Un Cómic Más / Dave DSG's Profile

Plot
Cless, the envious scientist, has completed his device. With an army under his mental control, he heads to the lair of Rene—the woman who wields a .45—to recover a device belonging to Alexander: a portable power source. Rene does not survive.

Brady struggles to recover from the flood of information that entered his mind in a matter of seconds. His father informs him that his o wn energy form has been depleted and has faded away. Desperate for his father’s help—and finally feeling a sense of understanding between them—Brady must now organize his thoughts and activate the device his father created in order to stop Cless.

This spectacular fourth chapter sees the mystery begin to unravel, while the scale of action and danger intensifies, all wrapped in the framework of deep science fiction.

Art
The style resembles oil paintings on canvas, creating a dreamlike atmosphere where reality takes on an ethereal, surreal quality—a magnificent approach that is perfectly suited to the unfolding plot.

Summary
Cless has been unleashed, and not even Rene can stop him; everything now rests in Brady’s hands.more

Plot
Alex frees pilots Igu, Breeta, Hanu, and Xyla from prison and lectures them on responsibility; however, morale is low among them—especially for Xyla, who blames herself for the death of Tyborus.

Maggie discovers that Centaury intends to leave for another world and no longer wishes to recruit pilots who have perished; the weight of so many losses has taken a toll on his consci ence.

Naxos Ko-ma has tasked his scientists with studying Star Fleet vessels. They discover that the Arga Stone serves as the power source and set out to retrieve it in order to modify the ships of the BlackStar Squadron.

When a mysterious distress call comes in, Alex prepares his pilots—Igu, Breeta, and Hanu—but Xyla does not join them. The call is a ruse designed to lure them to the far side of the galaxy, allowing Naxos to launch an attack on Rylos.

The only line of defense is Xyla, piloting Centaury’s ship.

An installment packed with drama and action, featuring a breathtaking conclusion.

Art
Willi Roberts crafts a perfect science-fiction atmosphere that captures the tone of the classic film. The panels are filled with technology and mesmerizing details, breathing new life into this vast universe of characters and futuristic tech. Some panels are simply perfect.

Summary
Alex and his Starfighters fall for a trap that spells mortal danger for Rylos.more

Plot and Art
Shaolin Cowboy faces off against an ECOL A.I. machine that indiscriminately launches dirty underwear—obstructing Shaolin’s vision—while also launching constant attacks with chainsaws. The battle is spectacular and even includes a reference to *Army of Darkness* within this wild, outlandish sequence.

In the end, it is greed and consumerism themselves that save Shaolin.

The artwork maintains a mesmerizing level of detail, packed with hidden messages that elevate it to a true work of art. This is a comic that demands a careful, unhurried read; it is a visual delight with a cinematic quality, where certain action sequences feel as though they are unfolding in slow motion.

Summary
Shaolin vs. Dirty Underwear
The most intense and outlandish action sequence in comics this decademore

Plot
Red Sonja and Barbarella are drawn into a mysterious mirror that transports them to potential futures, where they encounter an android-like being who knows everything that is going to happen.

This entity is torturing both of them using time loops.

An intriguing start to this crossover, in which two strong, distinct female personalities must work together as a team.

Art
The artwork is detailed—bordering on hyperrealism—featuring mesmerizing sequences that highlight both the sensuality of the two characters and their capacity to inflict harm.more

Plot
Infernal Hulk has defeated the Fantastic Four and stolen the "Immaculate Engine"—a device capable of reversing the corruption of souls. The Avengers have fallen back, scrambling to devise a new strategy.

Luke Cage and Jessica Jones are heading home with their daughter, Dani, when they are attacked by Infernal Hulk; Spider-Man manages to rescue Dani.

Infernal Hulk se eks to transform Dani into a monster to harness her powerful abilities. Spider-Man succeeds in saving her, but he is wounded by Infernal Hulk in the process.

