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That's a smart choice, because at its heart, The Spire is a murder mystery. Spurrier takes his time leading us through The Spire's world before we arrive at the dead body, but when we get there, it feels like a natural progression, not a genre break. Sh (the one with the eyepatch) gets enough character development that, by the time she's saddled with the task of solving the crime, we know her as a person, not just as a plot device. I'm not sure how Spurrier and Stokely cram so much into thirty pages, but I'm impressed, and eager to see how the big reveals in the final few panels will fit into the larger picture.
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