels overly dark and grim, in that cheesy 13-year-old-edgelord kind of way. The dialogue was pretty awful and Daredevil interrogating a pyromaniac with fire was worse.

Still, the actual investigation into the fires isn't terrible, but it is a little repetitive in its storyte more

The first half of the comic is just a very stressful and realistic situation where Daredevil is dealing with a building on fire. It's quite well done on the whole. The second half deals with the legal consequences of the fire, which works well in a Daredevil comic but Chichester is clumsy with his dialogue as always. Still, there are good moments here - like the firefighters smashing cars like The first half of the comic is just a very stressful and realistic situation where Daredevil is dealing with a building on fire. It's quite well done on the whole. The second half deals with the legal consequences of the fire, which works well in a Daredevil comic but Chichester is clumsy with his dialogue as always. Still, there are good moments here - like the firefighters smashing cars like more

A pretty standard Silver Age affair where Daredevil is in Hollywood and battles the Stilt-Man. Not a lot to it, for good or ill. It's not very fun but the art from this era is reliable as always. Karen and Matt breaking up felt really rushed, even if it makes sense with her being in LA now.

This wound up being a pretty solid Owl story. It's still a Chichester book, but at least he made the villain quite interesting here.

This was a pretty fun and action packed issue. For a comic where the Owl and Daredevil are mostly just fighting each other, they do manage to still make Owl seem both sinister and tragic. While not perfect and I don't love all the art here, I'd say this was a solid issue on the whole.

Way too overly wordy right out of the gate for a comic book. Especially one from the 90s that should be more deferential to the art, because the art is really nice. The Owl is presented in a somewhat sinister way, at least, and the comic does have some stylish moments as we see our characters living their lives in New York. Certainly not the worst Chichester comic I've read at this point.

Chichester is a bore

I loved the cover of this one. Otherwise it's a very clunky, slow, and repetitive end to Lobdell's arc in a way I didn't find all that satisfying, nor did I enjoy Cully Hamner's art that much. One that essentially closes out this iteration of the Daredevil series, which is interesting. Not great or even good, but interesting. And to its credit I did enjoy the idea of this Jason Bourne-style st I loved the cover of this one. Otherwise it's a very clunky, slow, and repetitive end to Lobdell's arc in a way I didn't find all that satisfying, nor did I enjoy Cully Hamner's art that much. One that essentially closes out this iteration of the Daredevil series, which is interesting. Not great or even good, but interesting. And to its credit I did enjoy the idea of this Jason Bourne-style st more

It's fun having Foggy so directly involved in Matt's espionage adventure overseas. The arc got off to a rocky start with me but has had its moments so far. It's still just okay at best, though. Lobdell isn't exactly writing this story with finesse, often being overly clunky in his wording, not just in its style but also in the sheer volume of text he throws around sometimes like the worst of Da It's fun having Foggy so directly involved in Matt's espionage adventure overseas. The arc got off to a rocky start with me but has had its moments so far. It's still just okay at best, though. Lobdell isn't exactly writing this story with finesse, often being overly clunky in his wording, not just in its style but also in the sheer volume of text he throws around sometimes like the worst of Da more

Much better than the last issue especially structurally, but still not great. There's a really wholesome moment with Foggy that I liked a lot, at least.

An intriguing start to the last story arc of this volume but one that is executed very poorly. It's basically not a Daredevil comic, nor does it explain its premise very well, but Matt finds himself trapped in a deep cover identity he no longer remembers, and the SHIELD handler responsible for deprogramming dies. Or something along that line. It could have been cool if it were structured better An intriguing start to the last story arc of this volume but one that is executed very poorly. It's basically not a Daredevil comic, nor does it explain its premise very well, but Matt finds himself trapped in a deep cover identity he no longer remembers, and the SHIELD handler responsible for deprogramming dies. Or something along that line. It could have been cool if it were structured better more

This comic rather infuriatingly opens on a dream sequence. The rest of the issue is more classic Silver Age fun as the people of New York are suddenly struck blind. Mixed feelings about this one overall. At least it feels like the main story is pretty creative. It's the kind of thing that works thematically well for Daredevil's character in the most obvious way possible, but just because it is This comic rather infuriatingly opens on a dream sequence. The rest of the issue is more classic Silver Age fun as the people of New York are suddenly struck blind. Mixed feelings about this one overall. At least it feels like the main story is pretty creative. It's the kind of thing that works thematically well for Daredevil's character in the most obvious way possible, but just because it is more

There is cool art and cool moments peppered throughout this issue, but Chichester cannot make The Hand exciting for the life of him.

Weird but fine, I guess. Pretty standard Daredevil vs. The Hand stuff coupled with the usual quirky Chichester writing.

It's not the best ending to this already questionable Hyde/Cobra trilogy Stan Lee did. I'm not a fan of a story like this where the villains should win but lose simply because they stalled out on just finishing off Daredevil in some way.

Visually, it's a great comic at least, as we get some great shots of the Hyde/Cobra duo capturing Daredevil and taking him to a scenic lighthouse. An It's not the best ending to this already questionable Hyde/Cobra trilogy Stan Lee did. I'm not a fan of a story like this where the villains should win but lose simply because they stalled out on just finishing off Daredevil in some way.

Visually, it's a great comic at least, as we get some great shots of the Hyde/Cobra duo capturing Daredevil and taking him to a scenic lighthouse. An more

Daredevil continues his conflict with Hyde and Cobra, while having lost his powers and actually experiencing full blindness. It's pretty interesting as a concept but Hyde and Cobra aren't very fun villains here. The Mike Murdock sage reaches a new level of ridiculous as Foggy and Karen are now to believe Mike and Daredevil have also gone blind like Matt. Still, the Lee/Colan team is fun enough, Daredevil continues his conflict with Hyde and Cobra, while having lost his powers and actually experiencing full blindness. It's pretty interesting as a concept but Hyde and Cobra aren't very fun villains here. The Mike Murdock sage reaches a new level of ridiculous as Foggy and Karen are now to believe Mike and Daredevil have also gone blind like Matt. Still, the Lee/Colan team is fun enough, more

(Cover Date: August, 1967)

Wacky Moments: A woman tears off a piece of DD's mask as a souvenir. Foggy somehow holds the end of DD's cable while a very blind & powerless DD balances on it to distract Hyde & Cobra.

A pretty wild issue where Daredevil somehow uses plastics to make himself look exactly like Thor. The real Thor is here along with the questionable duo of Cobra and Mr. Hyde. There is a fight between Daredevil and Thor that is silly and fun, at least. But it just ends and we're left with some lacklustre stuff around Hyde and Cobra, who do kind of manage to beat Daredevil here.

It alr A pretty wild issue where Daredevil somehow uses plastics to make himself look exactly like Thor. The real Thor is here along with the questionable duo of Cobra and Mr. Hyde. There is a fight between Daredevil and Thor that is silly and fun, at least. But it just ends and we're left with some lacklustre stuff around Hyde and Cobra, who do kind of manage to beat Daredevil here.

It alr more

(Cover Date: July, 1967)

Wacky Moment: DD disguises himself as Thor using flesh-colored plastic.