Old Man Logan #16

Hopefully I've made the case for Old Man Logan (Marvel, if you see a sales spike, you know who to mail that check to). This is truly one of the best books on the stands, with each arc as eclectic as Old Man Logan's life. Read Full Review

OLD MAN LOGAN #16 ends on a cliffhanger that could lead almost anywhere, but it's clear that this series still has staying power. After a mediocre story arc taking place in Romania, OLD MAN LOGAN returns to the Wastelands with compelling art and an intriguing predicament for our protagonist. It's no surprise to me that the artistic break Sorrentino and Maiolo took during the Romanian arc tainted the series, but that's just how comics work. With the inclusion of Alpha Flightadding a nostalgic touch, I'm hopeful to see what Kang's involvement will lead to. I believe it's safe to say that OLD MAN LOGANwill continue its solid run as long as this creative team stays intact. Read Full Review

Old Man Logan #16 was another excellent entry one of Marvel's best ongoing comic books. Jeff Lemire continues to push Logan to go beyond what he is normally involved with. That has created stories that are refreshing to read. The space centric story was nicely balanced out by Logan's mysterious return to his timeline. It's still unknown how these stories are linked but learning that link provides plenty of intrigue for the rest of this new story arc. Read Full Review

JBL Reviews

Jan 07, 2017

Love this series

supercoolyeah

Jan 06, 2017

Lemire keeps you on your toes with anticipation in this issue. Love the back and forth and the confusion. The art of Sorrentino is perfect for this series and the coloring of Maiolo is bleak yet fitting. I can not wait for more.

Khan/Murdock

Mar 03, 2017

great start to a new story arc

Melkor

May 28, 2017

Certainly perfect issue.

Spock's Brain

Feb 01, 2017

Borrowing a page from his work on "Moon Knight," Lemire confuses reality here for Logan and the reader. The result is an interesting story that raises a lot of questions. This book only seems right when Andrea Sorrentino draws it, and he returns here in fine form.