When I was reading DP Bad Blood #4, this bugged me so much I actually counted: 15 out of 29 pages had no backgrounds whatsoever.
It's a big hoo-rah "putting the band together" episode, conveyed with poetic words and beautiful art. I was certainly rooting for the good guys by the end, but I'm holding my rating a touch shy of "great."
Setting aside the character interactions--which are great--there's not a lot of plot development. The "big picture" progress can be fully summarized in a single sentence. And at least more
SUMMONS OF THE ALL-FATHER!
On the dark side of the moon, God faced Goddess - and that was only the beginning of Thor's troubles. But as his many foes gathered to destroy him, the Odinson had one final trick to play... This is the story of THE IMMORTAL THOR...and the Summoning of the Four.
Rated T+
The story speeds along to a delightful climax. Doom and Dino-Doom sound terrific, and the shape of the plot gives Ben Grimm another chance to save the day with brains rather than clobbering.
It's just a bit too speedy and shallow to qualify as truly great, at least in my opinion. Plus my subjective dislike of the art style is still itching me.
None of which is to say I consider thi more
Two universes, human and dinosaur, are colliding - and if one universe isn't sacrificed, then both will be destroyed! And making matters worse, an incursion point between universes has swapped the dinosaur and human versions of the Fantastic Four! But there is another incursion point elsewhere...in Latveria. And Doctor Doom has plans of his own - a...
The art remains great, combining painterly realism with creepy exaggeration to deliver an overwhelming air of menace.
The words themselves are rather restrained, and there aren't many of them. But the script is exactly in line with the art in terms of tone.
The creators are going all-in to trap Peter Parker (and the reader) in a relentlessly terrifying nightmare. And they are more
Peter Parker finds himself in the most terrifying haunted house possible. Who took Peter's powers? Who took Peter's friends and family? Who stands the best chance at taking Spider-Man down PERMANENTLY?!
Rated T
The opening scenes explain the abrupt ending to the previous issue. There's a crucial plot point in the larger story that would either take up an entire issue on its own, or a few pages of summary. The author has elected to handle it with the former approach. It's not perfect, but it works.
We get back to business soon enough: Blade being an absolutely relentless hardass, the Adana drip more
BLADE VS. THE ADANA, ROUND ONE - FIGHT!
Blade has been warned over and over of the Adana's indescribable, overwhelming power. But now armed with a secret weapon, it's time for Blade to send her back to the Hell she crawled out of!
Rated T+
A new creative team does a damn good job of making a silk purse out of the sow's ear of "God-Carnage" nonsense Marvel barfed up this year. By tackling the premise from a more theological perspective, the author excavates some intriguing ideas.
Carnage already has a good head of steam up, but Flash Thompson, his designated foil, just barely gets into gear. So this issue is a little slow. more
Every symbiote needs a host. And for CARNAGE, there has only ever been one host who has made it feel whole, and it's time for a reunion... DON'T MISS this shocking and unexpected start to the next chapter of CARNAGE's story - one which lays the groundwork for the next VENOM epic!
Rated T+
This is a fast, intriguing read that did a great job of holding my interest. It's gorgeously illustrated. For once, I'm willing to forgive an artistic collaboration with wildly divergent styles, because they're each outstanding.
What holds my rating shy of greatness is that the otherwise well-tuned script focuses most of my attention on heavily-worn thematic ground for Daredevil. It doe more
Daredevil pounds pavement and breaks bones on a crusade against the upstart gang terrorizing Hell's Kitchen. But that crusade will put Matt face-to-face with his deadliest enemy - and threaten the very souls of those closest to him.
Rated T+
Once it gets past the initial Rogue scene, this is a speedy, eventful rollercoaster. The plot's so interesting that this fast pace works fine. The art is still shadowy and heavy-lined, and it proves to be an excellent tool for gore and horror. While the characterization isn't all that insightful, the conversations and conflicts between the characters are excellent.
HOSTILE TAKEOVER!
The fiend taunting the Dark X-Men from afar leaves a trail of bodies in her wake as terror falls over the Limbo Embassy. Will CHASM join the fight against Orchis...or become Madelyne Pryor's ultimate downfall? And can the Devil ever truly be trusted?
Rated T+
This issue is very well illustrated, and it maintains a brisk, tense pace. The prose is good. The script doesn't delve very deep into the characters, but they all play a role in pushing the plot forward by leaps and bounds. The way their various story threads weave together is truly impressive.
