Red Hood: The Hill #3

This is a strange sort of diversion from the tone of the first few issues, but it works because the creative team has done a great job of making this neighborhood seem realso it makes the divergence feel all the more stark. Read Full Review

Red Hood: The Hill #3 delivers an exhilarating blend of crime-fighting and supernatural suspense. With strong writing, captivating artwork, and well-executed character dynamics, this issue is a solid edition to the series. Don't miss the thrilling continuation of Jason Todd's battle against the forces of darkness! Read Full Review

This is the best cliffhanger yet. The heroes are facing off against impossible odds and now have a boost with the appearance of Batman. Read Full Review

Red Hood: The Hill #3 brings us a deep look at character-driven stories, a compelling and new antagonistic force, and the welcome but surprise return that'll really show how high the stakes are. All the characters have become real people that we truly care about, and hope for their wellbeing. This makes this unique series even more gripping. Read Full Review

It's difficult to shake off the feeling that I'm reading two stories awkwardly stapled together. While the story of the Hill is genuinely interesting, with some decent dialogue and art, Red Hood has yet to acclimate to his new surroundings and ends up sticking out like a sore thumb. Considering that a certain character – who is arguably more popular than Jason – makes an appearance on the last page, I don't think he's even doing enough to sell this series at this point. Read Full Review

Red Hood: The Hill #3 continues the series' trend of having the character who is theoretically supposed to be the main character or at least a central character, Red Hood, be mostly a side player. It also continues the feeling that the story is treading water. Read Full Review

Lions

Apr 15, 2024

Donde hay un -5 para esta basura? Ahora desesperadamente usara a Batman para ver si alguien compra este esperpento. No se que es peor el arte, la narrativa, los diálogos o la historia. Un vomitivo.