Sometimes you have to grade on the curve. Some find that spineless or even a kind of cheating. But at least the practice lets you recognize and reward effort and, in a rough way, support improvement. Meredith and David Finch have improved over the course of their short run onWonder Woman. Truthfully, the book is still loaded with flaws. But, the increase in quality is real, and should be acknowledged. Wonder Woman Annual #1is arguably their best product yet. Read Full Review

In the end the first story arc wraps up in a satisfactory way, and even fun at times with the battle between the two Amazons, but it still leaves the reader wanting a lot more. Read Full Review

Readers get two stories in this annual and while the art was great in both, the first story felt rushed while the second felt unnecessary.  I don't know which is worse.  I do know that I can't recommend this Annual except as a way for readers to wrap up the War-Torn story arc and look at the pretty pictures. Read Full Review

There are positives to take away from Wonder Woman Annual #1. The series finally has some forward momentum, it really feels like it's going somewhere. David Finch's splash pages are gorgeous (though conversely his smaller panels lose too much detail). And there is enough intriguing groundwork to build upon. But all the other problems of this annual negate almost all of its positives. Read Full Review

This incomplete resolution makes Wonder Woman Annual #1 feel disheartening in too many ways. The Amazons still come off as thugs more than warriors. Other than Wonder Woman herself, the emotions in this story might as well have come from Kristen Stewart. The Amazons are in need of redemption. But by all accounts, they're a long ways from getting it and their efforts in achieving it are haphazard at best. And for the tribe that birthed Wonder Woman, they deserve better. Read Full Review

The second half of the issue helps make the entire arc more meaningful and is some of the better writing by Meredith during this run. However the second piece is not able to make up for the shortcomings of the first half and overall it's a disappointing finale. Read Full Review

Decent final chapter but good lord did some plot points just get glossed over. Ok, so the random alien dudes who had hives of random people just went home after Cyborg said he could fix it? What about all those people then? I mean Diana was crying over them a few issues ago and now the aliens who did all that, get to go home scott free? Also I hate what they did to Donna Troy, HATED. She was a mindless killer who is now resigned to rotting in prison. Talk about spitting on one of the most cherished DC characters or at least Teen Titan. You can say the art is good but if I'm honest, I've seen better from David Finch. The adjunct chapter was a pleasant surprise and redeemed the issue for at least 2.5 points. The background story was almost essential because without it a lot of plot holes are left unfilled. Overall, Wonder Woman could be doing worse. I hope the refresh (the word reboot is sort of taboo in the comic world these days...) will help Meredith find her voice because I do realize she still had some loose ends to tie up from Azzarello's run. I just hope Wonder Woman doesn't just go back to being a run of the mill comic like it used to be. more

The aliens get to go home making their story worthless, Dona is beaten easily and the amazons suddenly realize their mistakes, all this mess is caused because Hyppolita doesn't love the old lady. Too many convenient outcomes and missed opportunities to take advantage of possible great developments doomed this story....at least the art is very good

That isn't Donna Troy!! It's nothing remotely like Donna Troy.

The Finches basically threw away everything that they had been building up. Not the worst choice, but it's hard to get excited about their future plans.

The arc concludes in a manner that is both rushed and drawn out, with the bulk of it being centred on a fight between Diana and Donna. Characterisation continues to be thin with hardly any regard for consistency, although this is beneficial for Diana since at least she acts in character for the first time since the run began. Meanwhile, Donna Troy continues to be a bastardised version of herself, with the narrative captions implying this will be the last we see of her for a while, which makes this even more disappointing. The backup story works better than the main story by giving some motivation to the arc's villain, but it also suffers from generally underwhelming writing.