I want to point out, though, that some of the psychological drama of the B strip is undercut more
A Superior Reckoning! SPIDER-MAN faces a NEW VILLAIN from his SUPERIOR past. As she fries New York with all the power of a living star, DOC OCK makes a life-changing discovery! MARK BAGLEY and DAN SLOTT continue their Spider-Man run with this 10th-ANNIVERSARY celebration of everything that made Spider-Man Superior.
Rated T
The heroes win a suitably dramatic, world-spanning victory. One of the things I've enjoyed throughout this series is its ambitious global scope. The final issue falls in line with the storytelling standards of those that came before. It features imaginative words (a few too many of them) and polished art that's not afraid to tell its own story.
CHILDREN OF THE END!
The beings raised in the artificial world of the Vault have known since their first breaths that they stood to inherit the Earth. They just didn't think mutantkind would make it so easy for them. With only Cable and Bishop to stand in their way, the end of human- and mutantkind both is at hand.
Rated T+
The art is pretty good, and the script digs deep into Jean's thoughts and feelings. It's an awfully navel-gaze-y episode, though. This ends the miniseries on a soft note and renders it a bit inconsequential; I suspect all of Jean's soul searching will be (or at least could be) summarized in two to three sentences in Immortal #17.
JEAN GREY'S GREATEST ENEMY!
The most powerful telepath on Earth still doesn't know the extent of her own mind. For months you've watched her relive her greatest traumas. Now the smoke clears...and the flame burns brighter than ever. All secrets are revealed in the finale of Louise Simonson and Bernard Chang's deep dive into the heart and mind ...
This might be one of my favorite issues in the whole Marz/Lim Rebirth sequence. The art remains retro, but in a wholly positive way: Ron Lim is showing off the results of all his experience. On the script side, for once, there's enough character and plot development worked into the zappy fights to satisfy my hunger for depth and nuance.
(The fact Mephisto doesn't appear probably factors more
Genis-Vell is unstuck in time! Now the only one who can save the young hero is...THANOS?! Turning to the Mad Titan would be dangerous enough for the Surfer, but he doesn't realize that Genis is trapped with a living weapon, forged for the sole purpose of killing Thanos! Can this fragile alliance survive the wrath of Norrin Radd, the Fallen One: THE...
The plot developments are reasonable, and they're conveyed with all-around solid storytelling. I particularly like the art.
But the pace is terribly slow. Despite its logic, the plot doesn't develop very far.
NO MUTANT IS SAFE!
ALPHA FLIGHT is boxed in by the very BOX SENTINELS they serve with! What secret agenda causes this schism within DEPARTMENT H, and how does it involve the mutants of Krakoa? Find out in the latest installment of the most surprise-packed series in the FALL OF X era!
Rated T+
In terms of storytelling, it's a pretty satisfying conclusion. The script is good, and the dialogue sounds more natural than some that's come before. The art is better; I really like Chris Campana's take on Venom.
This finale is not so satisfying when it comes to plot and characterization. Normie and Rascal are distracted from their dark thoughts by an opportunity for heroism and some p more
A HIVE DIVIDED!
As Normie Osborn loses himself to his symbiote and his family's legacy, his only friend, Dylan Brock, A.K.A. VENOM, stands as the last line of defense between what's left of Normie Osborn and the monstrosity called the RED GOBLIN!
Rated T+
This issue offers ample plot developments both in the present and in Talia's backstory. There's plenty of content to consider and savor.
The storytelling used to convey it is subjectively underwhelming. The script is a solid piece of work, but it doesn't fully captivate me. And the art…the art is good as art, but not good as a narrative tool. It veers far afield from the script, it d more
On the trail of the Cult of Mephisto, Talia Warroad and Johnny Blaze discover a town emptied of adults. What happened, what will become of the children left behind and how does it connect to Talia's own childhood? He may not be the nurturing type, but these children's only hope is the Ghost Rider! Plus: A backup story featuring Ghost Rider and Kush...
The plot pushes forward in a logical way, and the art, though stylized, is highly polished (and I happen to like the style).
The script could do a LOT more to engage my enthusiasm for the plot developments and the character interactions, though. The language is dry and stilted, and the character work never really meshes with the plot.
Plus, of course, the revelation of Captai more
THE ENEMY OF MY ENEMY IS MY FRIEND!
(For one issue) Orchis comes to the conclusion that they cannot control Captain Krakoa, and on the eve of his great triumph, with the world about to burn, they must turn to...the Avengers' Unity Squad? Plus, witness the blooming of the unlikeliest romance in Uncanny Avengers history!