When the Avengers arrive to assist, they manage to rescue Dani—but Spider-Man has been infected by Infernal Hulk, transforming into a giant, monstrous spider.

This comic marks another step toward "Hulk War"—the conclusion of the Infernal Hulk saga—delivering a blend of horror and suspense that makes for an addictive read. Phillip Kennedy Johnson draws the reader in with a dynamic narrative, capturing the dramatic, desperate state of the Marvel heroes.

Art
The artwork incorporates numerous textures that soften fine details while simultaneously highlighting anatomy and epic poses. It evokes a grim, dreamlike atmosphere that fuels the story’s sense of horror.

Summary
Spider-Man attempts to protect Dani Cage, regardless of the consequencesmore

Plot
The Avengers are fractured; Tony Stark is isolated, and Captain Marvel—operating at only ten percent of her power—is on the verge of succumbing to alcoholism, though she receives counsel from Daredevil.

All of this unfolds against the backdrop of a mayoral election. Luke Cage is seeking reelection, but given the current poor reputation of superpowered individuals, he faces an uphill battle. He turns to Jessica Jones for help in investigating a mysterious homicide.

Meanwhile, Wolverine is tracking Miracle Man, hoping to offer support, as David Colton’s mental health is fragile.

Spider-Man senses that these events—the growing hatred toward superheroes and the disaster in Russia (see *Avengers: Armageddon*)—are not mere coincidences; something is orchestrating it all. Unbeknownst to them, Mephisto is in New York, coming to collect from those who once made a pact with him.

Miracle Man attempts to force his way into Stark Tower, seeking answers about the nature of his powers. Spider-Man intervenes, and Wolverine steps in to separate them—just as a group of celestial, angel-like beings launches an attack on Paige Howley’s father.

Paige escapes with a book given to her by her father, which instructs her to seek help from Spider-Man—the only person to have survived a pact with Mephisto (though Spider-Man himself no longer remembers it; see *One More Day*).

By chance, Spider-Man, Daredevil, Captain Marvel, Luke Cage, Miracle Man, and Wolverine find themselves working together—an impromptu lineup of a new Avengers team.

This is an excellent start to a saga that blends supernatural horror with the superhero genre and the political landscape of the Marvel Universe—a landscape that serves as a reflection of our own reality.

Art
Marco’s artwork is mesmerizing in its detail and texture; he captures the essence of each character while imbuing the story with a compelling, somber tone.

Summary
A fearsome being begins to collect on favors in New York, evolving into a cosmic threat that only the Avengers—even with a new lineup—can stop.
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Plot
This crossover features two stories by two different creative teams:

-ALIEN VS. X-MEN by Kieron Gillen and Geraldo Borges: Professor X and the X-Men on Earth discover Beast’s log, which explains the infection process involving facehuggers—a truly terrifying sequence.

Cable appears alongside Deadpool, Bishop, and Abigail Brand with a plan to travel back in time and i ntervene at the moment Wolverine is implanted by a facehugger. However, it is revealed that Cable and his team are impostors—Sentinels sent to eliminate both Xenomorphs and humans alike.


-BELLES OF HELL by Chris Claremont and Dave Messina: Kitty Pryde undergoes a bizarre training session with Illyana in the Danger Room, a setting teeming with Brood and Xenomorphs.

Claremont certainly knows how to write Kitty's adventures.

Art
Two artistic visions that, while similar, bear their own distinctive stamps; they elevate the story to a visually compelling level, perfectly blending these two character universesmore

Plot
This issue marks the beginning of a new story arc.

Daredevil is unable to locate Elektra, who is in possession of the "Ledger"—a journal belonging to the Kingpin that contains extensive information about his criminal activities and associates.

Suddenly, Mr. Fear reappears. This sadistic criminal, who toys with fear, releases a drug onto the streets that strips users of their sense of fear, triggering a wave of crime throughout Hell’s Kitchen. Daredevil destroys Mr. Fear’s laboratories to put an end to the production of this substance.

