Spider-Man: Master Plan #1
| Writer | Robbie Thompson |
| Artist | Nate Stockman |
| Cover Price | $3.99 |
CRIME DOES PAY! Everything's going perfectly for PETER PARKER...he's got some time off and landed tickets to the hottest Broadway show in town...which means there's another shoe ready to drop somewhere...Join everyone's favorite web-slinger in an all-new story against his classic foe THE CRIME MASTER! Also including a special reprinting of AMAZING SPIDER-MAN #2, featuring the first appearance of THE VULTURE!
CRITIC REVIEWS
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7.0
Newsarama - Justin Partridge
Jul 05, 2017Even with a limited page count, Robbie Thompson, Jim Campbell, and Nathan Stockman tap back into the kind of frantic, charming energy that their previous efforts sported and funnel it into another fun entry into the canon of young Peter Parker stories. If you like your Peter broke and holding everything together with a joke and some webbing, then Spider-Man: Master Plan #1 is the Spidey story for you. Read Full Review
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7.0
Superior Spider-Talk - Doug Zawisza
Jul 10, 2017Spider-Man: Master Plan #1 reunites writer Robbie Thompson and artist Nathan Stockman " the creative team from Spidey. As such, this issue is a nice encore, but not a necessary one. Read Full Review
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6.0
411Mania - RobF
Jul 20, 2017When it's all said and done Spider-Man: Master Plan is low on plot but high in art. The inclusion of the ASM #2 reprint took up some of the real estate that the main story could have used. While I do understand that decision I think it hurt the main story. Read Full Review
USER REVIEWS
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8.0
Teen Peter just wants to see his not-Hamilton ripoff musical, but a crime wave conspires to tie him up with Spidey-business. Synergy has a positive impact for a change: Ordering a one-shot encore to last year's Spidey series is the ideal way to get a teen spider-book on the shelves in time for Spider-Man: Homecoming. This is a simple tale but not a simplistic one, and it delivers plenty of humor and acrobatic spider-action. Pairing it with the Vulture's debut from 1963 is a great way to highlight how Robbie Thompson and Nathan Stockman have lovingly pulled some of the strongest narrative and artistic devices forward from the original Lee and Ditko days.
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8.0
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7.0
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