Rated T
I could (just barely) call it a good comic if it weren't so relentlessly stupid and predictable. My other complaints--the stiff art, the constant anachronisms--I can set aside as subjective.
As the Howling Commandos struggle to decide the newly werewolfed Captain America's fate, a miracle happens - and a new ally arrives. Meanwhile, their Nazi foes make a call that could change the tide of battle - and the fate of the world.
Rated T+
I appreciate the way the plot is developing, and the art is (mostly) great, but that Hound fight is a total boat anchor. It's too long, and the combat quips are horrifying.
AMAZING FRIENDS - BACK IN NYC!
ORCHIS hunts in New York City - but this time, they're not after MUTANTS! The ever-amazing SPIDER-MAN swings onto the scene, but what new force will Orchis unleash that'll require the titanic team-up of ICEMAN and the friendly neighborhood wall-crawler?! Don't miss the coolest reunion of the fall (or the REVAMPED...
None of the stories here are particularly great. My favorite was No Spider Blues because I fully ship Deadpool and Peter. Something I noticed: In Rob Liefeld's story, there are barely any backgrounds. It's actually insane. We barely know at any point where any of the characters are in space. It will forever shock me that people like this guy's art.
Seven kills in seven days! Welcome to a week in the life of Wade Wilson, the best mercenary Marvel's ever had (just ask him)! From facing off with rival killers to top secret assassinations, DEADPOOL has a lot of work to do in this blood-soaked oversized issue full of fan-favorite creators past and future!
Rated T+
When I was reading DP Bad Blood #4, this bugged me so much I actually counted: 15 out of 29 pages had no backgrounds whatsoever.
It's every book he does art on. It's so far below the standard of quality that we should expect from the Big Two, and it's not a matter of style. He only gets work because of his name, and that's even perplexing in itself because his name wasn't good for long in the 90s.
I liked two of these. I hated two of these. I don't consider any of them objectively "good"; I think several are objectively "bad."
Plus, there's a lot of embarrassingly juvenile sexism and chauvinism going on. "Horny fratboi" is possibly my least favorite take on Deadpool.
Seven kills in seven days! Welcome to a week in the life of Wade Wilson, the best mercenary Marvel's ever had (just ask him)! From facing off with rival killers to top secret assassinations, DEADPOOL has a lot of work to do in this blood-soaked oversized issue full of fan-favorite creators past and future!
Rated T+
This issue retains the strengths of the first: polished, imaginative art; a slightly-too-large serving of clever (possibly even pretentious) language; and oodles of fascinating, mystic worldbuilding.
What it adds, boosting it to greatness, is that classic narrative trick: the "innocent newcomer" audience surrogate character.
It's not a new tool, but a talented creator can wi more
Jonathan Hickman & Valerio Schiti continue to redefine the Marvel Cosmology! The Centum normally has twenty-five Primes, now only three remain. College isn't worth the time or the money. There's a hidden book in the hidden library that hides a hidden door. Kubisk Core is from Georgia, like that matters.
Rated T+
With the stage set and the groundwork laid, this title bursts past world-building into the first stage of a climax. It's all "effect," with just enough "cause" to verify that it all makes sense.
And yet, I'm rating this just shy of greatness. The words and the art are both very good. But they don't fully evoke the potential epic-ness of the latest plot developments. And there are some l more
APOCALYPSE NOW!
When Genesis returned to Arakko, she brought war in her wake. What will her husband bring with him? This issue - Apocalypse returns! Storm holds the ultimate weapon in her grip - but in the face of En Sabah Nur, even that may not be enough...
Rated T+
It's slow and perhaps a little too mysterious.
Barring those shortcomings--and you could argue that they aren't even shortcomings--this is excellent.
The art agrees strongly with my personal taste, but I think it's very polished and clear, even if it's not your style. I like the time spent building up a mundane viewpoint character. It makes a nice contrast to jumping straight more
THANOS VS. THE ILLUMINATI!
The Mad Titan descends upon Earth to retrieve something he has lost. And the Illuminati must band together to stop him, because they're the ones who hid it from him!
Rated T+
Taking a full issue for the antagonist's backstory is right in line with this volume's pace. There's enough material to make it a compelling read.
The storytelling--words and art--never quite break through to exceptional. However, they are consistent, clear, and enthralling. You have to step back from the story and take a moment to appreciate the skill and subtlety with which it's being more
A SECRET FROM WAKANDA'S PAST THREATENS TO DESTROY ITS FUTURE!