Meanwhile, Matt has been absent from his job as a university professor while searching for Elektra. A colleague named Sari confronts him about his irresponsibility; an annoyed Matt replies by announcing his resignation. Just as he is about to formally resign at the start of his class, Mr. Fear appears, holding Sari hostage.

A chilling start to a new story arc.

Art
The art style is organic and rich in texture, creating an engaging sense of dynamism. The body language and facial expressions are superb, and the masterful use of shadows establishes a dark, terrifying tone that perfectly suits the story.

Summary
Mr. Fear strikes with a new weapon designed to suppress fear, while Daredevil continues his search for Elektra.more

Plot
Max Flynn discovers that Betty is the leader of this entire movement; she had posed as his wife for all these years in order to bring in terrorists and destroy Denver. Her entire persona as a kidnapped victim was nothing more than a lie—a carefully crafted facade.

With the help of Jimmy and Jane, Flynn prepares to stop Betty from blowing up several buildings, and in the end, Jane manages to put a definitive stop to her.

A shocking, thrilling conclusion featuring a powerful plot twist.

Art
The artwork is rich in detail and texture, establishing a grim tone for a terrifying future while simultaneously incorporating familiar elements of the noir genre.

Summary
A shocking plot twist brings this intense story to a close
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Plot
This new series is a direct sequel to *GODZILLA: INFINITY ROAR*, in which Knull took control of Universe 616 by using Godzilla as a host. This allowed him to corrupt Yggdrasil, transforming all the inhabitants of the connected realms into symbiotes.

Doctor Doom and his team—dubbed the "Avengers of Doom"—prepare for another assault on Godzilla.

The group—consisting o f Doctor Doom, Kang, Man-Thing, Ghost Rider, the White Queen, the Punisher (piloting a Mecha Fin Fang Foom), Kagelmarher, a Weapon X-infused Godzilla, and Mothra—gears up to confront Godzilla, with assistance from Omag, the kaiju that serves as a pet to Miles Morales.

Meanwhile, the Fantastic Four, the Silver Surfer, America Chavez, Doctor Octopus, and Odin set out to heal Yggdrasil and defeat Knull.

This installment functions primarily as filler; while it features hilarious dialogue, it offers little in terms of significant narrative progression, saving the major developments for the finale.

Art
The artwork is relaxed, dynamic, and incredibly detailed, bearing the magnificent signature style of Javier Garrón—a look that feels influenced by Marvel’s Silver Age while simultaneously offering a fresh, modern perspective.

Summary
The Avengers of Doom split into two teams to launch separate attacks against Knull and Godzilla.more

Plot
The wild *BIG GUNS* crossover between Deadpool and the Punisher comes to a close.

Blind Al and Deadpool look for a way to escape the location where Blackhole is holding them, seeking help from Bullseye. In the process, Deadpool discovers the briefcase that activates a pocket universe—the very same one in which his daughter, Ellie, died.

When the briefcase is activat ed, everything Blackhole had been storing inside his body is released—right as he is about to finish off the Punisher. At that exact moment, Blackhole’s head explodes, the result of Bullseye having used the "Time Gun" five minutes earlier.

It was a somewhat rushed conclusion to an otherwise brilliant crossover, leaving many loose ends.

Artwork
Detailed and organic, achieving a somber tone but full of detail, highlighting all the brutal violence of Punisher alongside Deadpool's exaggerated and outlandish massacres.

Summary
Blind Al and Deadpool seek an infallible ally, while the Punisher attempts to stop Blackhole.
Final chapter of the crossover
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Plot
Iron Fist and Luke Cage knock the Punisher unconscious, believing he is infected; however, upon discovering he is actually fine, they take him to their stronghold in Harlem—a refuge for survivors of the virus, including Luke Cage’s daughter, Danielle.

