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It's too bad because Brian Michael Bendis' dialogue can be a strength as well as a weakness to any story. Despite a well plotted issue, and a story starting to "come about into the wind", quickening in pace and tension, the dialogue acts more like an anchor weighing the issue down. Even in his own comfort zone with Spiderwoman, Bendis leaves her superficial and contrite. While many have groaned over another Osborn story, the details are enticing, and the outcome far from over.
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