Wakandan crime lord Baba Nkisu has summoned a deadly killer known as Kivu'Ma, but he may have gotten more than he bargained for. And Wakanda's history holds the key to the dark power that T'Challa must now defend his country from!
Rated T+
It's corny as all get-out, the plot points are predictable, and the art style--though not at all bad--doesn't really suit the material.
And none of that matters, because it's just a pummeling series of good-feels gut punches and "hell yes" moments, particularly for animal lovers.
And I only realize, here at the end, that this miniseries is ideal for younger readers.
It's the final stand against Blackheart as Throg, Redwing, Chewie, Lockjaw, Bats and D-Dog put everything they've got into stopping the son of Mephisto from unleashing his army on the world. But one of them won't make it out alive...
Rated T
It was a satisfying end to the arc, albeit not a particularly surprising one. The art was terrific, and the prose was decent.
Orchis agent Jun turned out to be a red herring/loose end, though. In retrospect, devoting so much of #45 of her seems to have been a mistake.
I'm happy Chronicler was sent to comics Limbo. Though his powers were interesting, they also tempted the auth more
A TALE OF TWO BROTHERS!
MIKHAIL RASPUTIN has been secretly controlling his brother, PIOTR RASPUTIN, A.K.A. COLOSSUS. Plans change. The control ebbs. Revenge is to be had. But at what cost? At last, the brotherly battle brewing the past four years in X-FORCE boils over - Mikhail vs. Colossus!
Rated T+
It's a collection of cool scenes that run smoothly at a brisk pace, but the "big picture" plot development leaves something to be desired. It doesn't dig particularly deep into any of its characters, either.
Perhaps the big Warlock reveal was too heavily foreshadowed; I get the sense that the author wanted it to be a bigger surprise.
It's still fun and stylishly drawn; I'm ho more
RELEASE THE HOUNDS!
Silver Sable's commission heats up! Nightcrawler's a slippery devil, and he's not about to surrender and let Orchis continue to terrorize NYC. Plus, you know, he's not too keen on the whole "murder all mutants" plan. Has Sable signed up for a gig she can't play? And when Orchis realizes her heart's not in the game...who wil...
It's entertaining for sure, and the plot takes a nice left turn before winding up where I expected it to be. But overall, there's not a lot of development. On the character side, what we get is spread a bit too evenly across the entire team for any one Guardian to stand out--which isn't a terrible fault. The art's appealing and the dialogue has its fair share of good lines.
THERE'S A NEW SHERIFF IN TOWN! AND NEW GUARDIANS OF THE GALAXY.
The truth about Grootfall is out there now, but will the universe listen? Do we even have to ask? It's the Guardians vs. Whitecap High Command! The Fight for the Fold reaches its explosive conclusion just in time for everything to go to flark!
Rated T+
Peter's reaction to Rek-Rap mirrors my own feelings about most of this volume: "Ugh, this buffoonery wastes a lot of time. Wait, the buffoonery's important?!"
I wonder how much of that similarity is intentional self-parody and how much is ironic serendipity?
Anyway, the storytelling standards remain pretty high. But the friction between the ludicrous and the dramatic erodes m more
GANG WAR: FIRST STRIKE!
Rek-Rap returns! Spider-Man's fun-house reflection might just be the thing to help the wall-crawler out of the darkness he can't seem to shake. Well, Rek-Rap MIGHT help if he weren't targeted by the scariest new Spidey-Villain in decades! GANG WAR IS COMING!
Rated T
From Frank Castle to Joe Garrison? Who's next? Bill Militaryplace?
I love the art. And the script conjures up some memorable action set-pieces, garnishing them with tasty tough-guy one-liners. In terms of storytelling, this might have the makings of a great comic.
But the relentless, shameless ripoffitude oozing from every pore means that it's not even a good comic (though it more
Is this the return of Frank Castle - or the start of something else? Frank Castle has disappeared, but evil will always need to be punished. With all-new threats rising to claim innocent victims, criminals will need to beware of a dangerous vigilante hunting them from the shadows. Who is the new Punisher? What put him on his path of vengeance? And ...
Pay attention to the title: While Blade has his role to play, this is really an epilogue to Marv Wolfman's original Tomb of Dracula series. Blade going full vampire doesn't really change his character, but it does lead to doom for the Big D himself.
The plot is solid, and it's relayed with workmanlike storytelling skill. But it lacks any real inventiveness or surprise. It makes for a de more
Legend MARV WOLFMAN returns to TOMB OF DRACULA and the character he co-created! WHAT IF...the legendary Dracula transformed BLADE the vampire slayer...into a vampire?!
Rated T+