The Punisher earns their trust when, during an attack by zombified Misty Knight and Colleen Wing, Iron Fist is bitten; the Puni sher saves him by severing his forearm.

Now, the Punisher, Iron Fist, and Luke Cage prepare to take down Gorgon, whose army includes zombified versions of Daredevil and Bullseye.

An exciting new reimagining of this infected Marvel universe.

Art
Rich in texture and line work, the art establishes a grim, chilling tone—blending moments of pure horror with the classic, bloody, high-octane gunplay characteristic of the *War Zone* saga.

Summary
The Punisher discovers that there is still something worth fighting for, and he has gained new allies in his mission to eliminate Gorgonmore

Plot
In the mid-1990s, *SIX OF US*—a sitcom featuring three men and three women—premiered. Young, attractive, and charismatic, the cast quickly captivated audiences. The main ensemble consisted of Gil (Liam), Cristina (Melody), Raphael (Alan), Hanna (Lauren), Selina (Brook), and Timothy (Taylor), each defined by a unique and complementary personality.

The story begins to reveal tha t secret relationships and breakups existed among the cast, eventually taking a toll on their group dynamic.

Hanna and Gil had an affair that left Hanna hurt; yet, she went on to achieve the greatest success in projects outside the sitcom, which sparked friction between them.

Tim continues to recount how he ended up dead in an empty swimming pool, revealing that he and Hanna share a dark secret: Hanna murdered the show’s director with an award—resembling an Emmy—and the two covered it up. Later, Tim decided to write a screenplay based on this tragedy.

Bit by bit, the complex web of secrets among the cast is unveiled.

Tom King delivers a narrative that will feel instantly familiar to those who grew up with classics like *FRIENDS* or *HOW I MET YOUR MOTHER*. Through nods and parallels that tap into the reader’s nostalgia, the plot takes a dark turn into the realm of noir, detective mystery, and crime.

Art
With an organic, texture-rich style, the visual approach evokes a 1990s retro aesthetic while crafting unsettling sequences that keep the reader hooked on every page.

Summary
Tim and Hanna share a dangerous secret, and jealousies among the cast begin to festermore

Plot
Sara confronts Patience, an assassin for the Vatican, when suddenly their leader—a man named Zadokite, the person responsible for the death of Sara’s father—appears.

Sara kneels before Zadokite, her father’s killer; she intends to infiltrate the organization to uncover why they murdered her father, the previous wielder of the Witchblade.

The organization treats its future assassins—the Magdalenas—like an army, with Zadokite looking after them as if they were his own daughters. Sara finds herself feeling as though she is among family, yet it pains her to feel so at ease among the very people who betrayed and killed her father.

Ultimately, Sara learns why her father was murdered by Zadokite: it seems he had intended to reveal the existence of this organization—and this entire hidden world—to the rest of humanity. Sara hands over her father’s mysterious key to Zadokite; it opens a vault within the Vatican where all the demons that have been exorcised are held captive.

Art
The art style is organic and highly detailed, striking a balance between the sensuality of the Witchblade and her lethal capabilities.


Summary
Sara begins to uncover the truth about what happened to her father—straight from his killer—leading to some powerful revelations.
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Plot
The consequences of Red Hulk’s explosion in Russia are far-reaching, shaking the foundations of international politics. Captain Marvel attempted to absorb the energy from the blast, but only managed to do so momentarily; as a result, her powers are now diminished to 10% of their full capacity. Bucky appears not to have survived, and at least 9,000 people perished in that Russian town.

David Colton—known as Miracle Man—is tormented by the event, feeling a deep sense of guilt as his own actions triggered the catastrophe. Wolverine serves as his anchor, reminding him that he, too, knows what it means to make mistakes. He urges Colton to make amends where possible, and to set aside the irreparable, focusing instead on addressing the problems that can still be solved.

