Tree and Andrea set out on a mission to rescue everyone’s favorite Russian child assassin Mikhail.Meanwhile, Thorne’s ultimate plan begins, and Abigail Jenkins will never be the same.
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Days ago, Rob Guillory, creator of Farmhand (and the Eisner Award winning Chew) announced he’d just drawn his last page of Farmhand, ever.
The finality of that statement resonates with me as I read pages of issue 22 : The Orphan. There is a palpable sense of urgency to make it to the finish line.
However, Rob doesn’t seem to be rushing the process. The storytelling remains evenly paced and the artwork is masterful.