Spider-Woman #7

Their back and forth was a lot of fun to witness and even though Jolle Jones' style is different than Javier Rodriguez's (and you guys know I adore his work), she brought the elements I've come to enjoy when reading this series " like the realistic facial expressions. P.S. Jesse is a bit of a hottie, huh? Rachelle Rosenberg's vibrant colors really popped as well. And hat tip to Yasmine Putri for a gorgeous cover. Read Full Review

On its own, Spider-Woman #7 is enjoyable. Who doesnt like multiversal twins, broken furniture, crying babies, and Spider powers? There are some minor parts of the story that could have been more fully fleshed out, but overall this issue is a point that gets a lot of Jess world right as a standalone story and that helps to give some background to the Spider-Women crossover. This issue is a good mix of storybuilding and intent use of character qualities and I recommend it if youre a fan of Jessica Drew. Read Full Review

The Spider-Women event hasn't been as emotionally satisfying, or as fun, as all three titles tend to be on their own. Spider-Woman #7 may be the most successful of the lot, but that's because it mostly just feels like a regular issue of this series, but with slightly more Gwen Stacy. Read Full Review

Dennis Hopeless continues the story of an evil Cindy Moon's schemes, but what makes this issue compelling is Jessica's moral compass contrasted with Jesse's selfishness and Spider-Gwen's impulsiveness. Read Full Review

Spider-Woman #7 does not seamlessly fit into the "Spider-Women" event, yet Dennis Hopeless' intimate treatment of Jessica Drew and Joelle Jones' character-driven art fashion an enticing chapter of Spider-Woman's story. Read Full Review

A subdued yet fun chapter of the 'Spider-Women' crossover. As enjoyable as the dynamic between Jessica and Jesse is, it does feel to have come at the wrong time. Read Full Review