The United Nations is set to issue a decree to regulate superpowered individuals. Nick Fury Jr. has aligned himself with UN Secretary-General Riani, and S.H.I.E.L.D. will work alongside the United Nations to exert control over these beings. The United States did not vote in favor of this resolution—largely because the country is home to the highest concentration of superpowered individuals, and the government fears them—yet the U.S. intends to work clandestinely with S.H.I.E.L.D.

Peter Parker is left shaken, but after an encounter with a relative of one of the victims, he becomes convinced that the Avengers must continue their mission to save the world.

Reed Richards continues to analyze the box that granted Colton his powers. While its origin remains unknown, he has discovered that another individual—aside from David Colton—possesses powers derived from this same source. The power is linked to another dimension, though the exact mechanism remains a mystery.

Overwhelmed by the situation, Tony Stark decides to retire from the Avengers. He chooses to focus his expertise on creation, utilizing a device originally belonging to Doctor Doom—a tool capable of generating universes and simulating how they evolve based on the decisions made within them. However, he catches a glimpse of a future in which Mephisto murders Peter Parker. In the end, it is revealed that Bucky survived the explosion and was recruited by Nick Fury. Captain America has finally awakened and is now recovering.

The stage is set for a new Avengers saga, taking place in a world that hates them—yet one they have sworn to defend.

Art
The artwork is rich in detail, elevated to a higher level of quality through the use of varied textures. It features designs that are as overwhelming as they are mind-blowing, characterized by heroic poses and a wealth of textures that create a striking sense of dynamism. This duo of illustrators is truly magnificent.

Summary
The aftermath of Red Hulk’s explosion sends shockwaves through the Marvel Universe, leaving the Avengers to face a world that does not approve of them.
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Plot
Simon suffered a spinal injury while killing Benedict Arnold's last henchman, leaving him confined to a wheelchair.

Albert Einstein tends to him and tries to lift his spirits, but Simon is in a state of deep depression, blaming himself for the deaths of Margaret, May, and Albert; he knows he will walk again because his body is healing, but he simply has no desire to do so.

Just as Albert Einstein is about to give up hope for Simon's recovery and return to Germany, Paul Revere—another U.S. Founding Father whom Benedict loathed and who has also become immortal—appears out of nowhere to explain something to Albert about Simon's immortality.

This installment deals with the pain of Simon's loss, even as his world—filled with danger and mystery—keeps turning.

Art
Bryan Hitch brings his cinematic vision to the table, directing mesmerizing action sequences and capturing the details and tones of bygone eras. The colors create a perfect atmosphere that transports the reader to the early 20th century.

His handling of scale is mesmerizing; he transports and shakes the reader with striking, realistic visuals in a format that closely resembles cinema.


Summary
Albert tries to help Simon recover, but the loss proves nearly insurmountablemore

Plot and Art
*Black Beetle* seamlessly blends gritty street-level noir with supernatural horror across two parallel storylines, featuring a cunning protagonist who consistently stays one step ahead of his enemies.

The plot brings together all the genre's essential ingredients: warring crime syndicates with unexpected twists, a *femme fatale*, a damsel in distress, and villains rang ing from the realistic to the outlandish—all handled with finesse and intelligence.

An impeccable homage to the pulp comics of the 1940s and 50s, the work stands out for its nostalgic atmosphere and captivating art, characterized by highly expressive faces and a color palette where orange highlights key elements. Its meticulous depiction of the era's clothing, vehicles, and architecture makes this story a true cult classic for comic book enthusiasts.more

Plot
Sharkey and Extra-Billy are on the verge of neutralizing Cody Blue and Thena Khole when they are suddenly attacked by local police. The authorities are after Extra-Billy, as—prior to meeting Sharkey—he had robbed numerous high-profile figures in that system. Thena is moved by Sharkey’s plan to use the bounty money to pay off the solar energy debts on her father’s home planet, but Cody re mains indifferent; the reward is simply too massive to care about anything else.

