The Power Fantasy #14

9.2

Critic Reviews

4 Reviews
N/A

User Reviews

0 Reviews
Writer Kieron Gillen
Artist Caspar Wijngaard
Cover Price $3.99

This book really has gone to hell.

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CRITIC REVIEWS

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  • 10

    KPB Comics - Joseph Pines

    Dec 19, 2025

    If you aren't reading The Power Fantasy, you're missing out. The writing presents a new take on an X-Men-like superhero family and amps up the personal drama and human side to 10. Read Full Review

  • 9.6

    You Don't Read Comics - Russ Bickerstaff

    Dec 17, 2025

    The title of the series continues to make clever reference to the stuffy, old criticism of superhero fiction: that its all escapist male power fantasy. I remember thinking about how bizarre that was as a kid. I grew-up on Marvel comics in the 1980s. These people DO have great power, but they are suffering like you would NOT believe. With The Power Fantasy, Gillen takes that danger of power dynamic to the absolute extreme with gods who are born as humans who are reacting to everything the way that Earthbound gods WOULD. Its horror. Above all its horror. And thats something that begins to feel all the more overwhelming with every issue. Read Full Review

  • 9.0

    AIPT - Joe Jones

    Dec 17, 2025

    Each issue of The Power Fantasy feels like we are gradually approaching an apocalypse of sorts that has been foretold to us from the start, and The Power Fantasy #14 in particular feels like we are two minutes away from midnight on the Doomsday Clock. Time is running out and the Atomics are veering precariously to the precipice of all-out conflict that will have deadly ramifications for the Superpowers and those humans who are unfortunate enough to be caught in the fallout. Read Full Review

  • 8.1

    Graphic Policy - Logan Dalton

    Dec 21, 2025

    Wijingaard switches up his art style for her empty visions with swatches of red and black that are like a ticking time bomb. Another wild card is Masumi, who at least has her to fall back on, and Caspar Wijingaard does beautiful work on her frightening, abstract painting while using a more traditional style and grid format for her interactions with the real world. Read Full Review

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