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People liking this run is truly mystifying to me. It seems son demonstrably bad and yet people can’t see it.
DIANA'S BLOODY WAR WITH THE SOVEREIGN REACHES AN EPIC CONCLUSION! The Sovereign took away Wonder Woman's world, and now she has taken away his. As their war reaches its end, the two icons prepare for battle. Who will emerge victorious? Find out as Diana's quest for peace comes to a bloody end!
A dynamic heart-stopper of a finale. The war might be over for now but Tom King has so much more story to tell Read Full Review
I'm excited to see how this new arc unfolds when it fully kicks off in the next issue. Read Full Review
We're going to enter some uncharted territory here, and between this book and the upcoming Trinity solo title, I expect Wonder Woman fans will be getting more reading material than we have in a very long time. Read Full Review
Wonder Woman #19 concludes the first major segment of this run with a bang, producing crazy revelations and proving that this was all part of the master plan. Read Full Review
The first story in Tom King's Wonder Woman comes to a satisfying ending, and then teases a whole bunch of other craziness to come! That's good comics. Read Full Review
Wonder Woman #19 delivers an intense, dialogue-driven climax that brings The Sovereign arc full circle while laying the groundwork for future conflicts. Tom King's storytelling thrives on structure and tension, while Daniel Sampere's art makes even the quietest moments feel powerful. Though light on action, this issue cements Wonder Woman as an unstoppable force, both physically and emotionally. Read Full Review
King fills every panel of every page with narration, but still manages to leave me wondering what just happened, and the distant narration continues to drag. Sampere's art does the heavy lifting here, and almost overcomes the plot issues with sheer awesome. Read Full Review
Geez, Wonder Woman #19 is amateurish in it's heavy handedness and juvenile in its contrivance. If one needed a better reason to get Tom King off of Wonder Woman it's this comic. There's no reason to continue reading this comic. If this is how DC is going to treat Wonder Woman, then they should just give it to some writers who know what they are doing and let them do it independently. Nothing makes you feel more depressed or hopeless than reading a Tom King comic. Read Full Review
I'm very conflicted about this issue. While the way Diana dealt with the Sovereign was satisfying in that it kept her perfectly in character, with Wonder Woman being a Warrior for Peace, the rest of the issue left me confused at the revelations at play. While I'm not pissed off at the apparent future deaths of Wonder Woman and the Wonder Girls, it brings the question of why this wasn't brought up before this point in the story. Not only does death not hold any meaning in comics anymore, but especially in Wonder Woman's case, which is closely related to Greek mythology. Where death is never the end of a story. As the writer, Issac Asimov, once wrote, "Death is no denial of godhood if it is followed by resurrection; rather it is the offer of more
what a lackluster conclusion. Daniel Sampere's art is the saving grace of this series
Well... that was disappointing. To be completely clear, I was not expecting Diana to beat up an old man in any way shape or form. There was no catharsis to come from violence in the end, we sort of knew this just by knowing her character. Wonder Woman wouldn't punch an old man, metahuman or otherwise. At least I don't think so....
Emelie and her pregnancy are back, but just to prologue this story, or at least to prolong the saga of the Sovereign. Yeah, the story is not over. We're basically at the middle point here. Not going to spoil what's the ending. However, if that ending is true, I would expect a lot more urgency from Trinity while having this conversation with the Sovereign. A lot more of emotion, maybe? Just not sure w more
Dull, tad, lifeless…
And all the boring patriotic undercurrents…
Great art wasted on weird, pornographic, and dreading plot.
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