They are overwhelmed by the news that both have been infected by Jonlinn Terauts, leaving them with only days to live.

Sharkey and Extra-Billy face incineration—the standard punishment for thieves who have stolen as much as Extra-Billy has.

Each installment has featured nods to our planet's pop culture; this time, Thena delivers a fun, critical jab at the MCU.

Thena and Cody are then confronted by Quinton, their larva-like butler, who betrays them for the bounty; he and his accomplices work for a bounty-hunting agency. Cody strikes a deal with them, offering half the money stolen from the Queen of Enough. They agree, largely because the alternative punishment awaiting Cody and Thena was being eaten by the Queen at a banquet—a common form of retribution for her—and they would rather die from the disease.

This crossover offers a more dramatic take on the adventures of these thieves and the bounty hunter. Mark Millar cleverly continues to play with pop-culture references while highlighting relevant social and economic issues, all wrapped in a science-fiction setting.

Art
The art style is classic, harkening back to 1970s sci-fi and action pulp comics. It employs a warm color palette, lending the work a beautiful vintage feel.

Summary
Extra-Billy's secret ruins Sharkey's plan to capture Cody and Thena, who are terribly betrayed by their butlermore

Plot
Rene—the woman known as "The .45" and leader of the Rigula crime family, who had lent Alexander the money to complete his research—now wields a weapon created using the OMEGA BOOK. With it, she destroys rival families and, within days, rises to become the undisputed leader of organized crime.

Meanwhile, Cless—the envious scientist who betrayed and murdered Alexander—boosts his own strength and intelligence. He uses knowledge from the final pages of the OMEGA BOOK to build a device capable of destroying reality so he can reshape it to his liking; to achieve this, he commands an army of mind-controlled subjects.

Alexander reveals to Brady that a device capable of stopping Cless lies beneath his secret laboratory. However, the device functions by linking the user's mind with another's. During this process, Brady locates Cless and gains the information needed to stop him, but his mind accidentally links with his father's instead. He discovers that, in the end, Alexander valued him above his research—a moment of quiet redemption.

A spectacular third chapter where the mystery unravels and the stakes—in terms of both action and danger—escalate within a deep science-fiction setting.

Art
The visuals resemble oil paintings on canvas, creating a dreamlike atmosphere where reality blurs into something surreal; it is magnificent and perfectly suited to the story's development.

Summary
Brady uses his father's most dangerous device to find a way to stop Cless.more

Plot
The wild Deadpool/Punisher crossover BIG GUNS begins.

Deadpool tries to stop the Punisher, who has already secured the "Time Gun"—a weapon of unknown origin capable of killing anyone from any era of history. It had accidentally gone off once before, killing a saber-toothed tiger in the Stone Age; it holds ten rounds, and two have already been spent.

The "BadPools" a ttack the Punisher using the War Machine armor, allowing Deadpool to escape with Blind Al and the Time Gun. Deadpool wants to use the weapon to save his daughter, Ellie, but Al warns him of the potential consequences for the space-time continuum.

Black Hole—a being with the power to absorb objects and transport them to a kind of limbo—hires Bullseye to use the Time Gun for a precise shot.

Deadpool and Blind Al try to back out of handing the weapon over to Black Hole, but they are sucked in by his power and wind up at a reception desk—they have arrived at Black Hole's office.

The Punisher defeats the BadPools, dons the War Machine suit, and sets out to track down Deadpool.

This is an excellent penultimate chapter to the crossover; while Black Hole's plan remains unrevealed, this thrilling story concludes in Punisher #9.

Art
The art is incredibly detailed with a stunning, organic feel; it elevates the breakneck narrative to the max with brilliant dynamism. Through body language alone, it conveys Deadpool's intent without the need for facial expressions. Geoff Shaw outdoes himself with every new installment.

Summary
Deadpool and Blind Al make the mistake of handing the Time Gun over to the mysterious and wicked Black Hole; now, hopes rest on the Punishermore